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Field Museum Online Store. The Field Museum is an educational institution concerned with the diversity and relationships in nature and among cultures. Paul Getty Museum Store. Metropolitan Museum of Art Store. The Metropolitan Museum of Art is one of the world’s largest and finest art museums.
That said, I think it will be a much different story a year from now. Children’s Medical Center of Dayton :: m.childrensdayton.org. Dallas Art Museum :: dallasmuseumofart.mobi. Nelson-Atkins Museum of Art :: nelson-atkins.org/mobileguide. Smithsonian National Postal Museum :: postalmuseum.si.edu/mobile.
The site operations a Genocide Archive, a Museum, Education and Social programs, and a memorial garden and burial grounds. The exhibition in the Museum has three main sections. They wanted to share their stories on my blog and through video and photos. Here is their stories. Germaine: A Social Entrepreneur.
By Colin Holtz and Steve Daigneault, M+R Strategic Services Everyone is talking about "the power of stories" — social scientists, nonprofit directors, your mother, you name it. Nonprofits are adding stories to their fundraising messages. Their four central points may sound familiar: Stories are universal.
Or maybe hello museum world! Children see play and imagination as their job. This month, I wanted to share some stories from my last two years as a strategy and content consultant. Previously, I had worked at the same museum for 17 years.) This week, I wanted to start with us, museum and cultural workers.
Ruth Cohen – American Museum of natural History. Jason Eppink – Museum of the Moving Image. The result was an 800 page book of narratives, pictures, stories, and much more that will now be part of the library’s collection. Ruth Cohen – American Museum of natural History. Learning Science by Design.
I write this piece in good faith about the organizations I know best: museums. The vast majority of American museums are institutions of white privilege. The popular reference point for what a museum is--a temple for contemplation--is based on a Euro-centric set of myths and implies a white set of behaviors.
On a recent trip to the Children'sMuseum of Pittsburgh, I noted a discussion board in the "Nursery" gallery. The questions are written for parents and caregivers to share tips, ideas, and stories with each other. For the Nursery discussion board, it's other adult visitors to the Children'sMuseum.
When I tell stories about how the MAH builds community, I emphasize the importance of deep partnerships and relationship-building. We connect with people both professionally and personally, at the museum and on the street. This weekend, I got my answer in Seoul--the 18th biggest city in the world--at Hello Museum.
If you’re a museum, zoo, cultural organization, aquarium, garden, or any nonprofit with a physical presence people can visit, you have a great opportunity to raise money and boost your membership sales by marketing your membership as the perfect gift. Here are a few creative ideas and examples—especially for parents with young children.
This morning, I checked in on the Pocket Museums on our museum's ground floor. I walked into the women's bathroom and saw what I expected to see--a bunch of quirky objects on display with stories written on post-its. A couple stories. Then I walked into the men's bathroom. No objects. And a lot of screwing around.
Below is a story from the New York times that gives us a glimpse of what that world might be like - where two high school children, albeit with some good connections, can demonstrate that some NY sushi is not "kosher" - offering farmed tilapia at tuna prices.
When a technologist calls me to talk about their brilliant idea for a museum-related business, it's always a mobile application. There are lots of wonderful (and probably not very high margin) experiments going on in museums with mobile devices. Most visitors to museums attend in social groups.
Nina has written a fantastic book engagement called The Participatory Museum. Most of my work involves museums, but these categories can be useful in any project that involves user participation. I've purchase a two copies, one for me and one to give away. I’ve added one more category to the mix called hosted.
Museums have been grappling with this question for years ( here's a 2007 roundup of such projects ), most aggressively in zoos and natural history museums where staff hope to inspire conservation and in history/concept museums that focus on civic engagement and activism. No small task for a museum exhibition.
When writing a story to raise money, an essential part of the story is a conflict. A problem or conflict in a story naturally builds a case for giving. However, many students and clients I work with compare their cause with others and doubt that they have a compelling enough conflict for a story.
This August/September, I am "rerunning" popular Museum 2.0 Diane is both visionary and no-nonsense about deconstructing the barriers that many low-income and non-white teenagers and families face when entering a museum. Most large American museums are reflections of white culture. Diane told an amazing story in response.
I was fascinated by our discussion, and Bob came to mind last month, when I was asked to write an article for the Association of Children'sMuseums quarterly journal, Hand to Hand , about children'smuseums and Web 2.0. To understand more, I turned to Elaine Gurian's article The Molting of Children'sMuseums?
Last week, I received an inquiry from Mary Maher, editor of Hand to Hand, a magazine put out by the Association of Children'sMuseums , about Museum 2.0. Why, Mary asked, were there no posts about children'smuseums on this site? Why aren't children'smuseums represented on Museum 2.0?
I'm thrilled to share this brilliant guest post by Marilyn Russell, Curator of Education at the Carnegie Museum of Art. This is a perfect example of a museum using participation as a design solution. This post appears here in excerpted form; you can read the whole story here. It is great to feel more of a part of the museum!" "All
Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" Children of the Lodz Ghetto ).
Once you identify the message of your fundraising email, you can add the stories, photos, and videos that drive the message home. The mom has a job at a museum cafe, the older kids are in school, and the youngest attends a wonderful daycare center we are so fortunate to partner with. Jamie’s success story. Time to Write!
It isn’t unlike what a museum curator does to produce an exhibition: They identify the theme, they provide the context, they decide which paintings to hang on the wall, how they should be annotated, and how they should be displayed for the public. The work involves sifting, sorting, arranging, and publishing information.
There's the barrier of the concern that this work is "social work" and not art--and therefore doesn't belong in a museum or a theater. When I met him at AAM, Rick told the story of the beginnings of Project Row Houses in the following way. He got to see the museum process from the inside.
Those of you who have watched Simone mesmerize a large audience should see her work with a small crowd of energetic and knowledge seeking children. The pictures below reveal even more of this wonderful story. She soon adored them and vice versa. They were so eager to learn that Simone was soon calling them “The Ducklings.”.
The team at EdVenture Children’sMuseum is spreading the value of play. Especially its ability to promote the development of social skills, imagination, communication, cooperation, creativity, reasoning, memory, and more among children. Share compelling stories that highlight the effect donors’ contributions are making.
Museums have used games to engage visitors for decades. SR: I came to games before I came to museums. My grandmother cheated at Candyland and uno. :) Games, I think, have a nice Venn diagram of overlap between museum lovers. I love thinking we're getting new museum lovers through games. How did you get into museum games?
People often ask me which museums are my favorite. I visit lots of perfectly nice, perfectly forgettable museums. In some cases, that's based on subject matter, as at the Museum of Jurassic Technology or the American Visionary Art Museum. Some are scrappy and iconoclastic, like the City Museum in St.
Stories are the currency of community. Image: The Children's Museum of Indianapolis. They shape our experience. They drive us to think, act, and change. Here at TechSoup, we know that successful storytelling does not happen in a blink of an eye, out of thin air, or by pressing a magic button. Pacific time for this.
Nonprofits are familiar with writing blog posts that provide program updates, tell success stories, comment on breaking news and current affairs, and promote calls to action. The rise of mobile and social media has profoundly altered how journalists frame and format their stories, and the same is true for nonprofit bloggers.
The redesign process included workshops to define goals, audience personas, and performance indicators, fitting the Center within the Gates Foundation’s brand and aligning with modern museum trends. Department of Health and Human Services.
Diane is both visionary and no-nonsense about deconstructing the barriers that many low-income and non-white teenagers and families face when entering a museum. Most large American museums are reflections of white culture. Diane told an amazing story in response. YES students defy expectations.
It’s clearly self promotional but may be popular because the photographs they tell a story and since they already have this content on their web site, it is smart to leverage it by creating a pin board with inks back to the site. SFMOMA’s Museum Store board is one of the its top three boards in terms of followers. Technology.
It was exhilarating to see them inspired to create their own meanings in response: lovers whispering together in alcoves, people of all ages writing and drawing on walls and post-its, children painting, everyone sitting rapt before screens. So many museum exhibitions relegate the participatory bits in at the end.
For years, I'd give talks about community participation in museums and cultural institutions, and I'd always get the inevitable question: "but what value does this really have when it comes to dollars and cents?" We're hearing on a daily basis that the museum has a new role in peoples' lives and in the identity of the county.
s essays have appeared in Good Housekeeping, The Huffington Post and Imagining Ourselves, an online exhibit founded by Paula Goldmanfor the International Museum of Women in San Francisco. s future and her safety, her advocates have requested this part of her story remain private for now. tells the true story of Odette ???s
Last week, I gave a talk about participatory museum practice for a group of university students at UCSC. During the ensuing discussion, one woman asked, "Which audiences are least interested in social participation in museums?" So what's a museum to do--especially one that is funded to encourage youth and teen participation?
Between high-altitude hijinks, run-ins with wildlife, and very long days of hiking, I finished John Falk's new book, Identity and the Museum Visitor Experience. In other words, if you are a curious person, you will go to museums to learn new things.
Submitted by Nina Simon, publisher of Museum 2.0. I’ve had it with museums’ obsession with open-ended self-expression. And yet many museums are fixated on creators. Museums see open-ended self-expression as the be-all of participatory experiences. This is a problem for two reasons.
These are some thoughts on a very small museum called the Brazos Valley African American Museum. I was fortunate enough to visit it during the Texas Association of Museums conference, and it brought up some reactions and emotions that I wanted to share with you. It wasn’t even 100% clear which stories went with each photo.
I’ve had it with museums’ obsession with open-ended self-expression. And yet many museums are fixated on creators. I show the tool and then they say, “yeah, but we really want people to share their own stories about fly-swatters,” or, “we think our visitors can make amazing videos about justice.”
Another fundraiser NFT is looking to sell Non-fungible Doge art with 10% of profits going to Save the Children, with TheGivingBlock.com supporting the transaction (source: [link] ). The NFT is the result of a partnership with the Muhammad Ali Center, a museum dedicated to Ali’s life. Embed from Getty Images.
Seb Chan has a lovely, long interview up at Fresh+New with Helen Whitty about the Powerhouse Museum's new mini-exhibition, the Odditoreum. The Odditoreum is another wrinkle in the study of visitors' understanding and interpretation of authenticity in museums. I enjoyed listening to it (virtually, not at the museum).
Last week marked four years for the Museum 2.0 People--especially young folks looking to break into the museum business--often ask me how I got here. This seems like an appropriate time to share the story. Ed Rodley recently wrote a blog post about museum jobs entitled "Getting Hired: It's Who You Know and Who Knows You."
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