This site uses cookies to improve your experience. To help us insure we adhere to various privacy regulations, please select your country/region of residence. If you do not select a country, we will assume you are from the United States. Select your Cookie Settings or view our Privacy Policy and Terms of Use.
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Used for the proper function of the website
Used for monitoring website traffic and interactions
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Strictly Necessary: Used for the proper function of the website
Performance/Analytics: Used for monitoring website traffic and interactions
Clay’s book talks about the implications of a society shifting from passive consumption of media to creators of media or being participatory. Each chapter is takes us through a look at the future by examining the past. Tags: Books. The book give us the 50,000 mile high view. There are some great quotes.
This is the third in a four-part series about writing The Participatory Museum. This post covers my personal process of encouraging--and harnessing--participation in the creation of The Participatory Museum. As the participatory content review progressed well, I started looking for other ways for people to help.
This is the second in a four-part series about writing The Participatory Museum. Several hundred people contributed their opinions, stories, suggestions, and edits to The Participatory Museum as it was written. People who copy edited had a very clear job to do, and I did not allow people to copy edit more than one chapter per week.
This is the final segment in a four-part series about writing The Participatory Museum. This posts explains why and how I self-published The Participatory Museum. From the very beginning, I knew I wanted to license The Participatory Museum using Creative Commons and give away the content for free online. Why Self-Publish?
In addition, I'm sending the winner my review copy of Mitch Joel's Six Pixels of Separation because I think she can learn a lot from Chapter 14 on Participation 2.0. Tags: Books pinko marketing relationships. Brian Reich author of Media Rules left a comment offering to include a copy of his book.
Gladwell’s assertion that social movements are based on tight ties and online efforts on, say, Facebook, are participatory efforts based on loose ties is simply not true. Tags: Books Movement Building Networked Nonprofit. In the 21st century we now have two oppositional methods of organization: the hierarchy and the cloud.
readers, I'm almost done with the first draft of The Participatory Museum: A Practical Guide , a book that explores the theory, practice, and design techniques for involving visitors and community members in the creation and sharing of cultural content. Tags: participatory museum. Dear Museum 2.0
Deconstructing the Social Experience As a designer of participatory experiences, my biggest question about Artprize is what made all these conversations and experiences happen in the first place. Tags: exhibition Unusual Projects and Influences. Was it the gritty urban setting? The prizes? This bore out at Artprize.
I thought it was a perfect chance to put one of the ideas in Nina Simon’s book The Participatory Museum to the test. Her case study about Structured Dialogue in the Signtific Game in chapter 3 describes a project where people engaged in conversation online about wild ideas. Projects guestpost Book: The Participatory Museum.
Hosting a session on Monday at 2pm on Design for Participation with participatory design gurus Kathleen McLean and Dan Spock, along with research extraordinaire Kris Morrissey and participatory art rockstar Mark Allen. This is the LA chapter of the 826 Valencia tutoring enterprise. The Time Travel Quickie Mart. See you in LA!
Chapter 9 focuses on "embracing" the groundswell, or finding ways to involve users in the development of new products, services, and strategies. Josh and Charlene spend most of this chapter talking about ways to prioritize and focus customer suggestions so that they form a useful basis for informed action.
Two weeks ago, I conducted a participatory exhibit design workshop with staff at the Smithsonian National Museum of Natural History. You should be able to read your mission statement like a chapter of the Torah--exploding out its implications and using it as a kind of legal text for proper action.
If you are interested in this topic, you might enjoy this interview with John Falk and Beverly Sheppard and Chapter 2 of The Participatory Museum. Tags: marketing Museums Engaging in 2.0 Kristen will be responding to comments and questions here on the blog. Projects interview membership.
I've spent the last two weeks working on the third chapter of my book about network effects of social participation. As she moves through the museum, she uses a web-based application to tag her favorite exhibits, or perhaps she texts a rating for each exhibit to SMS short codes posted at the bottom of each label.
In Chapter 3, McCloud identifies six different methods by which comic artists transition from one panel to another (for example, scene-to-scene or action-to-action). Ideas design participatory museum interactives. Tags: web2.0 Scott McCloud is the author of hands-down my favorite design book: Understanding Comics.
This week, we're covering the first objective in Charlene Li and Josh Bernoff's book Groundswell : listening (chapter 5). Tags: Book Discussion: Groundswell marketing participatory museum. This is a long post focused on strategic uses of listening rather than specific techniques. What does it mean to listen to the groundswell?
This is the first of a four-part series on the behind-the-scenes experience of writing The Participatory Museum. Overview: Stages of Development and Participation Types The Participatory Museum was written over a 15 month period that began in December of 2008. Next week, part 2 will focus on participants' experiences.
My book, The Participatory Museum , has done incredibly well so far, but there's a problem: the interactive components aren't working. They're simple --you can comment on any given chapter, or you can write a review of the whole book. Only one person has added a comment to a chapter (thank you, Juline Chevalier!),
Read about the Human Library in chapter 3 of The Participatory Museum by searching that term here.) Tags: design participatory museum. There was some related discussion about training guards to be able to have some art-related conversations in addition to their security duties. Where would you like them to be?
Most of my work contracts involve a conversation that goes something like this: "We want to find ways to make our institution more participatory and lively." Most museums that offer interactive exhibits, media elements, or participatory activities offer them alongside traditional labels and interpretative tools. Fabulous!" "But
We organize all of the trending information in your field so you don't have to. Join 12,000+ users and stay up to date on the latest articles your peers are reading.
You know about us, now we want to get to know you!
Let's personalize your content
Let's get even more personalized
We recognize your account from another site in our network, please click 'Send Email' below to continue with verifying your account and setting a password.
Let's personalize your content