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Enabling a Participatory Culture using Creative Commons Licenses by Gautam John. Such a model rests on the idea of a participatory culture and an essential ingredient is a permissive licensing strategy – Creative Commons licenses offers us this, a large community with shared values and an ecosystem to tap in to.
It is open, participatory, and peer-driven. This way of working requires a different, more participatory leadership model and mindset that Allison Fine and I first wrote about in The Networked Nonprofit and others have written about called “networked leadership.” It is closed, inaccessible, and leader-driven.
This exhibition represents a few big shifts for us: We used a more participatory design process. Our previous big exhibition, All You Need is Love, was highly participatory for visitors but minimally participatory in the development process. Without further ado, here's what we did to make the exhibition participatory.
This is the third in a four-part series about writing The Participatory Museum. This post covers my personal process of encouraging--and harnessing--participation in the creation of The Participatory Museum. As the participatory content review progressed well, I started looking for other ways for people to help.
This is the second in a four-part series about writing The Participatory Museum. Several hundred people contributed their opinions, stories, suggestions, and edits to The Participatory Museum as it was written. People who copy edited had a very clear job to do, and I did not allow people to copy edit more than one chapter per week.
The opening chapters include many stories about networks and collective action and pull out key themes and strategies. In addition to the stories, you’ll find additional resources related to each theme. We will be influenced by what our connections think and information production and distribution will become more participatory.
Clay’s book talks about the implications of a society shifting from passive consumption of media to creators of media or being participatory. Each chapter is takes us through a look at the future by examining the past. The book give us the 50,000 mile high view. There are some great quotes.
This is the final segment in a four-part series about writing The Participatory Museum. This posts explains why and how I self-published The Participatory Museum. From the very beginning, I knew I wanted to license The Participatory Museum using Creative Commons and give away the content for free online. Why Self-Publish?
I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."
In addition, I'm sending the winner my review copy of Mitch Joel's Six Pixels of Separation because I think she can learn a lot from Chapter 14 on Participation 2.0. Brian Reich author of Media Rules left a comment offering to include a copy of his book. As you know, it takes more than access to create a successful social media network.
You can now read all the chapters in The Art of Relevance for free online. You can still buy The Art of Relevance as a paperback, ebook, or audiobook--but you can also read any chapter, any time, online. You can also post comments on any chapter, adding your reactions and questions to the published content. It's finally here!
My book, The Participatory Museum , has done incredibly well so far, but there's a problem: the interactive components aren't working. They're simple --you can comment on any given chapter, or you can write a review of the whole book. Only one person has added a comment to a chapter (thank you, Juline Chevalier!),
This is the first of a four-part series on the behind-the-scenes experience of writing The Participatory Museum. Overview: Stages of Development and Participation Types The Participatory Museum was written over a 15 month period that began in December of 2008. Next week, part 2 will focus on participants' experiences.
I''ve seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."
Chapters report data to the headquarters which enables the organization to move resources quickly to where they are needed most. Use participatory processes to define metrics and methods of data collection. Create organizational partnerships to build capacity and deeper understanding. Partnerships can take many forms.
Gladwell’s assertion that social movements are based on tight ties and online efforts on, say, Facebook, are participatory efforts based on loose ties is simply not true. My co-author, Allison Fine and I found many great examples of successful activism using these tools as part of multi-channel campaigns in our book The Networked Nonprofit.
The chapter includes some tips on how to set up personal dashboards using various tools. The chapter includes some great reflection questions: What stories can you share to advance your top goals? Participatory engagement invites people to answer a particular question or comment on a post.
readers, I'm almost done with the first draft of The Participatory Museum: A Practical Guide , a book that explores the theory, practice, and design techniques for involving visitors and community members in the creation and sharing of cultural content. Tags: participatory museum. Dear Museum 2.0
Read about the Human Library in chapter 3 of The Participatory Museum by searching that term here.) Tags: design participatory museum. There was some related discussion about training guards to be able to have some art-related conversations in addition to their security duties. Where are the social hotspots in your institution?
Some are describing this shift in perspective as “participatory medicine” or “person-centric care.” There was also a focus on clear and consistent internal communications, providing daily talking points to chapters, scanning social media for potential crisis issues that came up and needed a fast response. This “Dr.
Most of my work contracts involve a conversation that goes something like this: "We want to find ways to make our institution more participatory and lively." Most museums that offer interactive exhibits, media elements, or participatory activities offer them alongside traditional labels and interpretative tools. Fabulous!" "But
Deconstructing the Social Experience As a designer of participatory experiences, my biggest question about Artprize is what made all these conversations and experiences happen in the first place. Was it the gritty urban setting? The prizes? This bore out at Artprize.
I thought it was a perfect chance to put one of the ideas in Nina Simon’s book The Participatory Museum to the test. Her case study about Structured Dialogue in the Signtific Game in chapter 3 describes a project where people engaged in conversation online about wild ideas. Projects guestpost Book: The Participatory Museum.
The kind of strategic planning processes that I lead are inclusive and participatory which means that the group is consulted, the vision of the group, the energy, we kind of tap into the energy, vision, knowledge, experience of the people who will be doing the work in order to make plans. Where are we not putting our energy?
Hosting a session on Monday at 2pm on Design for Participation with participatory design gurus Kathleen McLean and Dan Spock, along with research extraordinaire Kris Morrissey and participatory art rockstar Mark Allen. This is the LA chapter of the 826 Valencia tutoring enterprise. The Time Travel Quickie Mart.
Chapter 9 focuses on "embracing" the groundswell, or finding ways to involve users in the development of new products, services, and strategies. Josh and Charlene spend most of this chapter talking about ways to prioritize and focus customer suggestions so that they form a useful basis for informed action.
Two weeks ago, I conducted a participatory exhibit design workshop with staff at the Smithsonian National Museum of Natural History. You should be able to read your mission statement like a chapter of the Torah--exploding out its implications and using it as a kind of legal text for proper action.
The Digital Media and Learning Conference is meant to be an inclusive, international and annual gathering of scholars and practitioners in the field, focused on fostering interdisciplinary and participatory dialogue and linking theory, empirical study, policy, and practice. AFP, Colorado Chapter / TBA / Not available. Coming soon!
If you are interested in this topic, you might enjoy this interview with John Falk and Beverly Sheppard and Chapter 2 of The Participatory Museum. Kristen will be responding to comments and questions here on the blog. Projects interview membership.
I've spent the last two weeks working on the third chapter of my book about network effects of social participation. If we think about network effects not in terms of data collection but in terms of a useful outcome for visitors and institutions, we can design platforms that reflect our participatory values.
This month, I'll start sharing a few of the chapters as blog post sneak peeks. My last book, The Participatory Museum , did well. But this post today isn't a book announcement. This post is for those of you who want to read the book. and then do a little bit more.
In Chapter 3, McCloud identifies six different methods by which comic artists transition from one panel to another (for example, scene-to-scene or action-to-action). Ideas design participatory museum interactives. Scott McCloud is the author of hands-down my favorite design book: Understanding Comics. informatics Core Museum 2.0
The participatory "ask" is high--to create original content. After the conference, the wiki switched from being a participatory site to a useful record. For example, imagine you are creating a multi-chapter planning document. But wikis are a very specific tool. sites and don't offer traditional rewards. So when do wikis work?
This week, we're covering the first objective in Charlene Li and Josh Bernoff's book Groundswell : listening (chapter 5). Tags: Book Discussion: Groundswell marketing participatory museum. This is a long post focused on strategic uses of listening rather than specific techniques. What does it mean to listen to the groundswell?
I'm thrilled that Seema Rao is taking this blog and museum community into its next chapter. I spent 2007-2011 traveling the world, doing participatory projects and consulting gigs, and writing my first book. You gave me support as I struggled to lead a museum through a participatory rebirth. has meant to me. Museum 2.0
According to an interview by Peter Panepento with Lance Slaughter , chief chapter relations and development officer at ALS Association, the ALS Association saw itself as a vehicle for helping to tell the story about ALS and the effort to find effective treatments. It is open, participatory, and peer-driven. It is made by many.
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