This site uses cookies to improve your experience. To help us insure we adhere to various privacy regulations, please select your country/region of residence. If you do not select a country, we will assume you are from the United States. Select your Cookie Settings or view our Privacy Policy and Terms of Use.
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Used for the proper function of the website
Used for monitoring website traffic and interactions
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Strictly Necessary: Used for the proper function of the website
Performance/Analytics: Used for monitoring website traffic and interactions
It’s a creative, visual way to tell your organization’s stories of protest to your online communities. Ideal for organizing regional chapters, activists, or special events, Meetup makes it easy for nonprofits to organize supporters online to then meet up face-to-face offline. Museum of Me :: intel.com/museumofme.
It’s a creative, visual way to tell your organization’s stories of protest to your online communities. The winning charity receives 50% of the community donations, the 2nd charity receives 30%, and the 3rd charity receives 20%. Museum of Me :: intel.com/museumofme. Daily DoGooder :: thedailydogooder.com.
How to celebrate Black History Month Support Black-owned businesses One of the many ways you can celebrate Black History Month is to support Black business owners in your community. Becoming a customer can help these businesses stay open and serve their communities’ needs, whatever they may be. Donate to support their mission here.
.” The book offers up advice and techniques on how to make your online channels – email marketing, web site, and newer tools like mobile and social media work together in a sophisticated strategy or your organization to reach its advocacy, fundraising, or community building goals. Click to see larger version.
It’s a creative, visual way to tell your organization’s stories of protest to your online communities. The winning charity receives 50% of the community donations, the 2nd charity receives 30%, and the 3rd charity receives 20%. Museum of Me :: intel.com/museumofme. Daily DoGooder :: thedailydogooder.com.
It’s a creative, visual way to tell your organization’s stories of protest to your online communities. Microsoft Local Impact Map is a low-cost visual mapping tool ideal for nonprofits that have multiple chapters or programs. Museum of Me :: intel.com/museumofme. DailyFeats :: dailyfeats.com. Meetup :: meetup.com.
The digital storytelling approach powerfully illustrates all that NRDC has accomplished—from landmark legislation to practical changes that benefit the environment and local communities every day—to inspire audiences to support its work into the future and continue to grow its impact. The Frist Art Museum. Outstanding Website.
It’s a creative, visual way to tell your organization’s stories of protest to your online communities. Ideal for organizing regional chapters, activists, or special events, Meetup makes it easy for nonprofits to organize supporters online to then meet up face-to-face offline. Museum of Me :: intel.com/museumofme.
TechSoup is a nonprofit with a clear focus: providing other nonprofits and libraries with technology that empowers them to fulfill their missions and serve their communities. A service of Tech Impact , npCloud is a nonprofit whose mission is to ensure all nonprofits can use cloud-based technology to better serve their communities.
The digital storytelling approach powerfully illustrates all that NRDC has accomplished—from landmark legislation to practical changes that benefit the environment and local communities every day—to inspire audiences to support its work into the future and continue to grow its impact. Arkansas Museum of Fine Arts.
In addition, I'm sending the winner my review copy of Mitch Joel's Six Pixels of Separation because I think she can learn a lot from Chapter 14 on Participation 2.0. It's been my bible for community and relationship building. As you know, it takes more than access to create a successful social media network.
The digital storytelling approach powerfully illustrates all that NRDC has accomplished—from landmark legislation to practical changes that benefit the environment and local communities every day—to inspire audiences to support its work into the future and continue to grow its impact. The Frist Art Museum. The Vilcek Foundation.
Associate Professor, ASU School of Community. In a recent chapter on the history of the U.S. I can understand why somebody interested in museums wouldn't want to cover ground on health sector management. I also understand why somebody interested in health care wouldn't want to know the ins and outs of museums.
The digital storytelling approach illustrates all that NRDC has accomplished—from landmark legislation to practical changes that benefit the environment and local communities every day—to inspire audiences to support its work into the future and continue to grow its impact. National Air & Space Museum. The Vilcek Foundation.
This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.
Jasper Visser and his colleagues at the not-yet-physically-open National Historisch Museum of the Netherlands have impressed me with their innovative, thoughtful approach to developing a dynamic national museum. Last weekend my museum presented itself at the Uitmarkt in Amsterdam.
This is the third in a four-part series about writing The Participatory Museum. When I decided to write a book about visitor participation in cultural institutions, I knew I'd do it in a way that reflected the values behind the book itself--transparency, inclusion, and meaningful community participation. Check out the other parts here.
Despite all of those contributions, racism and violence toward Asian American Pacific Islander communities rose during the COVID-19 pandemic and remains an issue. There are lots of ways to fight racism against AAPI communities: One of the most powerful is by supporting AAPI-led nonprofits.
This is the final segment in a four-part series about writing The Participatory Museum. This posts explains why and how I self-published The Participatory Museum. COST: Museum books tend to be expensive - because they are printed in small runs, the price for a 400-page paperback can be as high as $40. Why Self-Publish?
Doubleknot Doubleknot’s integrated software solutions are targeted toward nonprofits and cultural organizations, including zoos, aquariums, museums, science centers, botanical gardens, and so on. transaction fee. transaction fee. Pricing Pricing is not available online; contact Doubleknot for more information.
This is the second in a four-part series about writing The Participatory Museum. Several hundred people contributed their opinions, stories, suggestions, and edits to The Participatory Museum as it was written. One wiki editor wrote, "Nina, your active presence as the author / hub for the contributing community was tops.
Over the past two years, as part of my work as Visiting Scholar for nonprofits and social media at the David and Lucile Packard Foundation, I have had the opportunity to participate in The Network of Network Funders (NNF) , a community of practice for funders who are intentionally investing in and working through networks.
Others are looking at no demand at all, and with it, no revenue, because their mission involved gathering large groups of people in places like theaters, galleries, and museums. When you have a good name in your community or discipline, the risk of a client, funder, or volunteer associating themselves with you goes down.
The NetTalks series , which includes five sessions, is intended to spark a meaningful conversation around alumni engagement and supporting a broader community practice of effective alumni networks. Connect is about connecting alumni to useful content, each other, the school community, events, and your database.
The NTEN Community consistently learns and shares from each other, creating opportunities to highlight the work that we all do. Playgrounds that Build Communities. Their new report dives into lessons on how to engage volunteers in community change efforts, telling the unique story of KaBOOM!, Have more news to share? Submit now!
I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. The Museum 2.0 In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean's book Visitor Voices in Museum Exhibitions.
Dear friends, This is my last post as the author of Museum 2.0. I'm thrilled that Seema Rao is taking this blog and museumcommunity into its next chapter. You can find all my archived Museum 2.0 Today, I want to share a bit about what Museum 2.0 When I think of Museum 2.0, I started the Museum 2.0
I came across Jeff Howe's definitive book on Crowdsourcing and in the last chapter he offer guidelines for crowdsourcing. Jerry Michalski use the metaphor of the global brain to describe this. Now wonder some arts organizations - museums, orchestras, and now operas - have embraced crowdsourcing as a creative technique.
This week, we look at Chapter 5 of Elaine Gurian's book Civilizing Museums , Choosing Among the Options: An opinion about museum definitions in two parts. First published in Curator magazine in 2002, this essay presents five different museum "types" and their distinct opportunities and challenges.
Audience segmentation and research has become a hot topic in museums, especially when it comes to crafting appealing offerings that are customized to different kinds of visitors. I sat down with Kristen Denner, Director of Membership and Annual Fund, to learn more about the program's development and the museum's goals for its future.
This week, we consider Chapter 11 of Elaine Gurian's Civilizing the Museum , "Function Follows Form: How mixed-used spaces in museums build community," but first, a short and relevant note about my writing process. Museums are naturally tuned to some of these but not all. a disparate mix of useful services.
They want to bask in your aura, be embraced as part of your community, and consider themselves members of your family. For example, at one organization where I worked, customer service was a full chapter in the employee handbook and people, with great pride, really took it to heart. .
This month, I'm sharing a few chapters from my new book The Art of Relevance in advance of its release. Here's one of my favorite stories about the London Science Museum and their work to make their science shows relevant to families with deaf or hearing-impaired family members. This chapter appears midway through the book.
In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. The content focuses on the question of WHY we collect and how our collections reflect our individual and community identities.
It’s a creative, visual way to tell your organization’s stories of protest to your online communities. Ideal for organizing regional chapters, activists, or special events, Meetup makes it easy for nonprofits to organize supporters online to then meet up face-to-face offline. Museum of Me :: intel.com/museumofme.
They take care of your facility, give tours of your museum, welcome attendees to your annual gala, and pass out medals at fundraising races. Volunteers help nonprofits connect with the community. There are likely a number of interested parties in your community that want to make the world a better place.
100% of the royalties from Celebrating Women go to the International Museum of Women. The International Museum of Women will be hosting a live, online chat on Friday, March 6 at 9:30 AM PT with Zainab Salbi, the founder of Women for Women International , an organization that supports women survivors of war.
Dear Museum 2.0 readers, I'm almost done with the first draft of The Participatory Museum: A Practical Guide , a book that explores the theory, practice, and design techniques for involving visitors and community members in the creation and sharing of cultural content. Tags: participatory museum.
Carolyn has been part of the Qgiv extended family since 2019—we proudly partner to help make a difference in our communities. It was then that I began working at a local art museum as a volunteer. Q: Are there community resources available? Q: What if one I have only basic office skills?
Vu is a writer, speaker, vegan, Pisces, and the Executive Director of Rainier Valley Corps, a nonprofit in Seattle that promotes social justice by developing leaders of color, strengthening organizations led by communities of color,= and fostering collaboration between diverse communities. Julie Hirshey. philadelphiaeagles.com.
We put a lot of work into developing ways to expand local relevance--to make meaningful connections with diverse people in our community. Relevance is one of our five engagement goals. And yet, the more convinced I became about the value of relevance, the more unsure I was of what it actually means. I wanted to get beyond the buzzword.
But this is also a good opportunity to speak to a subtler motivation for renewing—being part of a community. Many of your constituents may value their membership because it means they’re part of a larger community. Look for opportunities to remind your constituents that their membership means they’re a part of your community.
What does your museum have to say about it? What do visitors expect of museums, and what do museums expect of themselves, when it comes to timeliness? This is partially driven by museums, which want to be seen as "forums" for discourse, but also by the expectations of a media-saturated public. Pluto just got demoted.
This is the penultimate installment of Museum 2.0's s book club on Elaine Gurian's collection of essays, Civilizing the Museum. Next week, we'll conclude by talking about opportunities for institutional change with chapter 8, "Turning the Ocean Liner Slowly." have portrayed Indians inaccurately."
We organize all of the trending information in your field so you don't have to. Join 12,000+ users and stay up to date on the latest articles your peers are reading.
You know about us, now we want to get to know you!
Let's personalize your content
Let's get even more personalized
We recognize your account from another site in our network, please click 'Send Email' below to continue with verifying your account and setting a password.
Let's personalize your content