This site uses cookies to improve your experience. To help us insure we adhere to various privacy regulations, please select your country/region of residence. If you do not select a country, we will assume you are from the United States. Select your Cookie Settings or view our Privacy Policy and Terms of Use.
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Used for the proper function of the website
Used for monitoring website traffic and interactions
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Strictly Necessary: Used for the proper function of the website
Performance/Analytics: Used for monitoring website traffic and interactions
A Shared and Flexible Understanding of Impact As practitioners of and advocates for participatory philanthropy, we believe there’s a better way. Like many other activities in participatory philanthropy, this approach considers the process to be as important as the outcomes. To look is an act of choice.”
In our years of talking to staff, boards, and communities about participatory philanthropy, people often talk about their worst participatory decision-making experiences. New to Participatory Grantmaking? In participatory processes, our preferred way of decision making is consensus.
During 2010, I been able to read, blurb, write reviews, do blog giveaways, or author guest posts and interviews for a lot of terrific books that would be useful to nonprofit professionals in the social media, marketing, and ICT areas. 1. I read the manuscript over the summer so I could blurb this book. Zilch by Nancy Lublin.
Photo by Pratham Books: Snapshots from Bookaroo 2010 : Children's Literature Festival. I think Pratham Books , an NGO in India, is a networked nonprofit. Enabling a Participatory Culture using Creative Commons Licenses by Gautam John. Why not join the campaign for creativity and innovation by supporting Creative Commons
Today, after several years of researching and writing, Timms and Heimans have finally published their book called “ New Power: How Movements Build, Businesses Thrive, and Ideas Catch Fire in Our Hyperconnected World.” It is open, participatory, and peer-driven. It is a sector must read. It is closed, inaccessible, and leader-driven.
Did you read books, take classes, or have a coach? I also had an opportunity to attend a couple of sessions that used participatory facilitation techniques. If you are new to participatory facilitation techniques, use the Spectagram as an opener and use it to better understand skill levels in the room. Spectragram.
Source: Pratham Books. Note from Beth: During my trip to India in February, I was introduced to a nonprofit children's book publisher in India, Pratham Books. “It was set up to fill a gap in the market for good quality, reasonably priced children’s books in a variety of Indian languages.
The facilitation methods are participatory. Innovating for People Handbook: Design Thinking Methods: A recipe book of human-centered design methods. G amestorming: From my colleague David Gray, this is a recipe book for creating innovative new ideas.
There are different ways to design a participatory workshop. A more participatory approach, and one that Allen Gunn uses, is to crowdsource provocative questions from participants. If you are looking for some simple participatory exercises to make your workshop more interactive, I recommend Thiagi’s book, Training Games.
Participatory grantmaking [i] is no longer new. To be clear, participatory grantmaking has never been new. One of the first projects I was assigned to after joining Candid (then Foundation Center) was the guide on participatory grantmaking, now a seminal work in the growing body of literature on participatory grantmaking.
Fine writes about in her book Momentum. The book includes a "Connected Quiz, a set of reflective questions that can help an activist think about how well they or their organization is connecting with others -- something to think about before jumping into the tools. " This point really resonates with what Allison H.
Philanthropy back to the drawing board: Shaping a Future Agenda , by Philanthropy Europe Association (Philea) In the face of ever evolving and mounting crises, this book by Rien van Gendt urges philanthropy to stop looking to the past for answers. Here we highlight some of the most popular publications from 2023. communities face.
However, as several new books elaborate upon the concept from different perspectives, and a growing number of organizations have recently launched ambitious initiatives to expand the paradigm to other areas of business, I thought it might be a good time to reframe “Open&# from a design point of view." You get on. And you fall.
Participatory Gatherings. There is no better resource than “ The Facilitator’s Guide To Participatory Decision-Making ” by Sam Kaner. (They also offer workshops ). The book is an extremely practical resource whether you are working on improving your skills or teaching others. Strategic Dialogue.
Want to buy a book ? As many of you know, I've been working for the past year+ on a book about visitor participation in museums, libraries, science centers, and art galleries. Now, after long last, the book is here! The Participatory Museum is a practical guide to visitor participation. Why did I write this book?
It is what it sounds like: a book of original sheet music, beautifully designed and complemented with artwork and text. Beck''s project is unusual because he deliberately resurrected a mostly-defunct participatory platform: sheet music for popular songs. Song Reader didn''t come as a CD, or an LP, or a bunch of digital audio files.
In 2009 , students built a participatory exhibit from scratch. Thirteen students produced three projects that layered participatory activities onto an exhibition of artwork from the permanent collection of the Henry Art Gallery. This winter, I once again taught a graduate class in the University of Washington's Museology program.
When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. There are so many more people who join social networks, who collect and aggregate favored content, and critique and rate books and movies. Museums see open-ended self-expression as the be-all of participatory experiences.
Nina has written a fantastic book engagement called The Participatory Museum. A third argues that the project won’t be truly participatory unless users get to define what content is sought in the first place. I’ve been using these participatory categories to talk about how we’d like users to participate in different projects.
When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. There are so many more people who join social networks, who collect and aggregate favored content, and critique and rate books and movies. Museums see open-ended self-expression as the be-all of participatory experiences.
Unlike fellow nonprofit book nerd, Rosetta Thurman , I am way behind on my nonprofit book summer reading list. My blog is the July 15th stop on Clay Shirky’s virtual book tour for his recently published book, Cognitive Surplus: Creativity and Generosity in A Connected Age. Tags: Books.
As a designer, I'm always trying to ensure that participatory activities, however casual, impact both the participant and the organization. If fundraisers are so keen on relationships, why weren't they the first into social media and participatory projects on behalf of their organizations?
Starting Zoetica came on the heels of one of the most dramatic changes I made in my life in recent years. Starting Zoetica came on the heels of one of the most dramatic changes I made in my life in recent years. I now look forward to further refining curriculum and workshops over the coming months.
This past Friday, we experimented with a new feedback format at an evening event focused on poetry and book arts. The event involved over fifty artists throughout the building helping visitors make their own paper, write poems, stitch books, etc. Some people showed off their handmade paper or books.
The best participatory projects are useful. The participatory activity in question is part of the new Unfinished Business gallery, a room in which the museum engages with a contemporary issue related to the passion and work of Jane Addams and the historic Hull-House activist residents. Send poems!" was one of the answers.
This is the final segment in a four-part series about writing The Participatory Museum. This posts explains why and how I self-published The Participatory Museum. While some aspects are quite technical and specific, it should be useful for anyone considering writing a book for a niche audience. Check out the other parts here.
I offered to send my friend and colleague a list of key articles and books about this revolution, and it now occurs to me that I can share this list with everyone who is interested. Here it is: Books: Decolonizing Wealth: Indigenous Wisdom to Heal Divides and Restore Balance. Community-based participatory research.
Earlier this month, I participated in a social media library giveaway organized by Steve Cunningham , who like me, loves books. He writes a blog called " Read It To Me " that summarizes business books and also hosts Webinars with authors. Brian Reich author of Media Rules left a comment offering to include a copy of his book.
The Smithsonian is one of the Networked Nonprofits we feature in the book. There were a number of online/offline participatory visitor experiences. Playing tourist in DC, it is interesting to see how much your online digital life impacts your offline life. We spent most of the day at the Smithsonian.
This is the second in a four-part series about writing The Participatory Museum. Several hundred people contributed their opinions, stories, suggestions, and edits to The Participatory Museum as it was written. Check out the other parts here. What did they do? Why did they do it? What did they get out of it?
This is the third in a four-part series about writing The Participatory Museum. When I decided to write a book about visitor participation in cultural institutions, I knew I'd do it in a way that reflected the values behind the book itself--transparency, inclusion, and meaningful community participation. But that didn't matter.
Yesterday, I had the delightful opportunity to participate in the 3six5 project , a yearlong participatory project in which 365 people write 365 journal entries for every day of 2010. I think of 3six5 as a coffee table book that is being written one day at a time. The project's originators call it "a crowdsourced journal of 2010."
As many of you know, I’m writing a book about participatory design for museums. Over the last week, there’s been a lively discussion on the wiki about the key audiences and goal of the book, and I wanted to open that up to you (and you are, of course, welcome to join the wiki and help). And there’s a third reason.
This morning Allison Fine and I got up extra early for a Bagels and Books Event for The Networked Nonprofit at the National Conference on Volunteering and Service here in NYC. At book events, one of the most common themes we hear from nonprofits is about the fear that organizational leaders have about social media.
The guidebook focuses on “participatory machine learning,” which actively involves a diversity of stakeholders – technologists, UXers, policymakers, end users, and citizens.” The guide book stresses the importance of aligning your AI project with users needs.
While not wholly explored, that question reverberates throughout a new book, Blueprint , that shares the plans for the Dutch Museum of National History. I chose this book for our next Museum 2.0 I chose this book for our next Museum 2.0 The book was released just four months after the project was officially canceled.
Last week at the Packard Foundation, I participated in a conversation with Peter Laugharn, the Executive Director of Firelight Foundation about participatory learning agendas. This approach is not about counting dollar signs, but about feedback loops which is discussed in Michael Quinn Patton’s new book on Developmental Evaluation.
This is the first installment of a book discussion about Ray Oldenburg’s book The Great Good Place. Every Tuesday in June, this blog will feature a guest post examining some aspect of the book. I closed this book wondering: are cultural institutions really interested in being third places? Facebook discussion board here.
Note: If you have read the book and would like to write a guest post for this series, please contact me. The root of my frustration with the book is not that the project never came to fruition. The root of my frustration with the book is not that the project never came to fruition. The early participatory projects are terrific.
Downhill Battle , which is an organization people interested in the whole "copyfight" issue should know about, has a new project, called Participatory Culture. They’ve just released a beta version (sorry, Mac only, for once) of a new platform for internet video, called DTV. This is very cool.
readers, I'm almost done with the first draft of The Participatory Museum: A Practical Guide , a book that explores the theory, practice, and design techniques for involving visitors and community members in the creation and sharing of cultural content. Want to help substantively with the content of the book? Dear Museum 2.0
My co-author, Allison Fine and I found many great examples of successful activism using these tools as part of multi-channel campaigns in our book The Networked Nonprofit. Gladwell’s assertion that social movements are based on tight ties and online efforts on, say, Facebook, are participatory efforts based on loose ties is simply not true.
Author Melissa Greenwell interviewed many top business executives while doing research for her book, Money on the Table. When she asked them to list characteristics of their best leaders, those who work well as a team, collaborative was almost always first and foremost.
Author Melissa Greenwell interviewed many top business executives while doing research for her book, Money on the Table. When she asked them to list characteristics of their best leaders, those who work well as a team, collaborative was almost always first and foremost.
We organize all of the trending information in your field so you don't have to. Join 12,000+ users and stay up to date on the latest articles your peers are reading.
You know about us, now we want to get to know you!
Let's personalize your content
Let's get even more personalized
We recognize your account from another site in our network, please click 'Send Email' below to continue with verifying your account and setting a password.
Let's personalize your content