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Have you ever been to a restaurant, museum or shopping mall and needed to use the bathroom? If you’ve ever worked on a single project long enough, you know that elements start to blend together over time. You begin by looking up and around for any sort of signage. You halt the conversation and break away from your loved ones.
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I believe that the museum blogosphere is still underdeveloped and there's lots of room for people to share their inspiration, experience, and ideas. When anyone asks me who's doing great work blending online and onsite experiences in museums, I send them to Beck Tench at the Museum of Life and Science. you get the idea.
Last week, my museum hosted Hack the Museum Camp , a 2.5 day adventure in which teams of adults--75 people, of whom about half are museum professionals, half creative folks of various stripes--developed an experimental exhibition around our permanent collection in our largest gallery.
This August/September, I am "rerunning" popular Museum 2.0 Diane is both visionary and no-nonsense about deconstructing the barriers that many low-income and non-white teenagers and families face when entering a museum. Most large American museums are reflections of white culture. blog posts from the past.
The concept of energizing areas through unique building reuse and the blending of public and private spaces is a core part of ODAs work. The projects public spaces have not yet opened, but 100% of the buildings retail and 80% of its office spaces have already been leased.
When I was in Taiwan, I heard again and again from museum professionals: "We are very conservative in Taiwanese museums. This post is a photo essay focusing on an area at the Taiwan National Museum of Fine Arts called the Digiark. The look blends funkiness with clean lines, industrial space with natural light.
It was designed for learning – almost like an exhibits at any children’s museum in the US. She again invited me to present at the Nasscom NILF Conference in 2010 and teach workshops. There are computers and large monitors in each classroom, Internet access, and of course, the software development.
Like a lot of organizations, my museum struggles with two conflicting goals: The museum should be for everyone in our community. At the Santa Cruz Museum of Art & History , we''re approaching this challenge through a different lens: social bridging. Museum of Art and History programs social bridging'
How do you help visitors know what they can and cannot do in your museum? Most museums have this figured out: they have signs, they have guards, they have cases over the objects. And this works pretty well in science museums, where designers talk about "hardening" exhibits to withstand the more aggressive touchers among us.
Diane is both visionary and no-nonsense about deconstructing the barriers that many low-income and non-white teenagers and families face when entering a museum. Most large American museums are reflections of white culture. Louis homeless shelters to introduce them to the local museums. Why can't new visitors do the same?
There were so many fabulous recommendations for the next Museum 2.0 This book, suggested by Susan Wageman, looks like a fabulous, off-beat, and highly pertinent read for librarians, museum folk, and cultural professionals of all sorts. It appears to blend high-level recommendations with specific case studies.
Adam and I first met in 2008, when we were part of a National Academies think tank-ish thing on the future of museums and libraries. All the participants were asked to write one-page position papers about museums and libraries in the 21st century. Adam argued for museums to become "less visitor-oriented," and I argued the opposite.
I'm heading this weekend to the American Association of Museums conference in Minneapolis. Here's what I'd love to explore at AAM this year: Event-driven models for museums. About 85% of visitors to our museum attend through a program/event. (No relation to AAM. How prevalent is this? Participatory history programming.
Based on the details from the Weibo photos, the Shanghai Akihabara area may include gaming-IP sculptures, comic merchandise stores, VR experience store, a performance stage, a multifunctional theater, an anime museum, and an AI digital human virtual experience store, among other commercial facilities. million ($93.05
Nik inquired as to how I feel about museum blogs. what's your take on museums that keep blogs? In general, yes, I think that museums maintaining blogs is an effective, cheap way to get changing content out to the public frequently. version of the news clippings tackboard on “Current Events” in hallways of some museums.
Blending Old and New Tech to Make History Come to Life - Social Philanthropy - The Chronicle of Philanthropy- Connecting the nonprofit world with news, jobs, and ideas : "The site has been in an open test for the past year and won the 2011 Webby Award for the best site for a charitable organization.
I've long believed that museums have a special opportunity to support the community spirit of Web 2.0 This month brings three examples of museums hosting meetups for online communities: On 8.6.08, the Computer History Museum (Silicon Valley, CA) hosted a Yelp! Me: Have you ever been to this museum? meetup for Elite Yelp!
Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution. So many museum exhibitions relegate the participatory bits in at the end. The Love Lounge I LOVE. with sharpies.
This problem is analagous to the repeat visit problem for museums. Museum visits, like book reading, can be an intense and wonderful experience. But is one museum visit enough to compel a second visit? How do you encourage visitors to have a sense of pervasive experience with the museum? But the approach is valuable.
This is less true of Dirty Laundry, which required a blend of friendly invitation to participate and private spaces to contribute secrets.) As one participant said, "the museum feels friendly in a way it usually doesn't." People make the museum friendly, not activities. The secrets ranged from funny to sexy to deeply serious.
Their images and audio can blend with or compensate for normal sensory perception of the world, rather than being confined to a discrete, self-contained screen. Public memorials like the US Holocaust Museum asked players to respect the space by not chasing virtual monsters in it.
Last Friday, I witnessed something beautiful at my museum. I've been documenting lots of small bridging incidents at our museum over the past few months. It could have been the attitude of the museum that supports participation and conversation. At museums, we mostly bond with the friends and family with whom we attend.
United States Holocaust Memorial Museum. Holocaust Memorial Museum has a clean and effective donation page and does something incredibly powerful—it tells a story. From the bright color scheme to the punny tagline, this page is the perfect example of blending a bit of humor with perfectly executed design for a great donation page.
The folks at the AAM Center for the Future of Museums have been experimenting with sharing ideas in several ways over the past couple of years--through their blog , their weekly newsletter , and a series of research reports. Each article includes museum examples along with a broader look at the trend.
On a recent trip to DC, an old friend showed me around a new exhibit at the US Holocaust Memorial Museum (USHMM), From Memory to Action: Meeting the Challenge of Genocide. The USHMM pledge wall is notable for its blending of digital and analog technologies. But it wouldn't have been nearly as powerful.
There are lots of museums (and organizations of all kinds) looking for ways to inspire users and visitors to produce their own content and share it with the institution online. The World Beach Project is managed by the Victoria and Albert Museum in London with artist-in-residence Sue Lawty. The activity is compelling.
I've become convinced that successful paths to participation in museums start with self-identification. The easiest way to do that is to acknowledge their uniqueness and validate their ability to connect with the museum on their own terms. Who is the "me" in the museum experience? Not so at museums.
We're looking for an Exhibitions Manager to join our team here at the Santa Cruz Museum of Art & History. This is a highly collaborative role, and we are looking for the perfect blend of strong design skills with a generous enthusiasm for amateur and professional co-creation. You Can't Do That in Museums Camp is filling up.
In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. We made a giant mobile for the center of the museum out of origami birds folded from visitor comments received in the past year.
But Nathan’s path to lost treasure actually begins back in his adolescence when he (Tiernan Jones in flashbacks) and Sam (Rudy Pankow) were just two wayward boys sneaking out of their orphanage to steal valuable pieces of history from museums, as children are wont to do.
For example, A Green Mountain Coffee Roasters sampler of Organic Breakfast Blend, Organic French Roast and Organic Sumatran Reserve is $26.95. Babatunde Olatunji" Full disclosure: New Mexico Creates is related to the Museum of New Mexico Foundation, where my dad works. Yesterday is history. Tomorrow is a mystery. Today is a gift.
Facilitated/Unfacilitated Blend When we started this course, I really pushed the students to think about ways to induce unfacilitated interactions among strangers. They reminded me of street vendors or great science museum cart educators, imparting an energy to the space without overwhelming it.
At the MAH, our goal is for museum participants to reflect the age, income, and ethnic diversity of Santa Cruz County. This argument encourages organization to strive for a demographic blend that over-indexes younger, lower-income, more racially diverse participants. The people on the outside are the ones coming in.
How did the authors come up with the intriguing blend of curatorial, interpretative, and inventive opportunities shown in the Audience Involvement Spectrum's Venn diagrams? I found many of the frameworks useful, but the lack of context and detail was frustrating.
We share an abiding interest in exploring the community-enhancing roles of libraries, archives, and museums (LAMs), especially in terms of the practice of hospitality and service within the institution. Nina's research keeps finding that the right kind of constraints work to produce a better participatory museum experience.
Heck, sign me up for a ticket to the zombie museum. But when I took off my “entertainment” glasses and put on my museum eyes, my reaction wasn’t amusement. I imagined museum folks reading the article and snapping the paper closed with smug smiles on their faces: "See. It was distaste. This is why we have to avoid Disneyfication."
But over the last couple of months, I've learned about two tagging projects that actually get me excited-- CamClickr at the Cornell Lab of Ornithology and the Posse at the Brooklyn Museum. When museums embark on collections-tagging projects, they are almost entirely focused on this secondary benefit. And that brings us to CamClickr.
Museum Projects COSI has done a lovely job aggregating all of their social media efforts into one "Share" tab on their website. The Brooklyn Museum is offering a new "socially networked" membership called 1stfans starting Jan 3. Let me know if you end up using it for a museum event or exhibit! Keep 'em coming, and enjoy!
Exhibit labels in science centers ask more questions than any other kinds of museums, and yet the questions are often awful--teacherly, overly rhetorical, and totally meaningless. asked by a cop or mother, garners the full attention of asker and askee alike, museum questions like "what is nanotechnology?,"
Several of the projects I'm working on these days relate to the concept of "extending the museum experience." And so when it comes to designing online extensions to the museum experience, we need to apply a different set of expectations from those we use to design onsite experiences. But most online experiences are not linear.
I started my museum career as an exhibit designer. But I reserve for Don Hughes that particular blend of admiration and fear that comes when encountering uncompromised brilliance. The Monterey Bay Aquarium is a giant in our field, just as Don himself is a giant in the world of museum design. The Aquarium is confident.
Many museums have jumped into the middle level—producing their own content—without starting with commenting. Consider the path of the Bay Area Discovery Museum. Jennifer Caleshu, their director of communication, is a museum talker extraordinaire. Both are museum-run forums for visitors to post their own content and opinions.
This is the ninth in a series of posts on the Santa Cruz Museum of Art & History ( MAH )'s development of Abbott Square , a new creative community plaza in downtown Santa Cruz. FLEXIBLE OPTIMISM + HARD CRITERIA Real estate developers blend optimism and flexibility with clear-eyed assessment of what external conditions make a project go.
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