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Last month, the Irvine Foundation put out a new report, Getting In On the Act , about participatory arts practice and new frameworks for audience engagement. I've often been asked about examples of participatory practice in theater, dance, and classical music, and this report is a great starting point.
It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement. This post focuses on one aspect of the exhibition: its participatory and interactive elements. So many museum exhibitions relegate the participatory bits in at the end.
The project has not had any heavy marketing campaigns or contests associated with it. But in many cases, visitors may simply choose not to submit a photo for a contest or a thought into a comment box because the request seems insincere, demeaning, or silly. design participatory museum usercontent. It's not marketing hype.
While this post is not about museums, it tells the story of how a performance group developed participatory elements as an integral part of their show. We see the stage as a safe place for taking some participatory risks—we handpick volunteers who come up to dance and compete, and their terror, fame, and hijinks only last a few minutes.
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