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Authors re-creation of Bob Taylors office with three teletypes. They all worked slightly differently, and it was frustrating to remember multiple procedures to log in and retrieve information.
In fact, the "holograms" you see in sci-fi movies are almost always better described as volumetric displays, according lead author Elodie Bouzbib from UPNA. These displays could be particularly useful in museums, for example, where visitors can simply approach and interact with the content," the team said in the statement.
18: International Museum Day — #MuseumDay. About the Author. 3: World Press Freedom Day — #WorldPressFreedomDay. 8: World Fair Trade Day — #WorldFairTradeDay. 9: World Migratory Bird Day — #WorldMigratoryBirdDay. 10: World Lupus Day — #WorldLupusDay. 12: International Nurses Day — #NursesDay.
18: International Museum Day — #MuseumDay. About the Author. 3: World Press Freedom Day — #WorldPressFreedomDay. 8: World Ovarian Cancer Day — #WOCD23. 10: World Lupus Day — #WorldLupusDay. 12: International Nurses Day — #NursesDay. 13: World Fair Trade Day — #WorldFairTradeDay. 23: World Turtle Day — #WorldTurtleDay.
Photo by American Art Museum Note from Beth: This week I'm trying to understand crowdsourcing and nonprofits, hopefully with a crowd of other folks. It is an open study/storage facility displaying about thirty-three hundred objects from the collection of the Smithsonian American Art Museum. We are storage, after all.
Two recent events have got me thinking about pranks and unauthorized activities in museums. Improv Everywhere staged an event at the Metropolitan Museum in which an actor posing as King Philip IV of Spain signed autographs in front of his portrait, as painted by Diego Velazquez in the 1620s. I feel like it's more complicated than that.
I write this piece in good faith about the organizations I know best: museums. The vast majority of American museums are institutions of white privilege. The popular reference point for what a museum is--a temple for contemplation--is based on a Euro-centric set of myths and implies a white set of behaviors.
I started the Museum 2.0 can be applied in museums to make them more engaging, community-based, vital elements of society. that are authoritative content distributors--like traditional museums. removes the authority from the content provider and places it in the hands of the user. I'm Nina Simon. What do I mean by 2.0?
space on the web dedicated to exploring museums, objects, design. of its authors and contributors. Britt Bravo at Netsquared posted on the community blog about museums and podcasting. The author of mode left a comment and their url. Technorati Tags: net2 , nptech , art_museums , museums , podcasting Mode is a new.
Dear Museum 2.0 As of May 2, I will be the executive director of the Museum of Art & History at McPherson Center in Santa Cruz, CA (here's the press release ). I am closing down my consulting business at the end of April, but the Museum 2.0 Here are a few things that make the MAH an exciting museum to me: It's small.
Fueled by a strong passion for the Internet, Heather spends her days (and some nights) helping nonprofits worldwide utilize digital marketing and fundraising tools for social good.
I have a lot of conversations with people that go like this: Other person: "So, you think that museums should let visitors control the museum experience?" Other person: "But doesn't that erode museums' authority?" If the museum isn't in control, how can it thrive? Me: "Sort of." and my emphatic response is YES.
Visitor-contributed photos surround a collection piece in Carnegie Museum of Art's Oh Snap! so I was intrigued when I heard about a recent success from Jeffrey Inscho, Web and Digital Media Manager at Carnegie Museum of Art in Pittsburgh. The museum selected and is featuring 13 works recently added to our photography collection.
I asked Wendy Pollock and Kathleen McLean, authors of the new book The Convivial Museum , to share a guest post about the book. At first glance, our new book, The Convivial Museum , is about the most simple ideas. This image of opening night at the Oakland Museum of California, April 2010, is by photographer Daniel Kokin.
This post was written by my colleague Nora Grant, Community Programs Coordinator at the Santa Cruz Museum of Art & History. Pop Up” has become an international buzz term to describe ephemeral, experimental projects--from pop up restaurants to pop up boutiques--but a “Pop Up Museum” is still somewhat mystifying.
Their questions made me think about a blog post I wrote in 2008, The Future of Authority. letting museum visitors contribute and collaborate in museums), I now see this as a crucial issue also for more democratic and inclusive practice (i.e. Other person: "But doesn't that erode museums' authority?" Me: "Sort of."
One of the greatest gifts of my babymoon is the opportunity to share the Museum 2.0 author''s desk with brilliant colleagues who inspire me. First up is Beck Tench, a "simplifier, illustrator, story teller, and technologist" working at the Museum of Life & Science in Durham, NC.
I'm here in Chicago for a very brief trip on a panel about metrics and measurement for museums called "New Spaces, New Measures." The New Metrics of Scholarly Authority by Michael Jensen published in the Chronicle in June, 2007 describes how scholarly authority is being influenced by Web 2.0.
During 2010, I been able to read, blurb, write reviews, do blog giveaways, or author guest posts and interviews for a lot of terrific books that would be useful to nonprofit professionals in the social media, marketing, and ICT areas. 9 The Participatory Museum by Nina Simon. More about the book here. You can pick up a copy here.
A car museum would do well to select a vintage car; a mountain bicycling association would be successful with the latest high-end mountain bike as their prize. If your nonprofit has a brick and mortar presence (for example, if you’re a museum, or you have an office that the public visits), display your prize! About the Author.
Monday, May 18th is International Museum Day , the mission of which is to raise awareness of the fact that, “museums are an important means of cultural exchange, enrichment of cultures and development of mutual understanding, cooperation and peace among peoples.”. 2019 saw more than 55,000 museums across 150 countries participate.
” In it the authors discussed how you should use social media at a nonprofit and it made me curious about how museums are using Twitter. Here are eleven things your museum should should do to get the most out of Twitter: Create a Twitter account. The Hands On Museum does a great job of using Twitter consistently.
He writes a blog called " Read It To Me " that summarizes business books and also hosts Webinars with authors. This weekend I participated in a Webinar about the book The Whuffie Factor along with author Tara Hunt where we discussed how the ideas apply to nonprofits.
Authorities have directed game companies and platforms like Douyin to use real-name identification for all its users; the process requires users to provide a phone number and other identification to access online games.
Author: Seema Rao This month we’re talking about work. While many American museums require 37.5 The whole issue of wages gets at the heart of the faulty systems of capitalism, the culture of women’s work, and museums as privilege-concentrating institutions. I’m using this as an example of when a museum workplace needs fixing.
Virtual tours can be surprisingly pleasurable and rejuvenating while not having to travel anywhere — just let a tour guide show you around a museum, ancient site, city, or gallery while live streaming to a group of people. About the Author. A last resort may be to organize a tour of your facility and staff. 13) Scavenger hunts.
Nina has written a fantastic book engagement called The Participatory Museum. Most of my work involves museums, but these categories can be useful in any project that involves user participation. Nina Simon is an independent museum exhibit designer and publisher of the Museum 2.0
This post is the second in a series of reactions to Blueprint , a book chronicling the rise and fall of the Dutch Museum of National History (INNL) in 2008-2011. Due to the political climate of the time, a review of the Museum was commissioned in 2003 to determine whether the museum had complied with the requirements of its charter.
I just got home from the Museums and the Web conference in Indianapolis. I’d never attended before and was impressed by many very smart, international people doing radical projects to make museum collections and experiences accessible and participatory online. Instead, I found a standard art museum. Impersonal guards.
This August/September, I am "rerunning" popular Museum 2.0 I''ve been thinking recently about how I originally got interested in talking to strangers in museums. Working in museums as floor staff cracked open the social stranger door for me. blog posts from the past. This post was requested by a long-time reader. It was blue.
By Stephen Jackson From supporting a local museum to responding to climate change to aiding people in the midst of a health crisis, nonprofit staff turn time and attention to a variety of issues, working on them in creative and hyperlocal ways. The prompts and ideas for the article are from the human authors.
Here are a few photos of a few of the myriad of fun activities we had from the Welcome Banner to Indy to visiting the Art Museum to Symphony on the Prairie at Conner Prairie to celebrating a birthday! Jay is also the author of Stay Together: How to Encourage a Lifetime of Donor Loyalty.
This is the final segment in a four-part series about writing The Participatory Museum. This posts explains why and how I self-published The Participatory Museum. COST: Museum books tend to be expensive - because they are printed in small runs, the price for a 400-page paperback can be as high as $40. Why Self-Publish?
Keynote speakers include Glennon Doyle , New York Times bestselling author, activist, philanthropist, and host of the We Can Do Hard Things podcast; and Simu Liu , actor, writer, producer, and one of TIME’s “100 Most Influential People of 2022.” Register now for bbcon 2022. Monday, October 17, 1:00-2:00 pm ET.
Let’s say you wanted to find a model museum using Web 2.0 A place that does all this in the context of a fairly traditional collections-based museum. A place that does all this in the context of a fairly traditional collections-based museum. It’s the Brooklyn Museum. to support programs and exhibits. Not really.
Many museum conferences have a moment of unfettered camaraderie and unvarnished joy--that moment is at karaoke. In this moment of uncertainty, honesty is the greatest gift you can be given. -- Author: Megan Smith How are you? Because museum people are the most creative, devoted, and scrappy people in the world. I’m grieving.
Allison Fine , author of the book Momentum, writes about social activism in the nonprofit sector and the implications on the ground and at the big picture level. is the author of the popular Museum 2.0 Blog that covers how museums are using social media. Big Picture Thinkers. Lucy Bernholz. Nina Simon. Nedra Weinreich.
This is the second in a four-part series about writing The Participatory Museum. Several hundred people contributed their opinions, stories, suggestions, and edits to The Participatory Museum as it was written. One wiki editor wrote, "Nina, your active presence as the author / hub for the contributing community was tops.
For instance, a large nonprofit focused on preserving arts and culture might segment its audience by location and focus its stories on the most well-known museums or cultural landmarks in a donor’s state. About the author We equip nonprofits with the tools they need to rise above the noise and change the world.
It isn’t unlike what a museum curator does to produce an exhibition: They identify the theme, they provide the context, they decide which paintings to hang on the wall, how they should be annotated, and how they should be displayed for the public. The work involves sifting, sorting, arranging, and publishing information.
I once asked Elaine Gurian how museums can change. Here's the problem with both of these ways: they require circumstances that are outside of most museum employees' control. Here's the problem with both of these ways: they require circumstances that are outside of most museum employees' control. There's no client, no cash.
But the law’s authors never saw the internet coming. Museums, libraries, and zoos. At the time, many brick and mortar businesses and commercial properties lacked accommodations such as wheelchair ramps, handrails, and designated parking for those with disabilities. Theaters and stadiums. Laundromats, dry-cleaners, and banks.
She has worked in museum informatics for many years, including 10 as co-chair of Museums and the Web. (I I interviewed her (but not about STEVE) for a technology and the arts paper I researched and co-authored for NPower a few years back.). Jennifer Trant is working on her PhD in the Faculty of Information Studies @ Uof T.
Herring, a speaker, author, and nonprofit consultant, who wanted to raise awareness and appreciation for the nonprofit sector. a leash with your logo on it for animal shelters, a portable Bluetooth speaker for music or theater organizations, or a special edition print for art museums, etc.) What is National Nonprofit Day?
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