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What I Learned from Beck (the rock star) about Participatory Arts

Museum 2.0

Song Reader didn''t come as a CD, or an LP, or a bunch of digital audio files. Beck''s project is unusual because he deliberately resurrected a mostly-defunct participatory platform: sheet music for popular songs. Participatory processes often (and sometimes unintentionally) restructure the product. That''s expected.

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The Art of Facilitating Virtual Meetings with Sticky Notes

Beth's Blog: How Nonprofits Can Use Social Media

Designing A Participatory Hook for a Virtual Meeting. For this meeting, we asked two questions: What makes a meeting a good, productive use of your time? Guidestar has a history of doing walking meetings, especially one on ones and at its Williamsburg location. Design must comes first. Flickr Image by Derek Gavey.

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Ze Frank Takes Over (My) Museum

Museum 2.0

I get excited about a lot of things in my work at the Santa Cruz Museum of Art & History. Ze Frank is a participatory artist who creates digital projects that are explicitly about creating and enhancing authentic interpersonal connections. Photography, video, audio, text, origami, mail art.

Museum 45
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How Do You Capture Compelling Visitor Stories? Interview with Christina Olsen

Museum 2.0

They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they made some unexpected decisions along the way. Your recording booth asks participants for audio stories plus photos of themselves with their objects. How and why did Object Stories come to be?

Story 53
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17 Ways We Made our Exhibition Participatory

Museum 2.0

--Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution. This post focuses on one aspect of the exhibition: its participatory and interactive elements.

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Design Series: Creating Continuous Engagement

Forum One

Think like a musician Those who have played music in a band or orchestra or sang in a choir understand the profound impact of an engaged and participatory audience. So how do we ensure that the end users turn into those fans who come back to re-engage with your products, time and again? Similar to performances, designs weave stories.

Design 50