Beth's Blog: How Nonprofits Can Use Social Media

JULY 1, 2009

When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. Forrester created the “social technographics” profile tool to help businesses understand the way different audiences engage with social media (and you can read more of my thoughts on it here ).

Participatory 50

Participatory Experiment Museum Teen 50

Museum 2.0

JANUARY 11, 2012

I'd say that these techniques support audience development, repeat visitation, membership, maybe could even attract new kinds of donors. Our team focused this year on just three things: making the museum more comfortable, hosting new participatory events, and partnering wherever possible. but I didn't have numbers to back it up.

Audience 47

Audience Museum Participatory History 47

Museum 2.0

MARCH 16, 2009

When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. Forrester created the “social technographics” profile tool to help businesses understand the way different audiences engage with social media (and you can read more of my thoughts on it here ).

Participatory 44

Participatory Experiment Museum Teen 44

Beth's Blog: How Nonprofits Can Use Social Media

MARCH 7, 2007

s interest to education and engage new audiences. What creative twist could your organization do with this technique and support your cause/work? Consumer-solicited media (CSM): "Participatory media" -- that's what the flickr contests above are! it takes advantage of the established Flickr community???s

Participatory 50

Participatory Meme Campaign Flickr 50

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 7, 2014

Then I build out the content and discussion questions. In reviewing the data and themes from the audience input, some terrific questions about engagement popped out: How can we become better at using social media so that our channels experience more engagement and convert people to get involved? How can we get people to talk to us?

Social Media 102

Social Media Media Social Headline 102

Museum 2.0

SEPTEMBER 13, 2011

Development works when you are responsive to the donor's needs, not just presenting your own." Anyone who has worked in fundraising has likely heard these missives again and again. As a designer, I'm always trying to ensure that participatory activities, however casual, impact both the participant and the organization.

Participatory 39

Participatory Fundraising Practice Relationship 39

Museum 2.0

OCTOBER 18, 2011

We decided to approach the label-writing for these boards in a participatory way. note: originally, this said "we're writing a label" but with that phrasing, lots of people wrote creative titles for the surfboards (like the title for a work of art) instead of talking about content of interest. who were the surfers who used them?” “how

Participatory 48

Participatory Museum San Diego History 48

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 16, 2011

I spent today at day 1 of the TechSoup Global Summit in Mountain View with two hundred and forty people who work in the TechSoup Global Network around the world, plus other stakeholders. Her final point was that working as a network is fun! The started with some big picture frames.

Network 97

Network Global Participatory Netsquared 97

Museum 2.0

APRIL 20, 2009

I’d never attended before and was impressed by many very smart, international people doing radical projects to make museum collections and experiences accessible and participatory online. How does their work relate to their physical institutions? Where are the friendly, open, participatory experiences you came for?

Participatory 35

Participatory Museum Web Strategy 35

Museum 2.0

APRIL 26, 2018

The Washington Post covered the MAH's transformation as part of an article about museums engaging new audiences. The whole second half of the article was dedicated to our work: Smaller museums can be especially scrappy in finding ways to connect with the community. It’s something that any museum, of any size, can work toward.

Audience 49

Audience Washington Museum Intergenerational 49

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 31, 2011

I may start with numbers, but the process of collecting anecdotal information or stories in a structured way from your audience/stakeholders can help you generate insights about what those numbers actually mean. The beauty of this — is that the stories work well as micro content and as an opportunity for engagement?

Story 124

Story Data Measure Analysis 124

Museum 2.0

JANUARY 13, 2011

The best participatory projects are useful. Rather than just doing an activity, visitors should be able to contribute in a way that provides a valuable outcome for the institution and the wider museum audience. Like the best participatory projects , this postcard activity is constrained but not limiting.

Participatory 44

Participatory Museum Action Experiment 44

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 5, 2010

It brought together a rich mix of people working in humanitarian causes, using social media, and creatives. The morning was a round of 20 minute keynotes, including me, representing a wide range of perspectives on the issue of NGOs that do humanitarian work. So expect some live blogging, and reflections. The description: The !deation

Conference 86

Conference Long Beach Slides Participatory 86

Beth's Blog: How Nonprofits Can Use Social Media

JULY 23, 2014

As you can see from the schedule overview , this is more of a participatory event versus the traditional conference with powerpoints and panelists. Over the past few weeks, I’ve been working with my fellow track facilitators to design the process that we will lead the participants in our track through.

Registration 130

Registration Leadership Impact Change 130

Forum One

DECEMBER 15, 2021

Within Forum One, and among the mission-driven organizations we work with, I sense that more people understand that accessibility isn’t a box to check, but rather an integrated part of project design and delivery. Perhaps the dramatic changes to work and home life brought on by the pandemic sparked a greater understanding of accessibility.

Goal 88

Goal Accessibility Audience Websites 88

Beth's Blog: How Nonprofits Can Use Social Media

MARCH 14, 2012

With all the new and fashionable ways to tackle evaluation, we’re frequently leaping to the how without asking ourselves the hard questions that make such a difference to the design of our efforts, the scope of the work, and the commitment to how the results will be used. Who is your audience?

Evaluation 95

Evaluation Measure Foundation Goal 95

Forum One

JUNE 6, 2024

After understanding audience needs and employing design tools that build credibility and trust, let’s explore how design can maintain engagement and develop a sense of community and loyalty among your audience. Musicians feed off the responses of their audiences, and this can make or break a performance.

Design 75

Design Create Storytelling Interaction 75

Museum 2.0

APRIL 25, 2011

I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. BROAD QUESTIONS ABOUT AUDIENCE PARTICIPATION 1. Are there certain kinds of institutions that are more well-suited for participatory techniques than others? Yes and no.

Question 49

Question Participatory Museum Evaluation 49

ASU Lodestar Center

DECEMBER 5, 2012

As anyone who works at a nonprofit organization can tell you, surplus is a luxury most NPOs rarely enjoy. Cultures have always been participatory, long before the Internet, with roots in democratic process, collective decision making, and cooperation for survival. posted by Coiya Tompkins , Vice President, Corporate. Sun Health.

Community 87

Community El Paso Nonprofit Phoenix 87

Forum One

OCTOBER 23, 2023

By exploring the potential of AI, data, and digital tools, mission-driven organizations can streamline their operations, improve decision-making, and engage with their audiences more effectively.

Government 94

Government Impact Digital Trend 94

Museum 2.0

JULY 24, 2012

When we talk about making museums or performing arts organizations more participatory and dynamic, those changes are often seen as threatening to the traditional arts experience. What if historic arts experiences were actually a lot more participatory? From the Ancient Greeks through the 1800s, audiences were rowdy, engaged people.

Greece 51

Greece Arts Participatory Industry 51

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 25, 2011

One notable aspect of the success of Gasland, which recently won the Emmy Award for documentary film, is the way director Josh Fox worked with grant makers at the Fledgling Fund to galvanize a movement that greatly amplified the efforts of traditional environmental groups. But that is only the jumping off point for the inquiry.

Guatemala 94

Guatemala Arts Award Artist 94

Museum 2.0

FEBRUARY 23, 2009

As many of you know, I’m writing a book about participatory design for museums. Over the last week, there’s been a lively discussion on the wiki about the key audiences and goal of the book, and I wanted to open that up to you (and you are, of course, welcome to join the wiki and help). And there’s a third reason.

Participatory 26

Participatory Design Museum Wiki 26

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 8, 2013

Lee Rainie, Director, Internet & American Life Project, Pew Research Center took us through the impact that the use of online digital tools is having on us personally, professionally, and society. His presentation was called “Personal, Portable, Participatory, and Pervasive.” It is the same title of Raine’s recent book.

Social Media 117

Social Media Digital Mobile Media 117

Museum 2.0

APRIL 1, 2010

This is the final segment in a four-part series about writing The Participatory Museum. This posts explains why and how I self-published The Participatory Museum. While some aspects are quite technical and specific, it should be useful for anyone considering writing a book for a niche audience. Check out the other parts here.

Participatory 33

Participatory Museum Process License 33

Museum 2.0

OCTOBER 15, 2009

Over the past year, I've noticed a strange trend in the calls I receive about upcoming participatory museum projects: the majority of them are being planned for teen audiences. Why are teens over-represented in participatory projects? Teens are a known (and somewhat controllable) entity. The first of these reasons is practical.

Participatory 24

Participatory Teen Experiment Museum 24

Museum 2.0

MARCH 24, 2010

This is the third in a four-part series about writing The Participatory Museum. This post covers my personal process of encouraging--and harnessing--participation in the creation of The Participatory Museum. I felt accountable to an audience, and that kept me going throughout the writing. Check out the other parts here.

Participatory 33

Participatory Museum Process Experiment 33

Museum 2.0

SEPTEMBER 18, 2013

I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums. BROAD QUESTIONS ABOUT AUDIENCE PARTICIPATION 1. Are there certain kinds of institutions that are more well-suited for participatory techniques than others? Yes and no.

Museum 45

Museum Question Participatory Evaluation 45

Museum 2.0

JULY 23, 2014

They invite people to participate: in design , prototyping , artifact interpretation , collections preparation , audience development. A strong participatory process is not a loosey-goosey, open the doors and do whatever strategy. Its work is never done. design inclusion institutional change participatory museum'

Museum 53

Museum Community Participatory Product 53

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 24, 2009

Photo by Marcopolos I'm a few weeks away from SXSW where I'll be leading a session called " Nonprofit Social Media ROI Poetry Slam " which will incorporate a lot of audience interaction. How do they affect the relationship between those on the stage and the audience? Jeffrey Veen calls this person an ombudsman for the audience.

Conference 69

Conference Reflection Resource Tips 69

The Storytelling Non-profit

JANUARY 12, 2022

Telling great stories helps your non-profit get its message out into the world, connect with new audiences and motivate people to take action like making a donation. I combine these two elements in my working definition of what is a story. It’s participatory. Storytelling is an invaluable tool for non-profits.

Story 89

Story Storytelling Profit Participatory 89

Museum 2.0

SEPTEMBER 26, 2012

Visitors bond and bridge through participatory experiences at MAH. Assess and Respond to Community Assets and Needs If you want to activate community engagement in your programs, you first need to work together with your communities to determine their diverse needs, assets and interests. Cardboard tube orchestra at Radical Craft Night.

Museum 49

Museum Program Community Participatory 49

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 1, 2007

As a blogger and social media maker, I have a strong interest in the future of my work and participatory culture. " That means I've made it easy to share my work with you and others. It's help me build an audience and I'm sure I've helped some of you too. I've reaped the benefits too.

Remix 56

Remix Fundraising Personal Widget 56

NTEN

OCTOBER 12, 2011

I may start with numbers, but the process of collecting anecdotal information or stories in a structured way from your audience/stakeholders can help you generate insights about what those numbers actually mean. Now, if you've read this far and you work in a small nonprofit, you're probably feeling overwhelmed. How do you make sense?

Story 74

Story Data Analysis Measure 74

Museum 2.0

NOVEMBER 22, 2010

Spending time in Europe, I'm reminded how complicated it gets when you have to interpret exhibits for a multi-lingual audience. Many fabulous participatory projects--like the Johnny Cash Project or the Art Gallery of Ontario's " In Your Face "--don't require language. What have you seen work? What have you tried?

Museum 38

Museum Work Language North America 38

Forum One

APRIL 29, 2009

On Sunday I hosted a Flickr Bootcamp, where I worked with non profit, "accidental techies," and helped them learn about better online photo sharing techniques. Another way of creating an unforgettable impression with your audience is by stunning them with words. As the great non profit techy Yoda would say, "Do or do not.

NTC 52

NTC Share Create Storytelling 52

Forum One

APRIL 29, 2009

On Sunday I hosted a Flickr Bootcamp, where I worked with non profit, "accidental techies," and helped them learn about better online photo sharing techniques. Another way of creating an unforgettable impression with your audience is by stunning them with words. As the great non profit techy Yoda would say, "Do or do not.

NTC 52

NTC Share Create Storytelling 52