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In this post, well explore why peer-to-peer fundraising remains essential in 2025 and share fresh strategies to maximize its impact. Why Peer-to-Peer Fundraising Is Crucial in 2025 Rise of Digital Connectivity Social media and mobile tools make it easier than ever for supporters to share campaigns and connect with potential donors.
I also had an opportunity to attend a couple of sessions that used participatory facilitation techniques. If you are new to participatory facilitation techniques, use the Spectagram as an opener and use it to better understand skill levels in the room. Share in the comments. Here’s what I learned. Spectragram. The topics.
There are different ways to design a participatory workshop. It could be 100% in that participants provide the content by connecting with others and sharing experience and knowledge. Another option is to briefly share some content or a framework to kick off the participant knowledge sharing. We opted for the latter.
In 2009 , students built a participatory exhibit from scratch. Thirteen students produced three projects that layered participatory activities onto an exhibition of artwork from the permanent collection of the Henry Art Gallery. This post shares my reflections on the projects and five things I learned from their work.
Another point of intersection here for me is Henry Jenkins recently published 72-page white paper " Confronting the Challenges of Participatory Culture: Media Education for the 21st Century." " He describes what Ian observed what happened with his youth audience. Expressions (media creation, mashups, etc).
When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. Forrester created the “social technographics” profile tool to help businesses understand the way different audiences engage with social media (and you can read more of my thoughts on it here ).
Then I build out the content and discussion questions. In reviewing the data and themes from the audience input, some terrific questions about engagement popped out: How can we become better at using social media so that our channels experience more engagement and convert people to get involved? How can we get people to talk to us?
s interest to education and engage new audiences. Tim Fullerton from Oxfam America - who organized the campaign and will be speaking about at NTC - shared the URL of the YouTube video. Tim Fullerton from Oxfam America - who organized the campaign and will be speaking about at NTC - shared the URL of the YouTube video.
When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. Forrester created the “social technographics” profile tool to help businesses understand the way different audiences engage with social media (and you can read more of my thoughts on it here ).
This person is writing about a participatory element (the "pastport") that we included in the exhibition Crossing Cultures. We did three things to supplement Belle''s paintings (installation shots here , peopled shots here ): We issued a call to locals who are immigrants, or whose family immigrated, to share an artifact and story with us.
We decided to approach the label-writing for these boards in a participatory way. and sharing opinions (“better in their natural form," “my joyful youth circa 1963”). The fundamental question here is how we balance different modes of audience engagement. who were the surfers who used them?” “how how did they ride the plank?” "how
This participatory event is offering two days of focused discussion about—how these networks, and the capabilities that power them, can be effectively leveraged to create greater impact. Annie Leonard , the director of The Story of Stuff Project , shared a rich story about they have built a global network of activists around the film.
If you want to a chance to win, leave a comment on this post sharing something that you’d like to learn about Impact Leadership or some wisdom from your experience about practicing impact leadership! And, if you are lucky, you might win a free registration by sharing your thoughts about impact leadership in the comments below.
deation Conference is intentionally formatted to create a rich learning and sharing experience. In the afternoon, I did workshop and put the audience right on the cat walk with me. Mark Horvath shared how he searches on Twitter for the words "homeless" and either educates or empowers. The description: The !deation
The Packard Foundation, true to the nature of its brave and innovative Learning in Public experiment, generously shared with us some of the lessons it learned by opening up the measurement and evaluation effort of its Organizational Effectiveness program to…well… the public. Who is your audience?
I shared this on Twitter and the conversation brought out some interesting points that I curated in “Storify,&# a story telling tool. (And, had to laugh at the geeky recursiveness of creating a story out of qualitative data from Twitter and other sources – and then adding it to my curated nonprofit measurement collection on scoop.it).
On Sunday I hosted a Flickr Bootcamp, where I worked with non profit, "accidental techies," and helped them learn about better online photo sharing techniques. Another way of creating an unforgettable impression with your audience is by stunning them with words. As the great non profit techy Yoda would say, "Do or do not.
On Sunday I hosted a Flickr Bootcamp, where I worked with non profit, "accidental techies," and helped them learn about better online photo sharing techniques. Another way of creating an unforgettable impression with your audience is by stunning them with words. As the great non profit techy Yoda would say, "Do or do not.
Lee Rainie, Director, Internet & American Life Project, Pew Research Center took us through the impact that the use of online digital tools is having on us personally, professionally, and society. His presentation was called “Personal, Portable, Participatory, and Pervasive.” Sample survey.
I’d never attended before and was impressed by many very smart, international people doing radical projects to make museum collections and experiences accessible and participatory online. Are participatory activities happening on the web because that is the best place for them? And then you show up in person and feel jilted.
The Washington Post covered the MAH's transformation as part of an article about museums engaging new audiences. Audiences of all backgrounds found ways to connect with museums as it presented exhibitions with the help of foster youth, migrant farmers, roller-derby girls, mushroom hunters, surfers and incarcerated artists, among others.
Most of my work contracts involve a conversation that goes something like this: "We want to find ways to make our institution more participatory and lively." We want to cultivate a more diverse audience, especially younger people, and we want to do it authentically." Audience development is not an exercise in concentric circles.
With a project like Granito, the film is only the beginning and serves as an invitation for everyone to share their story. Note From Beth: Yesterday, I attended a convening called “ Beyond Dynamic Adaptability ” for arts organizations about cultural participation in the arts.
I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. This post shares some of the most interesting questions I've heard throughout these experiences. BROAD QUESTIONS ABOUT AUDIENCE PARTICIPATION 1. Feel free to add your own questions and answers in the comments!
This is the final segment in a four-part series about writing The Participatory Museum. This posts explains why and how I self-published The Participatory Museum. While some aspects are quite technical and specific, it should be useful for anyone considering writing a book for a niche audience. Check out the other parts here.
Nonprofit Use #2: Sharing Knowledge/Resources As Community of Practice Hashtags can create an ad hoc community of practice or a channel for people in a field to informally share resources or conversation. And, in the case of Twitter Vote Report Twitter hashtags have been used for real-time participatory democracy.
Over the past year, I've noticed a strange trend in the calls I receive about upcoming participatory museum projects: the majority of them are being planned for teen audiences. Why are teens over-represented in participatory projects?
This is the third in a four-part series about writing The Participatory Museum. This post covers my personal process of encouraging--and harnessing--participation in the creation of The Participatory Museum. I felt accountable to an audience, and that kept me going throughout the writing. Check out the other parts here.
I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums. This post shares some of the most interesting questions I''ve heard throughout these experiences. BROAD QUESTIONS ABOUT AUDIENCE PARTICIPATION 1. Yes and no.
TechCrunch Early Stage marks our first in-person event since the pandemic started, and we’re absolutely thrilled to be back in the same room as our audience and speakers (with full precautions taken, of course). Brands are participatory, so you create your own brand story at launch, but others define it as you grow. Wedge to TAM.
Our museum in Santa Cruz has been slammed by those who believe participatory experiences have gone too far. We always knew that the inclusion of participatory and community-centered practices in arts institutions was controversial. To me, the backlash against participatory and community-centered experiences is not surprising.
They invite people to participate: in design , prototyping , artifact interpretation , collections preparation , audience development. A strong participatory process is not a loosey-goosey, open the doors and do whatever strategy. It''s a shared space and process. design inclusion institutional change participatory museum'
Their space is designed for local nonprofits to connect, share ideas and develop solutions together. My style of teaching is participatory; I don’t lecture with PPT endlessly and involve the audience. This includes integrating moving around into small groups or share pairs as well as standing & stretching.
Telling great stories helps your non-profit get its message out into the world, connect with new audiences and motivate people to take action like making a donation. It’s participatory. Storytelling is an invaluable tool for non-profits. Maybe you think of them is interchangeable terms and you wouldn’t be alone in that.
I learn a ton from her every day and wanted to share her thinking--and her graduate thesis--with you. Visitors bond and bridge through participatory experiences at MAH. Furthermore, how can museums and communities work together to share strengths in the community? Cardboard tube orchestra at Radical Craft Night.
Photo by Marcopolos I'm a few weeks away from SXSW where I'll be leading a session called " Nonprofit Social Media ROI Poetry Slam " which will incorporate a lot of audience interaction. How do they affect the relationship between those on the stage and the audience? Jeffrey Veen calls this person an ombudsman for the audience.
As a blogger and social media maker, I have a strong interest in the future of my work and participatory culture. " That means I've made it easy to share my work with you and others. It's help me build an audience and I'm sure I've helped some of you too. I've reaped the benefits too.
On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggl es with in applying participatory design techniques to museum practice. Tags: guest blogging participatory.
I shared this on Twitter and the conversation brought out some interesting points that I curated in “Storify,” a story telling tool. (I The network on Twitter responded: If you're overly emotional and reject quantitative data or unemotional and reject lived experience, you are less effective – from Seth Godin shared by WSUCCSR.
Last week, I gave a talk about participatory museum practice for a group of university students at UCSC. During the ensuing discussion, one woman asked, "Which audiences are least interested in social participation in museums?" This is true for two reasons. First, teens often have incredibly tight social spheres.
This past weekend, in conjunction with our exhibition about Ze Frank's current participatory project, A Show , we hosted " Ze Frank Weekend "--a quickie summer camp of workshops, activities, presentations, and lots of hugging. The sheet gave people a lightweight tool to use in social interaction, to trade and share stamps.
We went through a dramatic financial turnaround and redefined our relationship with our community through a series of experimental participatory projects and new programmatic approaches. People are showing up, getting involved, and sharing their enthusiasm in droves. It is incredibly rewarding work. I feel lucky.
It is an art form completely dependent upon the creative potential of each audience member in relation to the events on stage. The theme for the upcoming conference of alumni from his program is, 'The Rise of the Active Audience.'' Be sure to share your coments with Andrew here. Without a receiver, there is no experience.
As you stand amongst the portraits, share your tale of deception, love, mystery, and intrigue with the rest of the group. We shared what captivated and spoke to us on a personal level, not just what we were told was “important." Who is the audience for Museum Hack? Find a partner or get matched with a partner.
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