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As a blogger and social media maker, I have a strong interest in the future of my work and participatory culture. That's why I remixed the fundraising widget on my blog in support of Creative Commons Annual Campaign. It's help me build an audience and I'm sure I've helped some of you too. I've reaped the benefits too.
Another point of intersection here for me is Henry Jenkins recently published 72-page white paper " Confronting the Challenges of Participatory Culture: Media Education for the 21st Century." " He describes what Ian observed what happened with his youth audience. Expressions (media creation, mashups, etc). and discovery.
Next week I'm doing a Webinar for Extension Professionals , a remix of 10 Steps to Association 2.0 which was a remix of Marnie Webb 's Ten Ways Nonprofits Can Change the World. My initial remix thought (wrong) was to look for examples that were related to agriculture, but the extension is so much more. I'm nervous. It's messy.
This is the final segment in a four-part series about writing The Participatory Museum. This posts explains why and how I self-published The Participatory Museum. While some aspects are quite technical and specific, it should be useful for anyone considering writing a book for a niche audience. Check out the other parts here.
One of the primary fears museum professionals (and all professionals) have about entering new relationships with audiences is the fear of losing control. Ideas participatory museum usercontent. Other person: "But doesn't that erode museums' authority?" For hundreds of years, we've owned the content and the message. Core Museum 2.0
While I originally wrote this post to advocate for more participatory practice (i.e. One of the primary fears museum professionals (and all professionals) have about entering new relationships with audiences is the fear of losing control. welcoming people with more diverse perspectives and backgrounds to participate meaningfully).
Flickr Photo Birthday Remix Contest. Ultimately, 22 remix photos were posted, slightly less than half of the people who joined. In addition, the Carnival of Nonprofit Consultants has an excellent round up of advice on engaging audiences - which is necessary if you want to dip your toes into participatory media.
To me, an open photo policy is a cornerstone of any institution that sees itself as a visitor-centered platform for participatory engagement. When people share their photos of your museum, they promote and spread your content to new audiences in authentic ways. And I think the fourth and fifth are bizarre and ungenerous to visitors.
The goal, from IMLS’s standpoint, is for NAS to create a report that can address the fundamental issues facing museums and libraries in the 21st century, with an intended audience of industry professionals, trustees, funding sources, and government representatives. Of course, that audience is a long way from seeing such a report.
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