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I also had an opportunity to attend a couple of sessions that used participatory facilitation techniques. If you are new to participatory facilitation techniques, use the Spectagram as an opener and use it to better understand skill levels in the room. Here’s what I learned. Spectragram. Next, try provocative statements.
There are different ways to design a participatory workshop. The assessment helps nonprofits look at eight different areas: Technology, Content, Channels/Devices, Audiences, Analytics, User Experience, and Governance. We facilitated audience feedback and insights. Just A Little Content To Get Started . Learning More.
In 2009 , students built a participatory exhibit from scratch. Thirteen students produced three projects that layered participatory activities onto an exhibition of artwork from the permanent collection of the Henry Art Gallery. This winter, I once again taught a graduate class in the University of Washington's Museology program.
Another point of intersection here for me is Henry Jenkins recently published 72-page white paper " Confronting the Challenges of Participatory Culture: Media Education for the 21st Century." " He describes what Ian observed what happened with his youth audience. Expressions (media creation, mashups, etc).
Last month, the Irvine Foundation put out a new report, Getting In On the Act , about participatory arts practice and new frameworks for audience engagement. I've often been asked about examples of participatory practice in theater, dance, and classical music, and this report is a great starting point.
Generational Trends Younger donors, especially Millennials and Gen Z, prefer participatory and social ways to give back. Encourage fundraisers to share personal stories and videos to connect with their audience authentically. Peer-to-peer fundraising fits naturally into how they support causes they care about.
When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. Forrester created the “social technographics” profile tool to help businesses understand the way different audiences engage with social media (and you can read more of my thoughts on it here ).
I'd say that these techniques support audience development, repeat visitation, membership, maybe could even attract new kinds of donors. Our team focused this year on just three things: making the museum more comfortable, hosting new participatory events, and partnering wherever possible. but I didn't have numbers to back it up.
When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. Forrester created the “social technographics” profile tool to help businesses understand the way different audiences engage with social media (and you can read more of my thoughts on it here ).
s interest to education and engage new audiences. Consumer-solicited media (CSM): "Participatory media" -- that's what the flickr contests above are! it takes advantage of the established Flickr community???s Consumer-fortified media (CFM): The business creates the content (ad), but the consumers provide the meaning.
Then I build out the content and discussion questions. In reviewing the data and themes from the audience input, some terrific questions about engagement popped out: How can we become better at using social media so that our channels experience more engagement and convert people to get involved? How can we get people to talk to us?
We decided to approach the label-writing for these boards in a participatory way. The fundamental question here is how we balance different modes of audience engagement. They’re no longer “an exhibit” per se—more of an evocative design element that hints at an important story told elsewhere in the museum.
This person is writing about a participatory element (the "pastport") that we included in the exhibition Crossing Cultures. Often when I talk with folks from other institutions about visitor/audience participation, the focus is on one form of participation. design exhibition Museum of Art and History participatory museum usercontent'
As a designer, I'm always trying to ensure that participatory activities, however casual, impact both the participant and the organization. If fundraisers are so keen on relationships, why weren't they the first into social media and participatory projects on behalf of their organizations?
I’d never attended before and was impressed by many very smart, international people doing radical projects to make museum collections and experiences accessible and participatory online. Are participatory activities happening on the web because that is the best place for them? And then you show up in person and feel jilted.
The best participatory projects are useful. Rather than just doing an activity, visitors should be able to contribute in a way that provides a valuable outcome for the institution and the wider museum audience. Like the best participatory projects , this postcard activity is constrained but not limiting.
Most of my work contracts involve a conversation that goes something like this: "We want to find ways to make our institution more participatory and lively." We want to cultivate a more diverse audience, especially younger people, and we want to do it authentically." Audience development is not an exercise in concentric circles.
This participatory event is offering two days of focused discussion about—how these networks, and the capabilities that power them, can be effectively leveraged to create greater impact. I’ve been involved with TechSoup/Netsquared Network since its inception back six years ago and so it is nice to be part of the narrative arc.
The Washington Post covered the MAH's transformation as part of an article about museums engaging new audiences. Audiences of all backgrounds found ways to connect with museums as it presented exhibitions with the help of foster youth, migrant farmers, roller-derby girls, mushroom hunters, surfers and incarcerated artists, among others.
As you can see from the schedule overview , this is more of a participatory event versus the traditional conference with powerpoints and panelists. (Early bird registration ends on July 31 and scholarship information is here.
The goals need to be front and center through the entire process, particularly when the measurement approach is more new or participatory and is designed to evolve over time. Who is your audience? I’m looking forward to being one of the public who gets to benefit from their courage and transparency.
In the afternoon, I did workshop and put the audience right on the cat walk with me. Giving the audience a chance to interact and discuss content in full groups, share pairs, and small groups allowed for some great stories to emerge from the group. The room had theatre in the round seating with couches and tables that were cafe like.
I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. BROAD QUESTIONS ABOUT AUDIENCE PARTICIPATION 1. Are there certain kinds of institutions that are more well-suited for participatory techniques than others? Yes and no.
This is the final segment in a four-part series about writing The Participatory Museum. This posts explains why and how I self-published The Participatory Museum. While some aspects are quite technical and specific, it should be useful for anyone considering writing a book for a niche audience. Check out the other parts here.
After understanding audience needs and employing design tools that build credibility and trust, let’s explore how design can maintain engagement and develop a sense of community and loyalty among your audience. Musicians feed off the responses of their audiences, and this can make or break a performance.
I may start with numbers, but the process of collecting anecdotal information or stories in a structured way from your audience/stakeholders can help you generate insights about what those numbers actually mean. Perhaps we are confusing qualitative data with gut decisions ? I like to use a combined method.
Over the past year, I've noticed a strange trend in the calls I receive about upcoming participatory museum projects: the majority of them are being planned for teen audiences. Why are teens over-represented in participatory projects? The first of these reasons is practical.
With the Virginia Department of Education’s I’m Determined initiative, we brought in key audiences at a discovery and design phase, much earlier than traditional audience testing would take place. The “I’m Determined” website focused on better addressing its audiences’ needs through a participatory design process.
This is the third in a four-part series about writing The Participatory Museum. This post covers my personal process of encouraging--and harnessing--participation in the creation of The Participatory Museum. I felt accountable to an audience, and that kept me going throughout the writing. Check out the other parts here.
Note From Beth: Yesterday, I attended a convening called “ Beyond Dynamic Adaptability ” for arts organizations about cultural participation in the arts.
Lee Rainie, Director, Internet & American Life Project, Pew Research Center took us through the impact that the use of online digital tools is having on us personally, professionally, and society. His presentation was called “Personal, Portable, Participatory, and Pervasive.” Sample survey.
I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums. BROAD QUESTIONS ABOUT AUDIENCE PARTICIPATION 1. Are there certain kinds of institutions that are more well-suited for participatory techniques than others? Yes and no.
They invite people to participate: in design , prototyping , artifact interpretation , collections preparation , audience development. A strong participatory process is not a loosey-goosey, open the doors and do whatever strategy. design inclusion institutional change participatory museum' It''s serious.
Our museum in Santa Cruz has been slammed by those who believe participatory experiences have gone too far. We always knew that the inclusion of participatory and community-centered practices in arts institutions was controversial. To me, the backlash against participatory and community-centered experiences is not surprising.
And now, the research group Forrester provides new insights about different kinds of participatory styles among users of social media sites. Forrester suggests that companies use their profiling tool (and related custom research services) to understand the behaviors and desires of target audiences, and then provide experiences accordingly.
Last month, I learned about a fabulous, simple participatory experiment called “Case by Case” at the San Diego Museum of Natural History that uses visitor feedback to develop more effective object labels. Our exhibits group knocked around ideas for mechanisms of audience feedback.
Photo by Marcopolos I'm a few weeks away from SXSW where I'll be leading a session called " Nonprofit Social Media ROI Poetry Slam " which will incorporate a lot of audience interaction. How do they affect the relationship between those on the stage and the audience? Jeffrey Veen calls this person an ombudsman for the audience.
Visitors bond and bridge through participatory experiences at MAH. Collaborative programs with diverse groups bring in a variety of visitors causing new audiences to interact and connect. The value of participatory experiences is epitomized in FIGMENT , a free, creative, participatory, non-profit, community art event.
The best example of educating and engaging is how the National Wildlife Federation is using the #nwf hashtag to engage its audience in watching wildlife. And, in the case of Twitter Vote Report Twitter hashtags have been used for real-time participatory democracy. Another example is their use in a policy debate.
Telling great stories helps your non-profit get its message out into the world, connect with new audiences and motivate people to take action like making a donation. It’s participatory. Storytelling is an invaluable tool for non-profits. Maybe you think of them is interchangeable terms and you wouldn’t be alone in that.
As a blogger and social media maker, I have a strong interest in the future of my work and participatory culture. It's help me build an audience and I'm sure I've helped some of you too. That's why I remixed the fundraising widget on my blog in support of Creative Commons Annual Campaign. I've reaped the benefits too.
On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggl es with in applying participatory design techniques to museum practice. Tags: guest blogging participatory. Submitted by Nina Simon, publisher of Museum 2.0
What does the word "participatory" mean to you? The various definitions of participatory projects can lead to confusion and misunderstandings. Participation in science research is a good basis on which to develop a framework for participatory models because it is based on a consistent scientific process with many steps.
TechCrunch Early Stage marks our first in-person event since the pandemic started, and we’re absolutely thrilled to be back in the same room as our audience and speakers (with full precautions taken, of course). Brands are participatory, so you create your own brand story at launch, but others define it as you grow.
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