Audience Music Nashville 
sgEngage
APRIL 6, 2021
Beecher Hicks III, President & CEO of the National Museum of African American Music (NMAAM) in Nashville, TN. NMAAM is the only museum dedicated to preserving and celebrating the many music genres created, influenced, and inspired by African Americans. We will continue to speak to those audiences.
Connection Cafe
MARCH 6, 2020
First up is Colleen Dilenschneider, the Chief Market Engagement Officer for IMPACTS, a global leader in predictive market intelligence and related technologies, and the publisher of one of our team’s favorite websites, Know Your Own Bone , which shares data and analysis about how cultural audiences think and behave.
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Connection Cafe
APRIL 6, 2021
Beecher Hicks III, President & CEO of the National Museum of African American Music (NMAAM) in Nashville, TN. NMAAM is the only museum dedicated to preserving and celebrating the many music genres created, influenced, and inspired by African Americans. We will continue to speak to those audiences.
Connection Cafe
DECEMBER 9, 2019
It’s been nearly two months since bbcon 2019 in Nashville, and I’m still thinking about the live music, inspiring mainstage content, and incredible sessions delivered in the Arts & Cultural track. Connection is Everything. How can you operationalize the goodness of the PFE? Action breeds confidence and courage.
TechCrunch
AUGUST 11, 2023
X takes over @music handle, hinting at future music plans The @music account was originally operated for 16 years by software developer Jeremy Vaught, who grew the @music handle to roughly half a million followers. Vaught posted in anger that X had commandeered the account for itself.
The Verge
MARCH 14, 2021
The show will honor the best music of 2020 and all the performers, producers, and behind-the-scenes people who made it happen. As with most of this year’s awards shows, the Grammys look a bit different this year, broadcasting from “in and around” the Los Angeles Convention Center, but without a live audience. Who’s Hosting the Grammys?
The Verge
AUGUST 24, 2021
How have you thought about the pressures of YouTube as a platform changing versus what your audience is telling you versus what you want to make? And it seems like that’s where a lot of the audience is. No, but I think at this point, if you were trying to use that, the YouTube audience would rip you apart. How does this work?”
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