Audience History Images Participatory 
Museum 2.0
SEPTEMBER 3, 2014
For those who can''t see the image, the card reads: When I first saw the "pastports" I didn''t really understand, but after reading what people wrote in them I felt an overwhelming connection to all the words of so many random people. design exhibition Museum of Art and History participatory museum usercontent'
Beth's Blog: How Nonprofits Can Use Social Media
APRIL 7, 2014
Then I build out the content and discussion questions. In reviewing the data and themes from the audience input, some terrific questions about engagement popped out: How can we become better at using social media so that our channels experience more engagement and convert people to get involved? How can we get people to talk to us?
This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
Museum 2.0
MAY 22, 2012
Imagine you've just been tasked with developing an innovative, future-thinking national museum for your country's history. Blueprint is the story of a group of people who tried to create a Dutch Museum of National History (INNL). The early participatory projects are terrific. Where would you start?
Museum 2.0
JULY 7, 2010
Most of my work contracts involve a conversation that goes something like this: "We want to find ways to make our institution more participatory and lively." We want to cultivate a more diverse audience, especially younger people, and we want to do it authentically." Audience development is not an exercise in concentric circles.
Museum 2.0
JULY 1, 2011
I've now been the Director of The Museum of Art & History in Santa Cruz for two months. The reason I was interested in this job is because last fall the trustees put out a new strategic plan with a vision statement that positions the museum as a thriving central gathering place around art, history, ideas and culture," she said.
Beth's Blog: How Nonprofits Can Use Social Media
OCTOBER 25, 2011
Image from Gasland The Movie. Where her first film was a contemporary account of the Civil War in Guatemala, particularly the story of Nobel Peace Prize Winner Rigoberta Menchu, Granito is an effort to capture the history of the war through recollections and archival exploration. Guest Post by Vincent Stehle.
Museum 2.0
JANUARY 18, 2012
When talking about active audience engagement with friends in the museum field, I often hear one frustrated question: how can we get adults to participate? There are many participatory experiences that appeal primarily to adults, and they are designed distinctly for adults.
Expert insights. Personalized for you.
45 
Let's personalize your content