Museum 2.0

MARCH 6, 2013

I write this piece in good faith about the organizations I know best: museums. The vast majority of American museums are institutions of white privilege. They tell histories of white male conquest. I never saw comparable adjectives used in the European art labels at the museum.

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Museum St. Louis Artist Arts 55

Museum 2.0

MAY 30, 2012

This post is the second in a series of reactions to Blueprint , a book chronicling the rise and fall of the Dutch Museum of National History (INNL) in 2008-2011. The NMA was accused of presenting a “black armband” view of Australia’s history (i.e., Anyone with such a brief in this day and age has their work cut out for them.

History 35

History Museum Australia National 35

Museum 2.0

MAY 22, 2012

Imagine you've just been tasked with developing an innovative, future-thinking national museum for your country's history. Blueprint is the story of a group of people who tried to create a Dutch Museum of National History (INNL). The Museum directors released Blueprint as a showcase for these plans.

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Museum History Netherlands Create 36

Forum One

FEBRUARY 19, 2024

This Black History Month, we reflect on the strategy work that our team does through our partnership with the Smithsonian National Museum of African American History and Culture —much of which centers around expanding access. The outcome was an immensely successful event that attracted audiences from all corners of the country.

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History Accessibility Museum Award 75

The Modern Nonprofit

SEPTEMBER 19, 2023

Moreover, it provides a platform to address issues affecting the Hispanic community, enriches cultural competencies for the organization, fosters stronger relations with Latino clients or partners, and boosts the organization’s visibility among diverse audiences. Want to learn more about Hispanic Heritage Month?

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Celebrate Voice Artist America 59

Museum 2.0

JULY 1, 2011

I've now been the Director of The Museum of Art & History in Santa Cruz for two months. But the point is that the MAH, like just about every other museum in the known universe, was content to define the museum experience as something removed from the outside world, a rarefied church-like space of refined artistic reflection.

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Museum History Arts Work 31

Amy Sample Ward

JUNE 21, 2011

Ruth Cohen – American Museum of natural History. Jason Eppink – Museum of the Moving Image. Goal of the centennial project was to shine the light on the library’s resources and get new audiences engaged in the collections and connected to the curators and staff.

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Game Culture Museum Change 140

Museum 2.0

SEPTEMBER 25, 2013

North Carolina Museum of History 1988.39.4 I’m always amazed when my colleagues tell me that the biggest barrier they face to “opening up” the content at their museums is from registrars—the people who care for collection objects. Followers of Museum 2.0 Can collections access be a way to entice new audiences?

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Accessibility Open Museum North Carolina 44

Museum 2.0

AUGUST 20, 2009

I'm working on a section of my book about sharing social objects and am writing about the most common way that visitors share their object experiences in museums: through photographs. Revenue Streams: Museums want to maintain control of sales of "officially sanctioned" images of objects via catalogues and postcards.

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Museum Photo Policy Open 54

Museum 2.0

JULY 7, 2010

We want to cultivate a more diverse audience, especially younger people, and we want to do it authentically." But our traditional audience doesn't come for that, and we have to find a way to do this without making them uncomfortable." "Hm." Audience development is not an exercise in concentric circles. Fabulous!" "But

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Audience Museum Oakland Participatory 40

Museum 2.0

SEPTEMBER 3, 2014

For those who can''t see the image, the card reads: When I first saw the "pastports" I didn''t really understand, but after reading what people wrote in them I felt an overwhelming connection to all the words of so many random people. design exhibition Museum of Art and History participatory museum usercontent'

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Participatory Museum History Arts 45

Museum 2.0

AUGUST 16, 2010

I spent last week in the glorious country of Taiwan, hiking, eating, and working with museum professionals and graduate students at a conference hosted at the Taiwan National Museum of Fine Arts. It's not topic-specific; I've done these exercises with art, history, science, and children's museums to useful effect.

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Museum Technique Taiwan Social 41

Museum 2.0

AUGUST 18, 2008

I've long believed that museums have a special opportunity to support the community spirit of Web 2.0 This month brings three examples of museums hosting meetups for online communities: On 8.6.08, the Computer History Museum (Silicon Valley, CA) hosted a Yelp! Me: Have you ever been to this museum? several years.

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Museum Hosting Model Community 22

Museum 2.0

JANUARY 18, 2012

When talking about active audience engagement with friends in the museum field, I often hear one frustrated question: how can we get adults to participate? In children's museums and science centers, this relationship is at its most extreme. And yet in the museum world, we still see interactives as being mostly for kids.

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Interaction Design Museum Participatory 47

Museum 2.0

JUNE 8, 2010

This guest post was written by Rebecca Lawrence, Museum Educator, Schwenkfelder Library & Heritage Center in Pennsylvania. You can join the conversation in the blog comments, or on the Museum 2.0 The Schwenkfelder Library & Heritage Center (SLHC) is a small museum located in Pennsburg, Montgomery County, Pennsylvania.

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Place Museum Discussion Pennsylvania 27

Nonprofit Tech for Good

DECEMBER 14, 2022

For example, if you join a modern art museum, there is a good chance you won’t have to pay admission to other modern art museums. History: Simply being around a long time has some cachet and may mean you have access to historical wisdom, knowledge, and records. A set of screensavers and background images.

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Donor Sponsor Accessibility Music 324

NTEN

JUNE 21, 2011

The speakers for this panel include: Tracy Fullerton - Electronics Arts Game Innovation Lab Ruth Cohen - American Museum of natural History Elaine Charnov - The NY Public Library Jason Eppink - Museum of the Moving Image Syed Salahuddin - Babycastles Elaine Cohen: The New York Public Library 100 Years of the flagship library in New York.

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Game Culture Change Museum 52

Museum 2.0

APRIL 18, 2008

Thanks to Bryan Kennedy from the Science Museum of Minnesota for providing this overview/reflection on the Museums and the Web conference that recently concluded in Montreal. Museums and the Web 2008 guest blogger Bryan Kennedy here. This multi-museum collaborative is undertaking a thoughtful process to tackle these issues.

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Museum Web Teen Flickr 20

Museum 2.0

APRIL 1, 2009

On Monday, I gave the keynote at the Museums in Conversation conference in Tarrytown, NY. You can also see the images I used, which were constructed with an extremely cool presentation software called Prezi, here. What amazing thing is this designer or author or game creator doing that I can take a slice of and stick into my museum?

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Museum Conversation Columbus Local 20

Forum One

DECEMBER 13, 2023

Forum One worked closely with the AARP Livability Index team to meet the needs of its audiences with an easier-to-use website and accessible data that informs consumer and policy decisions nationwide. Forum One partnered with the Museum to launch their new brand to the world.

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Celebrate Award Colorado Museum 67

Museum 2.0

MAY 3, 2011

Lots of museums these days have video comment booths to invite visitors to tell their stories, but how many of those booths really deliver high-impact content? Last week, I talked with Tina Olsen, Director of Education and Public Programs at the Portland Art Museum, about their extraordinary Object Stories project.

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Story Interview Museum Audio 53

Museum 2.0

AUGUST 19, 2015

One of my favorite comments on the first post in this series came from Lyndall Linaker, an Australian museum worker, who asked: " Who decides what is relevant? The curatorial team or a multidisciplinary team who have the audience in mind when decisions are made about the best way to connect visitors to the collection?"

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Teen Museum Voice Arts 20

Museum 2.0

JANUARY 15, 2008

The presumed answer is "yes" your museum needs a blog, a pony, or a set of comfy couches. Does your museum need a custom online social network? Many museums have been experimenting in these spaces by creating institutional profiles, museum affinity groups, and connecting with visitors and other museum professionals individually.

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Social Network Museum Case Study Discussion 20

Forum One

DECEMBER 13, 2023

Forum One helped the AARP Livability Index meet the needs of its audiences with an easier-to-use website and accessible data that informs consumer and policy decisions nationwide. We partnered with the Museum to launch their new brand to the world. This beautifully designed branding and website won five awards this year!

Celebrate 46

Celebrate Award Colorado Museum 46

Museum 2.0

APRIL 10, 2008

On Monday, David Klevan (from the US Holocaust Memorial Museum) and I spoke at the MAAM Creating Exhibitions conference about Web 2.0 and museums. framework, and David shared lessons learned from the huge range of projects the Holocaust Museum has initiated. I provided the Web 2.0 Absolutely. and sniff around.

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Web Time Museum Audio 44

Museum 2.0

JULY 7, 2009

culture might affect museums. The true story is that I desperately wanted to find a way to engage in discussions with some of my museum heroes. Kathy McLean is one of my heroes who motivated the start of Museum 2.0, I have learned so much from her work as an exhibition designer, audience advocate, and facilitator.

Work 20

Work Museum Online Dallas 20

Forum One

MAY 17, 2023

American Jazz Museum Platinum – Cultural Websites Located in the Historic 18th & Vine Jazz District in Kansas City, MO, the American Jazz Museum showcases the sights and sounds of jazz through interactive exhibits and films, and features live music in their venues, The Blue Room, and Gem Theater.

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Award Museum Kansas City Drupal 82

Forum One

MAY 3, 2023

Forum One partnered with March of Dimes to consolidate their more than 40 web platforms to develop an easy and streamlined experience for audience members to engage as they like, as well as create a website that could clearly communicate their mission. We partnered with the Museum to launch their new brand to the world.

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Award Communication Colorado Museum 82

Museum 2.0

AUGUST 25, 2009

Rabinowitz commented that "as a 40-year veteran of history museum interpretation, I can say that I never learned so much from and about visitors." If you feel that your audience needs monitoring or social support, position the talkback stations in open settings.

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Design Goal Difference Platform 31

Museum 2.0

MAY 5, 2009

I just returned from the American Association of Museums (AAM) annual meeting in Philadelphia. I led two sessions, one on visitor co-created museum experiences, and the other on design inspirations from outside museums. what is the value of the exhibition experience to non-participants, that is, regular museum visitors?

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Slides Participatory Museum Children 20

Museum 2.0

NOVEMBER 25, 2009

I presume that this branding will help them appeal to a potentially large audience of those seeking exciting experiences in nature, but to me, this veiled the truly exciting work at the physical site.

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Action New Zealand Hints Project 20

Museum 2.0

DECEMBER 8, 2006

Elisa’s focus is interactive arts, media design, and cultural management, and she has been involved in many pertinent projects, such as MUVI (the Virtual Museum of the Collective Memory of Lombardia). Environmentalists, the Museum of Natural History at CU, they all responded very enthusiastically to this.

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Interview Museum Sound Culture 20

Museum 2.0

JANUARY 5, 2011

Note: This post is written in response to recent articles about museums by Arianna Huffington (on museums and new media) and Ed Rothstein (on museums and ethnic identity). I appreciate that you write about museums, and by doing so, publicize their work and efforts. Myth #1: Museums are about contemplation.

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Museum St. Louis Open Reflection 55

Museum 2.0

NOVEMBER 6, 2012

I'm thrilled to share this brilliant guest post by Marilyn Russell, Curator of Education at the Carnegie Museum of Art. This is a perfect example of a museum using participation as a design solution. This coincides with the identification of 20- and 30-year-olds as an audience targeted for growth in attendance.

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Museum Arts Problem Design 45

Museum 2.0

MARCH 14, 2011

In 1990, educator and cultural critic Neil Postman described a museum as "an answer to a fundamental question: what does it mean to be a human being?" Without an explicit "I" voice, the museum's perspective on humanity is oblique to say the least. Welcome to Pine Point is not a museum project. It uses multimedia beautifully.

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History Museum Sound Voice 43

Museum 2.0

AUGUST 2, 2011

We just opened new exhibitions at The Museum of Art & History , including one on woodworking that includes QR codes. When a person with a smartphone and a QR reader app scans one of these codes, it can launch a webpage on the phone, pulling up videos, images, and other additional multi-media content.

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Museum Artist Arts Phone 53

Museum 2.0

MAY 14, 2009

I've become convinced that successful paths to participation in museums start with self-identification. The easiest way to do that is to acknowledge their uniqueness and validate their ability to connect with the museum on their own terms. Who is the "me" in the museum experience? Not so at museums.

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Museum Personal Experiment Profile 20