Forum One

MARCH 16, 2022

For over a decade, digital strategists have been talking about the importance of mobile web strategies and meeting audiences where they are. And while most organizations have dramatically expanded their digital footprint and recognized the importance of having a digital strategy, the wants and needs of audiences continue to evolve.

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Nonprofit Tech for Good

MARCH 25, 2022

Activities such as performances, live entertainment, and sit-down dinners regularly attract a large audience and generate significant money for charity. As an added benefit these types of classes are often easy to broadcast live. Here are a few ideas about how to make virtual/hybrid versions of your favorite in-person events.

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Museum 2.0

AUGUST 29, 2007

Thanks to Kyle Evans, who forwarded me the fascinating, lengthy master’s dissertation.art: Situating Internet Art in the Modern Museum by Karen Verschooren at the MIT Comparative Media Studies program. In it, Karen provides a survey of the evolving relationship of Internet art to art museums. Citizen science programs. On the website?

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Museum 2.0

APRIL 1, 2008

Last year, I wrote a post explaining what Twitter is and how it might be applied in museums. Now, a year later, I’m using Twitter on a daily basis, and it’s brought up some new observations about participation on websites and in interactive venues like museums. I’d love Museum 2.0 It’s about conversations. Twitter is different.

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Museum 2.0

NOVEMBER 13, 2007

The essays in this section, on “Expressing and Co-Creating,” present projects in which visitors create exhibition content, contribute to its creation, or get a heavy done of meaning-making in their experience of museum content. Who controls the content in the museum? Who controls the museum experience? First, museum content.

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Museum 2.0

JULY 4, 2007

On Tuesday, I reviewed Elaine Gurian’s essay, Choosing Among the Options , on museum archetypes and self-definition. Today, discussion with Elaine about ways museums choose their direction, how change is possible, and new museum types to be added to the list. What if you don’t want to be identified as one type of museum?

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Museum 2.0

MARCH 2, 2009

Many museums are experimenting with “back channel” platforms that allow visitors and staff to chat and share content while onsite at the museum. Their pithy opinions of the exhibits broadcast live in the lobby? It’s really easy to use and promotes discussion, not individual profiles.

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Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 23, 2009

The key thing that is different with setting a social media objective is that it is not about reaching a mass audience and blasting your message out, it is more about reaching the influencers, developing relationships, having a conversation, and getting insights. Dosh Dosh, Social Media Marketing Campaign Objectives and Audience Defintion 2.

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Museum 2.0

AUGUST 10, 2009

This can be an incredibly technical topic, as it focuses on the ways that platforms (online, exhibits, museums) can harness the individual activities of many visitors and create meaningful experiential outputs that connect people to each other. But designing an entire museum that functions this way probably isn't your goal. exhibition.

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Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 27, 2009

Patterned after the Well and using text-based online discussion software, Arts Wire was the first introduction to the Internet for hundreds of individual artists and arts organizations. In the last few years, the Smithsonian American Art Museum. has been looking at our museum’s online information in the same way.

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