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Raise More with These Three Tips to Engage Each Donor Segment

Qgiv

However, the criteria you use for donor segmentation will differ from other organizations, reflecting your unique mission and donor base. For instance, a large nonprofit focused on preserving arts and culture might segment its audience by location and focus its stories on the most well-known museums or cultural landmarks in a donor’s state.

Donor 104
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Museum 2.0 Rerun: I Am An Elitist Jerk

Museum 2.0

This August/September, I am "rerunning" popular Museum 2.0 It’s an uncomfortable truth which is forcing me to examine my arguments for inclusivity, access, and populism in museums. I realize that I have more frequently advocated for Yellowstone-style museums than Grand Teton-style ones. blog posts from the past. It’s true.

Museum 45
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Museum 2.0 Rerun: Answers to the Ten Questions I Am Most Commonly Asked

Museum 2.0

This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.

Museum 45
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Reflections from Independent Sector and Blackbaud Conferences

Beth's Blog: How Nonprofits Can Use Social Media

I learned that CEO of local Girls Scout Council, Jessica Lawrence was using Twitter as a clever networking tool.

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The Great Good Place Book Discussion Part 2: Small Rural Museums as Third Places

Museum 2.0

This guest post was written by Rebecca Lawrence, Museum Educator, Schwenkfelder Library & Heritage Center in Pennsylvania. You can join the conversation in the blog comments, or on the Museum 2.0 The Schwenkfelder Library & Heritage Center (SLHC) is a small museum located in Pennsburg, Montgomery County, Pennsylvania.

Place 27
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Creature Comfort: Where are the Couches in Museums?

Museum 2.0

In the final installment of Museum 2.0’s s four part series on comfort in museums, we get down to the basics: creature comfort. So for this last piece, we look at going the other way: making museums more physically comfortable. And on the walls, my friend explained, was art from the museum itself. There was funky music.

Museum 30
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Should Museums Be Happiness Engines?

Museum 2.0

What role does “promoting human happiness” play in the mission statements and actions of museums? That’s the question I’m pondering thanks to Jane McGonigal and the Center for the Future of Museums (CFM). Earlier today, the CFM offered a free webcast of Jane McGonigal’s talk on gaming, happiness, and museums.

Museum 21