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Earlier this year, I was fascinated to read the account of a participatory project at the Morrison County Historical Society in Minnesota, in which community members were invited to write essays about “what’s it like” to have various life experiences in the County. How do we get the history of the poor? We’re going to do it.
This August/September, I am "rerunning" popular Museum 2.0 It’s an uncomfortable truth which is forcing me to examine my arguments for inclusivity, access, and populism in museums. I realize that I have more frequently advocated for Yellowstone-style museums than Grand Teton-style ones. blog posts from the past. It’s true.
Kate McGroarty's month living at the Museum of Science and Industry in Chicago is over. The young actress and teacher beat out 1,500 other applicants and spent 30 days exploring exhibits, participating in live demos, talking to visitors (both in-person and online), and romping through the museum at night. Lisa's goals were met.
Black History Month with the Tableau Community Alisha Dhillon: Formatting KPIs in Tableau Data + Diversity Event: “The Life and Impact of Ida B. 27) Learn more about the life and legacy of Ida B. Find the content submission form here. Wells” (Feb.
Black History Month with the Tableau Community Alisha Dhillon: Formatting KPIs in Tableau Data + Diversity Event: “The Life and Impact of Ida B. 27) Learn more about the life and legacy of Ida B. Find the content submission form here. Wells” (Feb.
This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.
Providing consistent convenience fostered trust and resulted in the brand becoming a staple in the consumer’s way of life. If you want to become a staple in your donor’s life, you must provide consistent value and surprises too. When you add some fun to a donor’s life, they think of you positively. Transparency. Graciousness.
Dear friends, This is my last post as the author of Museum 2.0. I'm thrilled that Seema Rao is taking this blog and museum community into its next chapter. You can find all my archived Museum 2.0 Today, I want to share a bit about what Museum 2.0 When I think of Museum 2.0, I started the Museum 2.0
The team at EdVenture Children’s Museum is spreading the value of play. An ED must also advocate for the significance and transformative power of arts and culture in community life. Its performances engage the community, inspiring imagination and creating lasting memories.
This guest post was written by Rebecca Lawrence, Museum Educator, Schwenkfelder Library & Heritage Center in Pennsylvania. You can join the conversation in the blog comments, or on the Museum 2.0 As I was reading The Great Good Place I identified with Oldenburg’s description of Main Street USA, small town America, and rural life.
You can join the conversation in the blog comments, or on the Museum 2.0 Like many museum and library professionals, I am enamored of the idea of cultural institutions as “third places” – public venues for informal, peaceable, social engagement outside of home or work. This is the only post written by me, Nina Simon.
What role does “promoting human happiness” play in the mission statements and actions of museums? That’s the question I’m pondering thanks to Jane McGonigal and the Center for the Future of Museums (CFM). Earlier today, the CFM offered a free webcast of Jane McGonigal’s talk on gaming, happiness, and museums.
Last Friday, I witnessed something beautiful at my museum. I've been documenting lots of small bridging incidents at our museum over the past few months. It could have been the attitude of the museum that supports participation and conversation. At museums, we mostly bond with the friends and family with whom we attend.
I started seeking out more ways I could get closer to design in my personal life, which led me to creating designs for my family and friends. I learned to be flexible with my life plans and open to change. As you have new life experiences you may become inspired by a career that you’d never thought of pursuing before—like I did.
I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. Have you seen attitudes in our field about visitor participation shifting over time? The Museum 2.0 For more on the differences among different types of museums (with examples), check out this post.
The following post was originally published on the Center for the Future of Museums blog. On Wednesday, August 8, over 300 museum professionals joined CFM director Elizabeth Merritt and Seema Rao, principal of Brilliant Idea Studio , to explore self-care in the museum workplace. But effort and efficacy are not the same.
This week marks one month of live activity for the Tech Virtual Museum Workshop , a collaborative, online platform for exhibit development. But museum folks, no matter how much we want to collaborate, don't move quickly. Not that that means that we are attracting solely gamers or the bored wanderers of Second Life.
Was it a museum professional or an outsider? I'm kneedeep in the final run-up to the opening of Operation Spy at the Spy Museum, but in the fleeting moments between disasters and near-disasters, I'm thinking about AAM. One of the most arresting sessions I attended last year was Exhibitions that Changed My Life.
Participating in this made me wonder: could a museum or library run a project like 3six5? From my perspective, there are two primary barriers that would prevent a museum from running a project like this: Perception of lack of significance. I promise a very different window into my life. Complexities of project management.
Frequently, when cultural professionals talk about making museums and libraries more open to young people, we focus on social events and on the idea that these are people who would really LIKE to interact with others in the cultural space. Has your attitude toward interacting with strangers changed during your life, and if so, when and why?
It’s an uncomfortable truth which is forcing me to examine my arguments for inclusivity, access, and populism in museums. I realize that I have more frequently advocated for Yellowstone-style museums than Grand Teton-style ones. I don’t need Yellowstone; I have hundreds of remote, gorgeous mountains to climb in my life.
Visitor (though, really my child) at the Maritime Museum, Greenwich, UK As I said, last week, I’ve been to a travelin’ girl for the last couple of years. So, instead, I am offering 3 posts this month about what I learned from visiting more than 300 museums. Last week, I talked about what I learned about museum workers.
Welcome to the second in the four-part series on comfort (and its boundaries) in museums, a day late but just as tasty. I came out of it truly amazed by the power of the museum—not just to elicit laughter, but also to induce bizarre and voluntary acts of silliness in front of and with strangers. By sending people on missions.
Though when I read Susan’s tweet, I did wonder how many people at 22 can get hired at a museum in anything but a part-time job. I’m not alone with a jaded attitude toward our future. Blog research in 2029 museum pros will have solved which work issue? Think about that. Not a very optimistic look at the future of our field.
Today, an interview with staff from a museum with an incredibly healthy attitude towards experimentation with social media. Three things stand out in this interview: Like the Brooklyn Museum , COSI’s social media strategy is focused on local community connections, not national outreach. David: That’s right.
Most museum conferences are focused on professional learning and networking. In most sessions, I didn't learn new things to apply to my own museum practice; instead, I learned new things about what that practice looks like in different countries. And these conversations weren't exclusive to the program events.
But the world depicted was so divorced from my own life as to be basically as unlikely as ET. They often project, and even push, their attitude onto others. You are the one who can find sources of gladness in your work life. It seemed a bit like a fable, this girl who looked for the good in everything.
These are also the people who’ve lived a life of succeeding in tiny goals. Their life is full of positive feedback loops. And, my life changed drastically from my blogging. With this one practice experience under my belt, this year my intention is to give myself a break in all aspects of my life. People wanted to hire me.
In museums, attention to the visitor--her desires, his preferences--has grown over the last few decades. I wonder how many young artists, poets, designers have the same Ayn Rand-ian attitude and will never make it far enough to be asked about their process by others. But products are successful when they are useful and used.
Well, that 80%, 60% of that money goes to large institutional organizations like hospitals and universities, and large cultural institutions, like museums, zoos, and libraries, and religious organizations. And you really can only share your passion unless you have a kind of energized spirit and positive attitude, terrific.
Residents in the three counties that pay the millage will receive special benefits : free admission to the museum and expanded educational programming. The whole 'we know how to spend your money better than you' attitude is condescending and false." Successful argument: Great museums improve quality of life and the value of the region.
Today, Museum 2.0 I started the Museum 2.0 blog in 2006 as a personal learning exercise about "the ways that museums do and can evolve from 1.0 I started the Museum 2.0 blog in 2006 as a personal learning exercise about "the ways that museums do and can evolve from 1.0 and watched the Museum 2.0
Perfect combination of humor, personalization, and attitude that we’ve come to expect from this holiday campaign. Best Looking Emails: This is a tie between the Museum of Modern Art and charity: water for showing that you can still design beautiful emails despite all the constraints. Would you like to change a life in 2016?
Museum work includes many intellectual labors that draw on deep reserves of knowledge and years of experience. They weren’t similar in temperament or attitude. Understanding work, time, and efficiency in museums aren’t easy or universal. Museums have a lot of tasks that are terrible dates. Some people can just write.
The Black Youth Project examines the attitudes, resources, and culture of the young, urban black millennial, exploring how these factors and others influence their decision-making, norms, and behavior in critical domains such as sex, health, and politics. . . The Death and Life of Marsha P. TV Shows + Movies: The 13th (Documentary) .
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