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In 2009 , students built a participatory exhibit from scratch. Thirteen students produced three projects that layered participatory activities onto an exhibition of artwork from the permanent collection of the Henry Art Gallery. This year, we took a different approach. You can explore the projects in full on the class wiki.
It made me think in ways that I haven't before about the relation of art--as expressive culture--to democracy. It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement. Note: you can view these photos of the exhibition on Flickr here.)
There’s all kinds of videos and stuff that you can interact with there if you want to learn more about us. But there are some benefits, some real clear benefits of inclusive participatory strategic planning. Oh, and I see a comment in the chat, “Arts will and should never go away.” And lastly, energy. .
Nina has written a fantastic book engagement called The Participatory Museum. A third argues that the project won’t be truly participatory unless users get to define what content is sought in the first place. I’ve been using these participatory categories to talk about how we’d like users to participate in different projects.
Note From Beth: Yesterday, I attended a convening called “ Beyond Dynamic Adaptability ” for arts organizations about cultural participation in the arts. Good Pitch is an effort that brings documentary filmmakers together with a wide range of partners in distribution, financing and outreach for activism.
Articles, reports, podcasts, and videos: The Problems With Philanthropy, and What We Can Do to Fix Them. Deciding Together Shifting Power and Resources Through Participatory Grantmaking. Empowering Communities: Participatory Grantmakers Say We Must Go beyond Feedback. Equity in the Center: Video Case Studies.
Home About Me Subscribe Zen and the Art of Nonprofit Technology Thoughtful and sometimes snarky perspectives on nonprofit technology IP Tidbits August 18, 2005 Here are a few tidbits I’ve come across in the Intellectual Property arena in the past few days. This is very cool. It’s definitely a thing to watch.
Kristiansen captured the drama on this video clip of Mena Trott's Keynote calling for more civility in blog commenting. In 2005, at the Les Blogs conference in Paris, there was a flap about the backchannel because the conversation crossed a line. . At this conference in 2005, the backchannel was projected on the screen behind the speaker.
Guidestar has multiple office locations, so this session was done as a virtual meeting using a platform and apps that offered features like chat, desktop sharing, polling, white board, sticky notes, and audio and video conferencing. Designing A Participatory Hook for a Virtual Meeting. Walking Meetings and Video Platforms.
I eagerly read about a new social psychology research study in which whites, Asians, and Latinos engaged in a simple collaborative activity--making a music video together. When the music video was not focused on Mexican culture, no such change occurred. But each of these studies yields another useful nugget. Direct questioning.
The Silk Mill is part of the Derby Museums , a public institution of art, history, and natural history. Watch the video at the top of this post, and you''ll see the requisite happy people of diverse backgrounds with power tools and post-its. A strong participatory process is not a loosey-goosey, open the doors and do whatever strategy.
I get excited about a lot of things in my work at the Santa Cruz Museum of Art & History. That's how I felt when artist Ze Frank got in touch to talk about a potential museum exhibition to explore a physical site/substantiation for his current online video project, A Show (s ee minute 2:20, above).
I'm reaching the end of my consulting days, with just one more day on the road before I dedicate myself to Santa Cruz and The Museum of Art & History. On Monday, April 25, I'll be participating in an online video chat with Andrew Taylor and James Undercofler to explore new business models for arts organizations.
Kate was selected from over 1500 applicants based on a one-minute video, an essay, and an application form. Instead, this post focuses on a fascinating aspect of Month at the Museum: the video applications. Why the Video Contest Worked Video contests are one of the most challenging kinds of participatory projects to pull off.
It's only 15 minutes, so I encourage you to watch it , but here are the crib notes for the video-adverse without the hilarious stories and charming photographs. We can change that by embracing participatory culture and opening up to the active, social ways that people engage with art, history, science, and ideas today.
How do you optimize your media (like video and photographs) to upload quickly and take up less time (and money spent) at an Internet cafe? It isn't all about technical issues like compression, but it is also covers aesthetics -- for example, with video blogging using the technique of moment capture.
I "met" Arin Crumley of Four-Eyed Monsters when he commented on a video of on mine over at YouTube. We got into some back and forth email about widgets and he was kind of enough to give me a really useful critique of one of my videos. All of the video clips came from searching ???net net neutrality??? Neutraility Now!
Proposals involve sculpture, performance, participatory-projects, videos, and installation that use and respond to the museum’s collection. This past July, artist Guillermo Gómez proposed to restore a piece of art. Both objects and art-objects would be part of this continuing transformation and evolution.
Visitor-contributed photos surround a collection piece in Carnegie Museum of Art's Oh Snap! It can be incredibly difficult to design a participatory project that involves online and onsite visitor engagement. It's a bit complicated to explain in writing, but this video does a good job of summarizing the project.
Art, however, does not come to museums pre-hardened. At the museum of art and history where I work, we are grappling with the question of how to help people enjoy themselves while keeping the art and artifacts safe. The level of touching, especially of art, has increased. This was amazing. How will we deal with this?
Last week, I gave a talk about participatory museum practice for a group of university students at UCSC. I immediately flashed to my work with art museums and staff members' concerns that older, traditional audiences will shy away from social engagement in the galleries.
To that end, our exhibitions are full of participatory elements. Riding the art couch through downtown Santa Cruz with two visitors and a dog while blasting the Jackson 5 was one of the highlights of my year. Visitors can comment on how we can improve or what they would like to see. Happening Couch. Here's a picture of it in action.
Recently, we''ve been talking at our museum about techniques for capturing compelling audio/video content with visitors. It made me dig up this 2011 interview with Tina Olsen (then at the Portland Art Museum) about their extraordinary Object Stories project. Why did you choose this format instead of video?
In that spirit, I offer a few things that have excited me in recent weeks: The MCA Denver Holiday Video is out, and it is very, very good. Way better than that video at Museum X where the director drones on about the new initiatives of the year. This is just a super-interesting review of an exhibition of damaged art.
Lots of museums these days have video comment booths to invite visitors to tell their stories, but how many of those booths really deliver high-impact content? Last week, I talked with Tina Olsen, Director of Education and Public Programs at the Portland Art Museum, about their extraordinary Object Stories project.
Six Sudsy Soapmaker Blogs And 2 interviews on The Extraordinaries blog: Chat with an Extraordinary: Lauren Bacon of Raised Eyebrow Web Studio Chat with an Extraordinary: Jimmy Santosa of Applied Materials And 6 news posts on the WE Volunteer blog: Love Making Videos? Become a YouTube Video Volunteer Is Volunteering Good for Your Health?
You could spend a day getting lost in the meaty, thoughtful writing and videos on the Our Museum site. Most participatory projects were short-term, siloed innovations, not institutional transformations. Interestingly--for good and ill--this transformative funding program coincided with a national funding crisis in the arts in the UK.
The I LIKE TO WATCH tag (and feed) identifies provocative, proactive, or practical videos that feature sustainability leaders talking about solutions or what she describes as "Viral video and the bright green future." What is your interest in viral video and why did you start that feed?
What does the word "participatory" mean to you? The various definitions of participatory projects can lead to confusion and misunderstandings. Participation in science research is a good basis on which to develop a framework for participatory models because it is based on a consistent scientific process with many steps.
I was captivated by Chris Alexander 's story about participatory online/onsite efforts at the San Jose Museum of Art (SJMA). They created a quirky video promoting the postcard project, put it on YouTube (the video shown at top), and waited for the postcards to roll in. Overall, the museum received about 250 postcards.
This week, the Denver Art Museum (DAM) opened a new temporary exhibition called The Psychedelic Experience , featuring rock posters from San Francisco in the heyday of Bill Graham and electric kool-aid. It’s a thrilling challenge to the traditional form of art museum exhibit design, and better yet, visitors like it.
What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? But for museum and art wonks, it could be. Several artists offer surprising insights into making participatory projects appealing to visitors. No, this is not a reality TV show. Eric: Absolutely.
While there are some kinds of participation that are not language-based like making art or voting, most participation is lingual. Many fabulous participatory projects--like the Johnny Cash Project or the Art Gallery of Ontario's " In Your Face "--don't require language. use digital interfaces.
It also incorporates cc licensed materials from others, including videos and flickr photos. I would love to develop more indepth training workshop or webinar on this topic, geared more for nonprofits and participatory campaigns, perhaps incorporating the Creative Commons Open Content Game. to Change The World.
I've written before about the inspiring work that the Brooklyn Museum of Art is doing with their community-focused efforts. Click is an exhibition process in three parts: The Museum solicited photographs from artists via an open call on their website, Facebook group, Flickr groups, and outreach to Brooklyn-based arts organizations.
It launched in October of 2007 with a very simple and understandable idea: to produce a global map of pieces of art made with stones on beaches. The act of making art, and the recognition on a simple website, are the only rewards. The World Beach Project does not exist in the V&A Museum. It's not marketing hype.
I also learned that the best money in museums for someone who's starting out is in art modeling. After a long day running around a science center, I would show up at the Worcester Art Museum in the evening and make $20 just to stand around and listen to a painting instructor talk about art. I hope this is helpful for someone.
Last week I was honored to be a counselor at Museum Camp , an annual professional development event hosted by the Santa Cruz Museum of Art & History (MAH). Nina Simon, the executive director of the museum, is an expert in participatory design and fantastic facilitator. Here’s a quick video.
" Later, her work brought her to Mali, where she advised on participatory methods. I've also been inspired to experiment with video blog posts and podcasts. The art of advising communities of practice. " She has worked in Africa as a trainer and later as an organisational advisor. search this blog??? Technology.
INTERNSHIPS If you want to join us in Santa Cruz for more professional learning, consider an internship at the Santa Cruz Museum of Art & History. We''re offering internships this summer in: Participatory Exhibition Design. Help take the participatory elements of this permanent gallery to the finish line. Video/Photo.
The Smithsonian American Art Museum's current Ghosts of a Chance game is accessioning player-generated objects into a temporary part of their collection database, with clear rules about what happens to the objects at the end of the game (they are the responsibility of a sub-contractor). On YouTube, you can share videos. Each Web 2.0
This week, I've had multiple conversations with colleagues in the arts, symphonies, and urban planning about the fear professionals have about "losing control" when opening up new opportunities for people to participate. While I originally wrote this post to advocate for more participatory practice (i.e. In the same way that Web 2.0
Almost every part of each weekend, from the ceremonies (open guided discussion) to the meals (homemade) was participatory. Instead, I think we uncovered one of the secrets to creating successful participatory experiences: people like to feel useful. The same dynamic plays out when it comes to participatory museum experiences.
I've thought long and hard about how video editing amplifies my compulsive nature and how I need to reduce my ratio of video minutes viewed per hours of editing time! Users add tags to describe online items, such as images, videos, bookmarks or text. Tagging in Art Museums. Maybe it is more like moment capture.
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