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A Shared and Flexible Understanding of Impact As practitioners of and advocates for participatory philanthropy, we believe there’s a better way. Like many other activities in participatory philanthropy, this approach considers the process to be as important as the outcomes. It promotes mutuality instead of extraction.
Beck''s project is unusual because he deliberately resurrected a mostly-defunct participatory platform: sheet music for popular songs. In his thoughtful preface to this project, I reconnected with five lessons I''ve learned from participatory projects in museums and cultural sites. Constrain the input, free the output.
Nina has written a fantastic book engagement called The Participatory Museum. A third argues that the project won’t be truly participatory unless users get to define what content is sought in the first place. I’ve been using these participatory categories to talk about how we’d like users to participate in different projects.
Deciding Together Shifting Power and Resources Through Participatory Grantmaking. Empowering Communities: Participatory Grantmakers Say We Must Go beyond Feedback. Abigail Echo-Hawk on the art and science of ‘decolonizing data’ Allison Bauer Discusses Philanthropy Today & Nonprofit Support.
Others are more formal, structured conversations that happen weekly at a particular time. #4change is a regular chat about social media change. And, in the case of Twitter Vote Report Twitter hashtags have been used for real-time participatory democracy. However, a list of the ten best hashtag communities and conversations might be.
At the Santa Cruz Museum of Art & History, we take our interns seriously, give them real responsibility, creative challenges, and meaningful work opportunities. I'm particularly excited about two internships that relate to participatory exhibition design. First, there is the Participatory Exhibit Design Internship.
This past Friday, we experimented with a new feedback format at an evening event focused on poetry and book arts. We had debated the prompt structure a bit before the event (I thought "learned" was too leading), but giving visitors the choice of prompts let them share what they wanted without too much guidance.
Our museum in Santa Cruz has been slammed by those who believe participatory experiences have gone too far. We always knew that the inclusion of participatory and community-centered practices in arts institutions was controversial. To me, the backlash against participatory and community-centered experiences is not surprising.
It's rare that a participatory museum project is more than a one-shot affair. Wikipedia Loves Art, Take One The first version of Wikipedia Loves Art first took place in February 2009. In contrast, the Wikimedians were focused on making cultural content digitally available online using as open a licensing structure as possible.
The Leading Change Summit was more intimate (several hundred people), participatory and interactive, intense, and stimulating. I designed this exercise after a delightful experience visiting the Barnes Foundation Museum where the art work is hung on the wall in a way to facilitate pattern recognition and learning about art concepts.
Which of these descriptions exemplifies participatory museum practice? But the difference between the two examples teases out a problem in differentiating "participatory design" from "design for participation." In the first case, you are making the design process participatory. In the second, you make the product participatory.
Last week, I attended Structure Lab , a half-day workshop on legal and financial structures for ventures for social good. Like many people in the arts, I'm interested in new models that help people combine mission-driven work with an entrepreneurial spirit.
Our work to transform the Santa Cruz Museum of Art & History into a participatory and community-centered place has been heavily supported by the James Irvine Foundation. The report is a slim 12 pages on the common characteristics of arts organizations that successfully and continuously engage diverse audiences.
I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."
Proposals involve sculpture, performance, participatory-projects, videos, and installation that use and respond to the museum’s collection. This past July, artist Guillermo Gómez proposed to restore a piece of art. Both objects and art-objects would be part of this continuing transformation and evolution.
To that end, our exhibitions are full of participatory elements. We actively seek participation and develop structured opportunities for visitors to collaborate with us. Riding the art couch through downtown Santa Cruz with two visitors and a dog while blasting the Jackson 5 was one of the highlights of my year.
We've gotten a little more organized at The Museum of Art & History , and we've now released opportunities for summer internships. This could be a serious research opportunity for someone interested in impact assessment, community attitudes towards the arts, and the role museums can play in transforming communities.
Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean''s book Visitor Voices in Museum Exhibitions.
Visitor-contributed photos surround a collection piece in Carnegie Museum of Art's Oh Snap! It can be incredibly difficult to design a participatory project that involves online and onsite visitor engagement. We've also structured this project so we can maintain an ongoing dialog with participants even after the Oh Snap!
It is always challenge to use participatory techniques when your participants are not native English speakers and you don’t speak the language. I thought I’d share a few quick insights and tips that I learned for others who may be preparing for doing tech training internationally and want to use participatory techniques.
What does the word "participatory" mean to you? The various definitions of participatory projects can lead to confusion and misunderstandings. Participation in science research is a good basis on which to develop a framework for participatory models because it is based on a consistent scientific process with many steps.
Most of my work contracts involve a conversation that goes something like this: "We want to find ways to make our institution more participatory and lively." Most museums that offer interactive exhibits, media elements, or participatory activities offer them alongside traditional labels and interpretative tools. Fabulous!" "But
It made me dig up this 2011 interview with Tina Olsen (then at the Portland Art Museum) about their extraordinary Object Stories project. They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they learned some unexpected lessons along the way. So what did you do next?
On September 10, the Whitney Museum of American Art started offering a new membership called "Curate Your Own," in which members select one of five specialized "buckets" of benefits in addition to core admission and discount benefits. People want to experience art in quite individual ways. How did this project start?
I''ve now been the executive director of the Santa Cruz Museum of Art & History for three years. Participatory work can be very labor-intensive. We have prioritized opening up to as many partners as possible through collaborative structures that scale. institutional change Museum of Art and History'
Last week, I talked with Tina Olsen, Director of Education and Public Programs at the Portland Art Museum, about their extraordinary Object Stories project. They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they made some unexpected decisions along the way.
Priya Parker's wonderful book The Art of Gathering shares the core principles of how to drive. Here are my three big takeaways from The Art of Gathering : Hosting is an exercise in courageous leadership. The Art of Gathering expanded my understanding of what it means to build a powerful culture of participation.
While the talk may encompass serious topics, the attitude is light and the conversation is not structured or overly guided. In contrast, cultural institutions often implicitly discourage conversation, particularly loud and boisterous talk, and when conversation is encouraged it is often highly structured around a particular topic or program.
At the Santa Cruz Museum of Art & History (MAH), we've started experimenting with a "community first" approach to program development. There are many amazing community representatives from business, arts, education, and social services who connect us to powerful ideas and partners. Six goals for MAH community programs.
We're seeking great folks for public programs, participatory exhibit design, online marketing, 3D design, and whatever else you might have to offer. At our museum, we don't provide a lot of structured mentorship for interns. At this time, we're not ready to offer people highly structured internships. We might never get there.
Unconference sessions , featuring topics as diverse as "playing an ARG" (with real labyrinth adventures ), "engaging visitors who were dragged to the museum," and "measuring and defining success in participatory projects." That said, the phrase "structured opportunity" is where MuseumNext suffered most. Facilitator bits.
Resolution Two: "I resolve to use social and participatory media to expand my reach and brand." Get the low down on social media platforms and what social and participatory media entails. Convio says knowing your audience is key because the online tools you choose to use must align with the technical capabilities of your audience.
I personally want to move away from the metaphor of making movies of the computer screen to more shoulder-to-shoulder instructional media and perhaps something that is more participatory or for lack of a better word, social. Tagging in Art Museums. Maybe it is more like moment capture. 2) Bookmarks can???t Tagging Nonprofit Missions.
The VSA has replaced their keynotes with structured group dialogue. But the VSA has taken an intentional approach to these structured conversations with the goal of putting the (arguably) best part of conferences—the side conversations and hallway discussions—front and center. Where do our eyes go to in art?
One of the things that makes the visitor stories contributed in the Denver Art Museum's Side Trip exhibition so compelling and on-topic is a design approach that elevates visitors' responses to comparable footing with the predesigned content. Tags: Talking to Strangers design participatory museum usercontent interactives.
I can just imagine the headline: CHILD MOLESTERS CALL ON ART, VICTIMS. Structure the space with a clear story (and commensurate rules). Structure means context, and context means norms that people can easily grasp and deal with. How can going to an art museum be more like going to a convention for people who love art?
Visitor Co-Created Museum Experiences This session was a dream for me, one that brought together instigators of three participatory exhibit projects: MN150 (Kate Roberts), Click! So far, most participatory museum design projects are heavily guided by the institution. MN150 will have formal summative evaulation, which is wonderful.
Institutions tying their online and onsite activities, as the Ontario Science Centre did when it hosted a YouTube meetup , or the Smithsonian American Art Museum did when they developed an alternate reality game. But enough of these experiences have convinced me that the participatory museum is not a fringe concept. There is funding.
On June 4, we opened The Tech Virtual Test Zone , a new 2000 sq ft gallery at The Tech Museum of Innovation featuring exhibits on the theme of art, film, and music that were originally developed in Second Life by a community of creative amateurs. It's also standard practice in community arts programs. than by talking in suppositions.
These are the slides and notes for the talk I gave at the American Alliance of Museums conference on Monday, April 27 about the Santa Cruz Museum of Art & History. When I became the director of the Santa Cruz Museum of Art & History four years ago, I took this work with me. We exist for people who live in Santa Cruz County.
The Digital Media and Learning Conference is meant to be an inclusive, international and annual gathering of scholars and practitioners in the field, focused on fostering interdisciplinary and participatory dialogue and linking theory, empirical study, policy, and practice. National Arts Marketing Project Conference. 11/10/2016.
For a long time, I’ve admired their ambitious work, from exhibitions on complex topics like network science to integration of contemporary art into their galleries to incredible dedication to advancing the careers of diverse youth in Queens. I was struck by how this is partly interactive, but within a structured, linear narrative.
It often takes clarity of roles and purview and even some structure to do that. In our years of talking to staff, boards, and communities about participatory philanthropy, people often talk about their worst participatory decision-making experiences. New to Participatory Grantmaking? But these “soft skills” are not magic.
a democratically structured non-profit which issues the local currency; the Schumacher Center (which retains its affiliation with BerkShares, Inc.); Beyond the direct advantage to small merchants, digital BerkShares’ competitive fee structure is meant to keep more area capital at work in the Berkshires.
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