Connection Cafe

APRIL 21, 2014

According to the blog justgiving.com there are 5 key motivators for giving: to support a particular organization, because we are inspired by other’s stories, to support a cause, to feel good, and. Working with arts organizations there are often concern that your constituent stories aren’t as impactful. Recognize the impact.

Arts 37

Arts Story Org Personal 37

Beth's Blog: How Nonprofits Can Use Social Media

MAY 7, 2010

Nina has written a fantastic book engagement called The Participatory Museum. A third argues that the project won’t be truly participatory unless users get to define what content is sought in the first place. I’ve been using these participatory categories to talk about how we’d like users to participate in different projects.

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Activism Activities Active Model 98

Museum 2.0

OCTOBER 18, 2011

They’re no longer “an exhibit” per se—more of an evocative design element that hints at an important story told elsewhere in the museum. We decided to approach the label-writing for these boards in a participatory way. Understanding what you think helps us think about how we display our collections. how did they ride the plank?”

Participatory 48

Participatory Museum San Diego History 48

Museum 2.0

SEPTEMBER 12, 2012

In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. This exhibition represents a few big shifts for us: We used a more participatory design process. We had some money.

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Participatory Museum International History 44

Museum 2.0

APRIL 14, 2011

As of May 2, I will be the executive director of the Museum of Art & History at McPherson Center in Santa Cruz, CA (here's the press release ). Because of the increased workload I expect in the months to come, as well as the likely possibility that we will start a Museum of Art & History blog, I'm lowering my Museum 2.0

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Museum History Arts Consultant 55

Museum 2.0

SEPTEMBER 29, 2010

Want to experience art in a populist, energized, industrial/urban setting? Artprize , now in its second year, is a city-wide art festival with a $250,000 top prize to be awarded to the work that receives the most public votes. It was the best experience I've ever had talking and learning about art. Want to talk about it?

Arts 52

Arts Experiment Social Museum 52

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 25, 2011

Note From Beth: Yesterday, I attended a convening called “ Beyond Dynamic Adaptability ” for arts organizations about cultural participation in the arts. With a project like Granito, the film is only the beginning and serves as an invitation for everyone to share their story.

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Guatemala Arts Award Artist 94

Museum 2.0

NOVEMBER 5, 2014

I''m glad to see coverage about art museums involving visitors in exhibitions. It''s neither "quick" nor "inexpensive" to mount exhibitions that include diverse community stories. The curators are the humans in the story. Our prototypical participant is a 49-year old Santa Cruz County woman with a story to share.

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Journal Community Museum Participatory 54

Candid

JANUARY 6, 2023

With all these options, we wanted to look back and highlight some of the Issue Lab community’s most popular publications in 2022, featuring a wide array of topics ranging from education to participatory grantmaking and beyond. Expanding Equity: Inclusion & Belonging Guidebook , by the W.K.

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Resource Issue Philanthropy Participatory 98

Museum 2.0

JANUARY 25, 2012

This past Friday, we experimented with a new feedback format at an evening event focused on poetry and book arts. It created an appealing body of stories about the event. What creative ways have you found to solicit visitor feedback and share visitors' stories? full description here , photos from the event here ). you tell me.

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Participatory Activism Activities Active 50

Museum 2.0

MAY 3, 2011

Lots of museums these days have video comment booths to invite visitors to tell their stories, but how many of those booths really deliver high-impact content? Last week, I talked with Tina Olsen, Director of Education and Public Programs at the Portland Art Museum, about their extraordinary Object Stories project.

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Story Interview Museum Audio 53

Museum 2.0

APRIL 4, 2012

You have to care before you want to act, and caring--about the earth, about civil rights, about art--is not a given. I was reminded of this "care, then act" framework when I saw a recent story about a student's experience at a powerful issue-driven exhibition at the Skirball Cultural Center, Half the Sky. age/gender unknown).

Story 47

Story Museum Participatory Project 47

Museum 2.0

OCTOBER 1, 2014

It made me dig up this 2011 interview with Tina Olsen (then at the Portland Art Museum) about their extraordinary Object Stories project. They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they learned some unexpected lessons along the way.

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Museum Story Project People 43

Museum 2.0

NOVEMBER 5, 2013

Our museum in Santa Cruz has been slammed by those who believe participatory experiences have gone too far. We always knew that the inclusion of participatory and community-centered practices in arts institutions was controversial. To me, the backlash against participatory and community-centered experiences is not surprising.

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Museum Participatory Arts History 53

Museum 2.0

APRIL 18, 2018

You can now read all the chapters in The Art of Relevance for free online. You can still buy The Art of Relevance as a paperback, ebook, or audiobook--but you can also read any chapter, any time, online. The chapters are short stories, and most can stand alone. It's finally here! Or how Food What?!

Arts 40

Arts Free Chapter Museum 40

Museum 2.0

MARCH 20, 2013

This week, the Santa Cruz Weekly's cover story is about my museum (the Santa Cruz Museum of Art & History ) and the work we have done to make it a more participatory, community-centered place over the past two years. Perry describes me as the "conductor" of a community-programmed orchestra.

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Story Participatory Museum Georgia 31

Museum 2.0

SEPTEMBER 4, 2012

This simple participatory project invites visitors to contribute their own small objects in little alcoves in our bathrooms. I walked into the women's bathroom and saw what I expected to see--a bunch of quirky objects on display with stories written on post-its. A couple stories. Here's the strange thing. No objects.

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Museum Difference Examples Participatory 47

Museum 2.0

NOVEMBER 6, 2012

I'm thrilled to share this brilliant guest post by Marilyn Russell, Curator of Education at the Carnegie Museum of Art. In a straightforward way, Marilyn explains how her team developed a participatory project to improve engagement in a gallery with an awkward entry. Reassert the "forum"?

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Museum Arts Design Problem 45

Museum 2.0

APRIL 7, 2009

Which of these descriptions exemplifies participatory museum practice? Museum staff create an exhibit by a traditional internal design process, but the exhibit, once open, invites visitors to contribute their own stories and participation. In the first case, you are making the design process participatory. The exhibit opens.

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Participatory Design Difference Museum 27

Museum 2.0

AUGUST 28, 2013

Earlier in 2013, I was amazed to visit one of the new “Studio” spaces at the Denver Art Museum. The Denver Art Museum is no stranger to community collaborations, but we’ve been dipping in our toe a little more deeply when it comes to developing permanent participatory installations.

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Denver Museum Arts Collaboration 35

Museum 2.0

MARCH 17, 2010

This is the second in a four-part series about writing The Participatory Museum. Several hundred people contributed their opinions, stories, suggestions, and edits to The Participatory Museum as it was written. Tags: Book: The Participatory Museum. Check out the other parts here. What did they do? Why did they do it?

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Participatory Museum Process Experiment 32

Museum 2.0

JULY 23, 2014

It has an incredible story. The Silk Mill is part of the Derby Museums , a public institution of art, history, and natural history. The Silk Mill is part of the Derby Museums , a public institution of art, history, and natural history. design inclusion institutional change participatory museum' Imagine a historic site.

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Museum Community Participatory Product 53

Beth's Blog: How Nonprofits Can Use Social Media

JULY 3, 2009

On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggl es with in applying participatory design techniques to museum practice. The most reliable question I'm using works in art museums. That's why I asked.

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Technique Question Design Participatory 50

Museum 2.0

JANUARY 11, 2012

Last week, the local newspaper did a really generous front-page story on my museum (the MAH) and the changes here over the past eight months since I started. Our team focused this year on just three things: making the museum more comfortable, hosting new participatory events, and partnering wherever possible.

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Audience Museum Participatory History 47

The Modern Nonprofit

MAY 1, 2024

Well-planned events enable nonprofits, community groups, businesses and government agencies to showcase AAPI arts, food, performances, and more. The Art of Celebration: Showcasing AAPI Cultural Richness Incorporating cultural performances and art displays is a great way to bring the essence of AAPI heritage to life at your event.

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Celebrate Education Fundraising Culture 59

Museum 2.0

JULY 11, 2012

I get excited about a lot of things in my work at the Santa Cruz Museum of Art & History. And to cut to the end of the story first, yes, we are creating a project together, yes, you can participate, and yes to whatever other questions this brings up in your head. Photography, video, audio, text, origami, mail art.

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Museum Participatory Artist Project 45

Museum 2.0

DECEMBER 28, 2011

We've been offering a host of participatory and interactive experiences at the Museum of Art & History this season. I loved Jasper Visser's list of 30 "do's" for designing participatory projects earlier this month. This isn't even participatory. All of them are cheap, mostly simple, and occasionally, dangerous.

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Design Participatory Learning Museum 45

Museum 2.0

APRIL 25, 2011

I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

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Question Participatory Museum Evaluation 49

Museum 2.0

NOVEMBER 13, 2012

It's only 15 minutes, so I encourage you to watch it , but here are the crib notes for the video-adverse without the hilarious stories and charming photographs. We can change that by embracing participatory culture and opening up to the active, social ways that people engage with art, history, science, and ideas today.

Museum 55

Museum Open Participatory Charlotte 55

Museum 2.0

JANUARY 18, 2012

There are many participatory experiences that appeal primarily to adults, and they are designed distinctly for adults. There's a huge difference between the edgy, DIY beauty of Candy Chang 's participatory urban artworks and the dayglow colors, exclamatory language , and preschool fonts of most museum interactives.

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Interaction Design Museum Participatory 47

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.

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Museum Difference Participatory Arts 29

Museum 2.0

JULY 20, 2010

Last week, I gave a talk about participatory museum practice for a group of university students at UCSC. I immediately flashed to my work with art museums and staff members' concerns that older, traditional audiences will shy away from social engagement in the galleries.

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Social Teen Museum Participatory 49

Museum 2.0

SEPTEMBER 18, 2013

Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean''s book Visitor Voices in Museum Exhibitions.

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Museum Question Participatory Evaluation 45

Museum 2.0

APRIL 28, 2009

On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggles with in applying participatory design techniques to museum practice. The most reliable question I'm using works in art museums. That's why I asked.

Technique 52

Technique Question Design Develop 52

Museum 2.0

MAY 2, 2012

Today is my one-year anniversary as the executive director of the Santa Cruz Museum of Art & History. We went through a dramatic financial turnaround and redefined our relationship with our community through a series of experimental participatory projects and new programmatic approaches. 85% of our visitors attend through events.

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Museum Director Participatory Community 55

Museum 2.0

MARCH 13, 2013

Visitor-contributed photos surround a collection piece in Carnegie Museum of Art's Oh Snap! It can be incredibly difficult to design a participatory project that involves online and onsite visitor engagement. In this guest post, Jeffrey shares the story behind their big hit with a visitor co-created exhibition.

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Authoring Experiment Open Museum 53

Museum 2.0

MARCH 5, 2014

You want their stories, their feedback, their colorful drawings of the future. Sometimes success means deep, personal stories; other times, we value speculative argumentation or creative expression. design evaluation Museum of Art and History participatory museum usercontent' How do you measure success? That''s it.

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Test Museum Measure Participatory 43