Museum 2.0

OCTOBER 18, 2011

We decided to approach the label-writing for these boards in a participatory way. We blatantly borrowed the brilliant technique the San Diego Museum of Natural History used to write labels based on visitors’ questions. Visitors have gone to town, writing both basic questions (“who made them?” “who how did they ride the plank?”

Participatory 48

Participatory Museum San Diego History 48

Museum 2.0

SEPTEMBER 3, 2014

This person is writing about a participatory element (the "pastport") that we included in the exhibition Crossing Cultures. In front of each of those paintings, you could stamp your pastport, reflect on the artwork and the question, and share your story. Response mail art after the visit. The clotheslines were always full.

Participatory 45

Participatory Museum History Arts 45

Museum 2.0

JUNE 25, 2014

Two years ago, we mounted one of our most successful participatory exhibits ever at the Santa Cruz Museum of Art & History: Memory Jars. Two years later, this project is still one of the most fondly remembered participatory experiences at the museum--by visitors and staff. He creates a visual representation of his story.

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Participatory Evaluation Project Museum 52

Beth's Blog: How Nonprofits Can Use Social Media

JULY 3, 2009

On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggl es with in applying participatory design techniques to museum practice. I love this question. First, what do the right questions look like?

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Technique Question Design Participatory 50

Museum 2.0

APRIL 25, 2011

This post shares some of the most interesting questions I've heard throughout these experiences. Feel free to add your own questions and answers in the comments! BROAD QUESTIONS ABOUT AUDIENCE PARTICIPATION 1. Are there certain kinds of institutions that are more well-suited for participatory techniques than others?

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Question Participatory Museum Evaluation 49

Museum 2.0

APRIL 28, 2009

On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggles with in applying participatory design techniques to museum practice. I love this question. First, what do the right questions look like?

Technique 52

Technique Question Design Develop 52

Museum 2.0

SEPTEMBER 12, 2012

In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. The content focuses on the question of WHY we collect and how our collections reflect our individual and community identities.

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Participatory Museum International History 44

Museum 2.0

SEPTEMBER 29, 2010

Want to experience art in a populist, energized, industrial/urban setting? Artprize , now in its second year, is a city-wide art festival with a $250,000 top prize to be awarded to the work that receives the most public votes. It was the best experience I've ever had talking and learning about art. Want to talk about it?

Arts 52

Arts Experiment Social Museum 52

Museum 2.0

FEBRUARY 7, 2011

Imagine this situation: You go to an arts event, one of a type you rarely or never take part in. This is a question I've been puzzling over now for a few months, both professionally and personally. There's been a lot of innovation in arts programming in the last few years. How do you form an arts habit?

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Arts Museum Calendar Music 50

Museum 2.0

AUGUST 22, 2012

At the Santa Cruz Museum of Art & History, we take our interns seriously, give them real responsibility, creative challenges, and meaningful work opportunities. I'm particularly excited about two internships that relate to participatory exhibition design. First, there is the Participatory Exhibit Design Internship.

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Participatory Museum International Unconference 37

Candid

JUNE 16, 2022

It’s not a binary question of whether your guidelines state you are or are not a climate or justice funder. It also explains how the McKnight Foundation is connecting its participatory democracy work with climate justice efforts in historically marginalized communities. . The climate crisis is analogous to the pandemic.

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Guidelines Philanthropy Participatory Case Study 105

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 24, 2009

Raymond raised some good reflective questions about backchannels that are still very relevant four years later as back channels goe more mainstream and search for best practices on how to incorporate them into our conferencing experience. You can combine this with asking the audience for “out-loud” questions as well.

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Conference Reflection Resource Tips 69

Candid

JANUARY 6, 2023

With all these options, we wanted to look back and highlight some of the Issue Lab community’s most popular publications in 2022, featuring a wide array of topics ranging from education to participatory grantmaking and beyond. Expanding Equity: Inclusion & Belonging Guidebook , by the W.K.

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Resource Issue Philanthropy Participatory 98

Museum 2.0

SEPTEMBER 18, 2013

Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. This post shares some of the most interesting questions I''ve heard throughout these experiences. Feel free to add your own questions and answers in the comments! The Museum 2.0

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Museum Question Participatory Evaluation 45

Museum 2.0

FEBRUARY 1, 2012

Last week, Douglas McLellan of artsJournal ran a multi-vocal forum on the relationship between arts organizations and audiences, asking: In this age of self expression and information overload, do our artists and arts organizations need to lead more or learn to follow their communities more?

Arts 45

Arts Museum Artist Tucson 45

Museum 2.0

SEPTEMBER 10, 2014

Scene: a regional workshop on arts engagement. A funder is speaking with conviction about the fact that her foundation is focusing their arts grantmaking strategy on engagement. Engaging people actively in the arts. Any questions? PARTICIPATORY: can people get involved or contribute to it? Engaging new people.

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Museum Participatory Arts Culture 55

Museum 2.0

NOVEMBER 5, 2014

I''m glad to see coverage about art museums involving visitors in exhibitions. The whole process of being interviewed for the story made me question the stories we tell and words we use to describe participatory work. These questions don''t just apply to press coverage. What is the metaphor for participatory arts?

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Journal Community Museum Participatory 54

Museum 2.0

MARCH 3, 2010

As many of you know, I've been working for the past year+ on a book about visitor participation in museums, libraries, science centers, and art galleries. The Participatory Museum is a practical guide to visitor participation. The Participatory Museum is an attempt at providing such a resource. Tweet about it.

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Participatory Museum Arts Netherlands 30

Museum 2.0

APRIL 20, 2009

I’d never attended before and was impressed by many very smart, international people doing radical projects to make museum collections and experiences accessible and participatory online. But I left uneasy, grappling with questions that plagued me throughout the conference. Instead, I found a standard art museum. Lovely grounds.

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Participatory Museum Web Strategy 35

Museum 2.0

JUNE 18, 2014

And it''s got me thinking about how we build energy and audience for the arts in this country. Barry Hessenius recently wrote a blog post questioning the theory that more art into the school day will increase and bolster future adult audiences for art experiences. If kids were checking out art supplies from the library.

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Arts Build Audience United States 47

Connection Cafe

APRIL 21, 2014

Working with arts organizations there are often concern that your constituent stories aren’t as impactful. million likes surely someone touting the effect of music and art on their lives can get just as many. Participatory fundraising often starts with events that allow people to get involved causally with a small time commitment.

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Arts Story Org Personal 37

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 29, 2006

I met Janet Salmons many years ago while I working on various arts and technology projects in New York State for the New York Foundation for the Arts. I started in the Cornell University Center for Theatre Arts , where I founded and directed two programs: Cornell Theatre Outreach and the Community-Based Arts Project.

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Arts Community Online Teach 50

Museum 2.0

SEPTEMBER 26, 2012

Visitors bond and bridge through participatory experiences at MAH. There were times when coordinating a fire art festival while researching social capital theory made me want to burn my computer. I learn a ton from her every day and wanted to share her thinking--and her graduate thesis--with you.

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Museum Program Community Participatory 49

Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 18, 2011

Establish local networks of individuals and organizations using social media to help build stronger organizations and more participatory societies. The debriefing question encouraged us to reflect on points of connection and reciprocity. Trainer the Trainers: Beth Kanter, Mohamad Najem, Jessica Dherre, and Mary Joyce.

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Network Build Social Media Participatory 95

Museum 2.0

NOVEMBER 6, 2012

I'm thrilled to share this brilliant guest post by Marilyn Russell, Curator of Education at the Carnegie Museum of Art. In a straightforward way, Marilyn explains how her team developed a participatory project to improve engagement in a gallery with an awkward entry. Reassert the "forum"?

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Museum Arts Problem Design 45

Museum 2.0

APRIL 18, 2018

You can now read all the chapters in The Art of Relevance for free online. You can still buy The Art of Relevance as a paperback, ebook, or audiobook--but you can also read any chapter, any time, online. You can also post comments on any chapter, adding your reactions and questions to the published content.

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Arts Free Chapter Museum 40

Cloud 4 Good

MARCH 8, 2022

In addition to the education and inspiration, NTEN is promoting accessibility, equity, and inclusivity like never before with dedicated racial affinity spaces, meditation sessions, and even virtual art galleries and live music. Opportunities for Professional Development.

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Conference Technology NTC Nonprofit 87

Museum 2.0

OCTOBER 30, 2013

My biggest question for these social psychologists is this: how do we apply their lessons to our work? We have some strategies for tackling this: convening diverse content advisors, incorporating anti-bias educational approaches in our design, developing participatory opportunities for visitors to connect past to present.

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Measure Arts Social People 47

Museum 2.0

JANUARY 4, 2010

It's rare that a participatory museum project is more than a one-shot affair. Wikipedia Loves Art, Take One The first version of Wikipedia Loves Art first took place in February 2009. Over 13,000 photographs were submitted by 102 photographers at the fifteen different institutions, documenting about 6,200 pieces of art.

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Wikipedia Arts Museum Project 40

Museum 2.0

AUGUST 28, 2013

Earlier in 2013, I was amazed to visit one of the new “Studio” spaces at the Denver Art Museum. The Denver Art Museum is no stranger to community collaborations, but we’ve been dipping in our toe a little more deeply when it comes to developing permanent participatory installations.

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Denver Museum Arts Collaboration 35

Beth's Blog: How Nonprofits Can Use Social Media

MAY 26, 2015

Designing A Participatory Hook for a Virtual Meeting. In a face-to-face training, I might do an exercise with sticky notes where I get participants to write down answers to a question or two related to the content on sticky notes. For this meeting, we asked two questions: What makes a meeting a good, productive use of your time?

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Facilitation Virtual Arts Participatory 50

Museum 2.0

APRIL 7, 2009

Which of these descriptions exemplifies participatory museum practice? But the difference between the two examples teases out a problem in differentiating "participatory design" from "design for participation." In the first case, you are making the design process participatory. In the second, you make the product participatory.

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Participatory Design Difference Museum 27

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 8, 2014

The Leading Change Summit was more intimate (several hundred people), participatory and interactive, intense, and stimulating. That’s hard if deadlines are looming, but essential to have a session to explore questions such as: What is your facilitation style and philosophy? Do you have a preferred method? Overnight Reflection.

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Reflection NTEN Change Facilitation 127

Museum 2.0

JULY 23, 2014

The Silk Mill is part of the Derby Museums , a public institution of art, history, and natural history. A strong participatory process is not a loosey-goosey, open the doors and do whatever strategy. It''s not a question of the participatory process being unidirectional, something that we are doing for you the community.

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Museum Community Participatory Product 53

Museum 2.0

NOVEMBER 11, 2008

George is a stranger I met last week at SFMOMA’s new show, The Art of Participation:1950 to Now. The Art of Participation provides a retrospective on participatory art as well as presenting opportunities for visitors to engage in contemporary (“now”) works. Here are two pictures. The first one is me. DO message clearly.

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Participatory Arts Design Museum 20

Museum 2.0

JANUARY 11, 2012

For years, I'd give talks about community participation in museums and cultural institutions, and I'd always get the inevitable question: "but what value does this really have when it comes to dollars and cents?" And the next time someone questions the benefits of letting audiences actively participate, send them to Santa Cruz.

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Audience Museum Participatory History 47

Museum 2.0

AUGUST 9, 2011

It's a little living room in a lobby area that invites people to lounge on comfortable chairs, leaf through magazines and books related to art and Santa Cruz history, and generally hang out. The area that houses the Creativity Lounge also shows art. But Lisa questioned this. I disagreed, and the puzzle stayed.

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Museum Arts History Participatory 51