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You’ve read about participatory grantmaking—and maybe even heard about other organizations using this model to distribute control of their funding strategy and grants decisions to the communities they serve. Not sure if participatory grantmaking is for you or maybe you need a refresher on what it is? Is this you?
MEL, as it turns out, is not neutral, but yet another place where power differentials show up. A Shared and Flexible Understanding of Impact As practitioners of and advocates for participatory philanthropy, we believe there’s a better way. As the art critic John Berger said in his book Ways of Seeing , “We only see what we look at.
In our years of talking to staff, boards, and communities about participatory philanthropy, people often talk about their worst participatory decision-making experiences. New to Participatory Grantmaking? It often takes clarity of roles and purview and even some structure to do that. But these “soft skills” are not magic.
Beck''s project is unusual because he deliberately resurrected a mostly-defunct participatory platform: sheet music for popular songs. In his thoughtful preface to this project, I reconnected with five lessons I''ve learned from participatory projects in museums and cultural sites. Constrain the input, free the output.
It made me think in ways that I haven't before about the relation of art--as expressive culture--to democracy. It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement. Note: you can view these photos of the exhibition on Flickr here.)
I am putting the finishing touches on another social media lab designed for arts organizations. So, have been updating arts 2.0 Shelley notes in her post the reason why they decided to explore FourSquare: As simply as I can put this, Foursquare is about place and identifying yourself through that.
This person is writing about a participatory element (the "pastport") that we included in the exhibition Crossing Cultures. We created a "pastport" - a small booklet with evocative prompts related to identity and place. We created a simple wheel with open-ended questions about identity and place, setting it in a lounge area.
Two years ago, we mounted one of our most successful participatory exhibits ever at the Santa Cruz Museum of Art & History: Memory Jars. Two years later, this project is still one of the most fondly remembered participatory experiences at the museum--by visitors and staff. He creates a visual representation of his story.
Nina has written a fantastic book engagement called The Participatory Museum. A third argues that the project won’t be truly participatory unless users get to define what content is sought in the first place. I’ve been using these participatory categories to talk about how we’d like users to participate in different projects.
We decided to approach the label-writing for these boards in a participatory way. note: originally, this said "we're writing a label" but with that phrasing, lots of people wrote creative titles for the surfboards (like the title for a work of art) instead of talking about content of interest. who were the surfers who used them?” “how
As of May 2, I will be the executive director of the Museum of Art & History at McPherson Center in Santa Cruz, CA (here's the press release ). Because of the increased workload I expect in the months to come, as well as the likely possibility that we will start a Museum of Art & History blog, I'm lowering my Museum 2.0
Want to experience art in a populist, energized, industrial/urban setting? Artprize , now in its second year, is a city-wide art festival with a $250,000 top prize to be awarded to the work that receives the most public votes. It was the best experience I've ever had talking and learning about art. Want to talk about it?
As a designer, I'm always trying to ensure that participatory activities, however casual, impact both the participant and the organization. If fundraisers are so keen on relationships, why weren't they the first into social media and participatory projects on behalf of their organizations?
Imagine this situation: You go to an arts event, one of a type you rarely or never take part in. There's been a lot of innovation in arts programming in the last few years. There's been a lot of innovation in arts programming in the last few years. How do you form an arts habit? You have a great time.
Note From Beth: Yesterday, I attended a convening called “ Beyond Dynamic Adaptability ” for arts organizations about cultural participation in the arts. But there is also a quiet revolution taking place in the field of documentary film. Guest Post by Vincent Stehle.
With all these options, we wanted to look back and highlight some of the Issue Lab community’s most popular publications in 2022, featuring a wide array of topics ranging from education to participatory grantmaking and beyond. Expanding Equity: Inclusion & Belonging Guidebook , by the W.K.
It still continues to be used on Twitter as well as other places. If for instance, you tagged a tweet about your Foundation's performing arts program with #arts, your tweet would be amongst tweets about all kinds of topics in the art world - even tweets about Paula Abdul leaving American Idol.
I’d never attended before and was impressed by many very smart, international people doing radical projects to make museum collections and experiences accessible and participatory online. Are participatory activities happening on the web because that is the best place for them? Instead, I found a standard art museum.
This is the first installment of a book discussion about Ray Oldenburg’s book The Great Good Place. Like many museum and library professionals, I am enamored of the idea of cultural institutions as “third places” – public venues for informal, peaceable, social engagement outside of home or work. Facebook discussion board here.
It also explains how the McKnight Foundation is connecting its participatory democracy work with climate justice efforts in historically marginalized communities. . Invest in, support, and learn from intermediary organizations, many of which can help you adopt participatory approaches to grantmaking. . Not reinventing the wheel.
As many of you know, I've been working for the past year+ on a book about visitor participation in museums, libraries, science centers, and art galleries. The Participatory Museum is a practical guide to visitor participation. The Participatory Museum is an attempt at providing such a resource. Tweet about it.
And it''s got me thinking about how we build energy and audience for the arts in this country. Barry Hessenius recently wrote a blog post questioning the theory that more art into the school day will increase and bolster future adult audiences for art experiences. Like Barry, I feel that more art in schools is always better.
Establish local networks of individuals and organizations using social media to help build stronger organizations and more participatory societies. Everyone was asked to share five words or “hash tags&# on sticky notes and place them on the wall. Trainer the Trainers: Beth Kanter, Mohamad Najem, Jessica Dherre, and Mary Joyce.
Deciding Together Shifting Power and Resources Through Participatory Grantmaking. Empowering Communities: Participatory Grantmakers Say We Must Go beyond Feedback. A Place Where You Can Speak Your Mind to That Foundation. Community-based participatory research. Philanthropy is at a turning point.
I met Janet Salmons many years ago while I working on various arts and technology projects in New York State for the New York Foundation for the Arts. I started in the Cornell University Center for Theatre Arts , where I founded and directed two programs: Cornell Theatre Outreach and the Community-Based Arts Project.
Home About Me Subscribe Zen and the Art of Nonprofit Technology Thoughtful and sometimes snarky perspectives on nonprofit technology IP Tidbits August 18, 2005 Here are a few tidbits I’ve come across in the Intellectual Property arena in the past few days. This is very cool. It’s definitely a thing to watch.
It's rare that a participatory museum project is more than a one-shot affair. Wikipedia Loves Art, Take One The first version of Wikipedia Loves Art first took place in February 2009. Over 13,000 photographs were submitted by 102 photographers at the fifteen different institutions, documenting about 6,200 pieces of art.
This simple participatory project invites visitors to contribute their own small objects in little alcoves in our bathrooms. We have seven participatory elements in our current exhibitions on three floors, ranging from voting to talkback walls to an in-depth "make a memory jar" craft activity.
I'm thrilled to share this brilliant guest post by Marilyn Russell, Curator of Education at the Carnegie Museum of Art. In a straightforward way, Marilyn explains how her team developed a participatory project to improve engagement in a gallery with an awkward entry. Reassert the "forum"?
Which of these descriptions exemplifies participatory museum practice? But the difference between the two examples teases out a problem in differentiating "participatory design" from "design for participation." In the first case, you are making the design process participatory. In the second, you make the product participatory.
This is the second in a four-part series about writing The Participatory Museum. Several hundred people contributed their opinions, stories, suggestions, and edits to The Participatory Museum as it was written. Several said things like, "I was curious to see how this kind of participatory, collaborative approach would work in practice."
George is a stranger I met last week at SFMOMA’s new show, The Art of Participation:1950 to Now. The Art of Participation provides a retrospective on participatoryart as well as presenting opportunities for visitors to engage in contemporary (“now”) works. Here are two pictures. The first one is me. DO message clearly.
We started the summer with no money and a strategic vision to be a thriving, central gathering place. I can't say that any one experience--working on a collage with other visitors, swinging on a hammock, discovering a participatory display for pocket artifacts in the bathroom--directly contributed to increased attendance and giving.
The Silk Mill is part of the Derby Museums , a public institution of art, history, and natural history. They see this as directly related to the founding principles of the Mill as a place of experimentation, design, creating, and making. A strong participatory process is not a loosey-goosey, open the doors and do whatever strategy.
I've now been the Director of The Museum of Art & History in Santa Cruz for two months. Her goal is nothing less than to remake the MAH as the primary cultural touchstone of the Santa Cruz community, the place that best embodies the unique cultural vibe of Santa Cruz. "We We all know Santa Cruz is such a creative place," she said.
It's a little living room in a lobby area that invites people to lounge on comfortable chairs, leaf through magazines and books related to art and Santa Cruz history, and generally hang out. The area that houses the Creativity Lounge also shows art. Teenagers are curling up with art magazines. People love petting zoos.".
Last week, Dr. Louise Govier posed this provocative question in an excellent paper on co-creation in the arts: Leaders in co-creation? Why and how museums could develop their co-creative practice with the public, building on ideas from the performing arts and other non-museum organisations (free to download).
Most participatory projects were short-term, siloed innovations, not institutional transformations. Interestingly--for good and ill--this transformative funding program coincided with a national funding crisis in the arts in the UK. Bernadette Peters' provocative 2011 report, Whose Cake is it Anyway? didn't mince words. and realistic.
Elsewhere is at the top of my list of places I would most like to visit. Proposals involve sculpture, performance, participatory-projects, videos, and installation that use and respond to the museum’s collection. This past July, artist Guillermo Gómez proposed to restore a piece of art. We welcome that.
Our work to transform the Santa Cruz Museum of Art & History into a participatory and community-centered place has been heavily supported by the James Irvine Foundation. The report is a slim 12 pages on the common characteristics of arts organizations that successfully and continuously engage diverse audiences.
Today is my one-year anniversary as the executive director of the Santa Cruz Museum of Art & History. We went through a dramatic financial turnaround and redefined our relationship with our community through a series of experimental participatory projects and new programmatic approaches. 85% of our visitors attend through events.
Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.
This post was written by my colleague Nora Grant, Community Programs Coordinator at the Santa Cruz Museum of Art & History. At the Santa Cruz Museum of Art & History (MAH) , we have been experimenting with a kind of pop up museum that is primarily created by the people who show up to participate. What does this look like?
This is the fifth installment of a book discussion about Ray Oldenburg’s book The Great Good Place. Both of us latched onto the popular notion of "third places," applying it to LAMs, and were surprised to learn how narrowly Ray Oldenburg defined the term in his original work. Eric: Unapologetically so.
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