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In 2009 , students built a participatory exhibit from scratch. Thirteen students produced three projects that layered participatory activities onto an exhibition of artwork from the permanent collection of the Henry Art Gallery. All the photos in this post are on Flickr here. This year, we took a different approach.
I'm prepping for a workshop on Social Media and wanted do a round up of recent compelling examples of arts organizations using social media strategies and tools. I've covered arts organizations and social media here and there over the past three years and last winter co-wrote a cover story article with Rebecca Krause-Hardie for ArtsReach.
It made me think in ways that I haven't before about the relation of art--as expressive culture--to democracy. It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement. Note: you can view these photos of the exhibition on Flickr here.)
I spent last week working with staff at the Minneapolis Institute of Art (MIA) on ways to make this encyclopedic art museum more open to visitor participation across programs, exhibitions, and events. While there, I was lucky to get to experience a highly participatory exhibition that the MIA mounts once a decade: Foot in the Door.
While doing research, I found myself digging back into old arguments on museum listservs about photo policies and I want to add my two (very opinionated) cents on this. If people can take their own photos, they won't buy them in the gift shop. Aesthetics of Experience: Photo-taking is distracting for other visitors.
This past Friday, we experimented with a new feedback format at an evening event focused on poetry and book arts. full description here , photos from the event here ). We used a simple paper signup list to link individuals to their photos during the event so Kathryn could tie it all together.
It is an art form completely dependent upon the creative potential of each audience member in relation to the events on stage. Over a month ago I told Emily from the Nonprofit Blog Exchange that I would participate in the most recent exchange and write about The Artful Manager. art social media social web web net2 nptech
Photo by Mansikka. If for instance, you tagged a tweet about your Foundation's performing arts program with #arts, your tweet would be amongst tweets about all kinds of topics in the art world - even tweets about Paula Abdul leaving American Idol. What is a #HashTag? A hashtag is this symbol: #.
Photo by Marcopolos I'm a few weeks away from SXSW where I'll be leading a session called " Nonprofit Social Media ROI Poetry Slam " which will incorporate a lot of audience interaction.
I met Janet Salmons many years ago while I working on various arts and technology projects in New York State for the New York Foundation for the Arts. I started in the Cornell University Center for Theatre Arts , where I founded and directed two programs: Cornell Theatre Outreach and the Community-Based Arts Project.
It's rare that a participatory museum project is more than a one-shot affair. Wikipedia Loves Art, Take One The first version of Wikipedia Loves Art first took place in February 2009. Over 13,000 photographs were submitted by 102 photographers at the fifteen different institutions, documenting about 6,200 pieces of art.
I met her like ten years ago when I leading training workshops for arts educators, artists, and arts organizations throughout New York State on how to use the Internet. These projects were done nearly ten years ago, but they presage what the social web, participatory media. Meet Susan Silverman. I was teaching Web1.0
George is a stranger I met last week at SFMOMA’s new show, The Art of Participation:1950 to Now. We engaged in an exhibit together, making "one minute sculptures" and taking photos of each other. SFMOMA uses a variety of methods to make visitors aware of the opportunity to engage physically with the art. We talked afterwards.
I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."
I spent last week in the glorious country of Taiwan, hiking, eating, and working with museum professionals and graduate students at a conference hosted at the Taiwan National Museum of Fine Arts. It's not topic-specific; I've done these exercises with art, history, science, and children's museums to useful effect.
Photo by Trav Williams. The Leading Change Summit was more intimate (several hundred people), participatory and interactive, intense, and stimulating. Documenter: Using a digital camera, the documenter should capture photos of the process – the set up, the activity, and the products from the activity.
I am the director of a non-profit that promotes open museum practices, and we are in midst of launching a free service for arts organizations: a web site that permits any museum to create a participatory exhibit space and social network centered on the museum's collections.
They planned to paint the outline of Santa Cruz County, print out photos of a series of important landmarks or icons throughout the county, and then paint those items onto the map. A participatory project is one in which visitors/users can actively contribute to make the institution better. They wanted to drop the activity.
Or that we take a group photo together at the end of the day. Then again, Saturday was hardly normal at the Santa Cruz Museum of Art & History. Ze was really hands-on with everyone, giving hugs, taking photos, jumping in to do activities with participants. Or that visitors form a spontaneous "laugh circle" on the floor.
I've now been the Director of The Museum of Art & History in Santa Cruz for two months. Her mission in her blog has been to rebrand the experience of going to a museum, chasing away the old ideas of a quiet temple of tweedy art appreciation by generating new ideas of what a museum could be.
Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean''s book Visitor Voices in Museum Exhibitions.
Visitor-contributed photos surround a collection piece in Carnegie Museum of Art's Oh Snap! It can be incredibly difficult to design a participatory project that involves online and onsite visitor engagement. In this guest post, Jeffrey shares the story behind their big hit with a visitor co-created exhibition.
Last week, I gave a talk about participatory museum practice for a group of university students at UCSC. I immediately flashed to my work with art museums and staff members' concerns that older, traditional audiences will shy away from social engagement in the galleries. First, teens often have incredibly tight social spheres.
It is always challenge to use participatory techniques when your participants are not native English speakers and you don’t speak the language. I thought I’d share a few quick insights and tips that I learned for others who may be preparing for doing tech training internationally and want to use participatory techniques.
Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.
It made me dig up this 2011 interview with Tina Olsen (then at the Portland Art Museum) about their extraordinary Object Stories project. They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they learned some unexpected lessons along the way. Photos are fun.
To that end, our exhibitions are full of participatory elements. Riding the art couch through downtown Santa Cruz with two visitors and a dog while blasting the Jackson 5 was one of the highlights of my year. Visitors can comment on how we can improve or what they would like to see. Here's a picture of it in action.
Our curator writes labels about licking the art. Merilee Mostov and the Columbus Museum of Art. The lead photo on this post is from a project I saw when I visited last spring. In particular, we had a great group of 15 talking about participatory history experiences on Sunday. Participatoryart and co-creation on the rise.
Last week, I talked with Tina Olsen, Director of Education and Public Programs at the Portland Art Museum, about their extraordinary Object Stories project. They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they made some unexpected decisions along the way. Photos are fun.
It also incorporates cc licensed materials from others, including videos and flickr photos. I would love to develop more indepth training workshop or webinar on this topic, geared more for nonprofits and participatory campaigns, perhaps incorporating the Creative Commons Open Content Game. site that has photos, etc.,
Art, however, does not come to museums pre-hardened. At the museum of art and history where I work, we are grappling with the question of how to help people enjoy themselves while keeping the art and artifacts safe. The level of touching, especially of art, has increased. This was amazing. How will we deal with this?
They were “preaching the museum gospel” in NYC via alternative tours at The Metropolitan Museum of Art. We interacted with the art and with each other through dynamic photo challenges, kinesthetic activities, and conversations. So I went on a tour…and experienced the museum in an entirely new way.
I spent some time playing with this question last week at the Milwaukee Art Museum, a large general museum that is moving toward redesign of the permanent galleries. They were okay talking to us, but weren't willing to have something written down or their photo taken. That packaging was in the photos, not the cards.
This week, the Denver Art Museum (DAM) opened a new temporary exhibition called The Psychedelic Experience , featuring rock posters from San Francisco in the heyday of Bill Graham and electric kool-aid. It’s a thrilling challenge to the traditional form of art museum exhibit design, and better yet, visitors like it.
While there are some kinds of participation that are not language-based like making art or voting, most participation is lingual. Many fabulous participatory projects--like the Johnny Cash Project or the Art Gallery of Ontario's " In Your Face "--don't require language. designate the difference between languages using design.
I've written before about the inspiring work that the Brooklyn Museum of Art is doing with their community-focused efforts. Click is an exhibition process in three parts: The Museum solicited photographs from artists via an open call on their website, Facebook group, Flickr groups, and outreach to Brooklyn-based arts organizations.
Every once in a while I come across a project I wish I could have included in The Participatory Museum. an exhibition produced with schoolchildren at the Wallace Collection in London, is a lovely example of co-creation that demonstrates the multiple benefits of inviting audience members to act as partners in arts organizations.
Using facial morphing software to change a player''s avatar to a different ethnicity, we fed the game with hundreds of photos that were judged in a "hot or not" type interface and gave players a view of how intelligent, attractive, and trustworthy others perceived them to be as two different ethnicities. as a part of Experimonth: Race.
I also learned that the best money in museums for someone who's starting out is in art modeling. After a long day running around a science center, I would show up at the Worcester Art Museum in the evening and make $20 just to stand around and listen to a painting instructor talk about art. I hope this is helpful for someone.
Photo from my flickr stream View the Tagging Screencast Presented by NTEN. I personally want to move away from the metaphor of making movies of the computer screen to more shoulder-to-shoulder instructional media and perhaps something that is more participatory or for lack of a better word, social. Tagging in Art Museums.
INTERNSHIPS If you want to join us in Santa Cruz for more professional learning, consider an internship at the Santa Cruz Museum of Art & History. We''re offering internships this summer in: Participatory Exhibition Design. Help take the participatory elements of this permanent gallery to the finish line. Video/Photo.
Hosting a session on Monday at 2pm on Design for Participation with participatory design gurus Kathleen McLean and Dan Spock, along with research extraordinaire Kris Morrissey and participatoryart rockstar Mark Allen. The Brewery Art Colony. Signing books on Monday from 4-5 in the AAM bookstore. The Newsroom Cafe.
Every time you post a photo on Flickr, you give its owner, Yahoo!, the right to use that photo however they see fit. Ideas participatory museum usercontent. There are many models as well for what we do with user-generated content in the museum. There are some emerging case studies for this. Core Museum 2.0
Flickr has photos. On Flickr, some users post photos and others view them. Some, like the Brooklyn Museum's ArtShare Facebook application, make it easy for users to share their art interests with others. Gifting is a powerful participatory behavior. You never have to pay to look at photos--only to publish lots of them.
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