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You’ve read about participatory grantmaking—and maybe even heard about other organizations using this model to distribute control of their funding strategy and grants decisions to the communities they serve. Not sure if participatory grantmaking is for you or maybe you need a refresher on what it is? Is this you?
A Shared and Flexible Understanding of Impact As practitioners of and advocates for participatory philanthropy, we believe there’s a better way. Like many other activities in participatory philanthropy, this approach considers the process to be as important as the outcomes. It promotes mutuality instead of extraction.
Home About Me Subscribe Zen and the Art of Nonprofit Technology Thoughtful and sometimes snarky perspectives on nonprofit technology Gender, Race and Open Source June 29, 2007 My session on Free and Open Source software and the US Social Forum went great yesterday. That speaks volumes to me.
Deciding Together Shifting Power and Resources Through Participatory Grantmaking. Empowering Communities: Participatory Grantmakers Say We Must Go beyond Feedback. ” Opening Up Grants Processes Leads to More Equity’ After Slamming the Doors on Too Many Grantees, a New Approach Improved Our Foundation’s Impact.
Last month, the Irvine Foundation put out a new report, Getting In On the Act , about participatoryarts practice and new frameworks for audience engagement. This report is not an end-all; it is the opening for a conversation. Excellent case studies, especially from the performing arts sector.
Beck''s project is unusual because he deliberately resurrected a mostly-defunct participatory platform: sheet music for popular songs. In his thoughtful preface to this project, I reconnected with five lessons I''ve learned from participatory projects in museums and cultural sites. Constrain the input, free the output.
In 2009 , students built a participatory exhibit from scratch. Thirteen students produced three projects that layered participatory activities onto an exhibition of artwork from the permanent collection of the Henry Art Gallery. This year, we took a different approach. You can explore the projects in full on the class wiki.
It made me think in ways that I haven't before about the relation of art--as expressive culture--to democracy. It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement. Note: you can view these photos of the exhibition on Flickr here.)
I spent last week working with staff at the Minneapolis Institute of Art (MIA) on ways to make this encyclopedic art museum more open to visitor participation across programs, exhibitions, and events. By limiting artworks by size alone, Foot in the Door is open to a huge range of content and media.
This person is writing about a participatory element (the "pastport") that we included in the exhibition Crossing Cultures. People could take the pastports home or hang them, open to a preferred page, on a clothesline. We created a simple wheel with open-ended questions about identity and place, setting it in a lounge area.
Two years ago, we mounted one of our most successful participatory exhibits ever at the Santa Cruz Museum of Art & History: Memory Jars. Two years later, this project is still one of the most fondly remembered participatory experiences at the museum--by visitors and staff. He creates a visual representation of his story.
The theme of TEDxSantaCruz was "Open." It gave me a chance to really think about how we have been opening up our museum and what it means for our community. We can change that by embracing participatory culture and opening up to the active, social ways that people engage with art, history, science, and ideas today.
Home About Me Subscribe Zen and the Art of Nonprofit Technology Thoughtful and sometimes snarky perspectives on nonprofit technology IP Tidbits August 18, 2005 Here are a few tidbits I’ve come across in the Intellectual Property arena in the past few days. This is very cool. It’s definitely a thing to watch. Be Helpful.
I thought about all of this when reading about the recent incident at the Perez Art Museum Miami, where artist Maximo Carminero smashed a vase by Chinese artist Ai Wei Wei in an unauthorized act of visitor participation. It is not acceptable to walk into a museum and destroy another artist''s work of art.
With all these options, we wanted to look back and highlight some of the Issue Lab community’s most popular publications in 2022, featuring a wide array of topics ranging from education to participatory grantmaking and beyond. Expanding Equity: Inclusion & Belonging Guidebook , by the W.K.
As a designer, I'm always trying to ensure that participatory activities, however casual, impact both the participant and the organization. If fundraisers are so keen on relationships, why weren't they the first into social media and participatory projects on behalf of their organizations? What's going on here?
In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. This exhibition represents a few big shifts for us: We used a more participatory design process. We had some money.
What happens when you let visitors vote on art? Let's look at the statistics from three big participatory projects that wrapped up recently. Each of these invited members of the public to vote on art in a way that had substantive consequences--big cash prizes awarded, prestige granted, exhibitions offered.
Note From Beth: Yesterday, I attended a convening called “ Beyond Dynamic Adaptability ” for arts organizations about cultural participation in the arts. The system of making and distributing documentary films is changing rapidly.
I’d never attended before and was impressed by many very smart, international people doing radical projects to make museum collections and experiences accessible and participatory online. Are participatory activities happening on the web because that is the best place for them? Instead, I found a standard art museum.
He created the above "open source documentary" on Net Neutrality called Humanity Lobotomy. I'm seeing more and more examples of participatory media -- take for example WGBH's Video Sandbox. Reminds of the exquisite corpse like games we used to play on Arts Wire ten years ago with images.
Visitor-contributed photos surround a collection piece in Carnegie Museum of Art's Oh Snap! It can be incredibly difficult to design a participatory project that involves online and onsite visitor engagement. In this guest post, Jeffrey shares the story behind their big hit with a visitor co-created exhibition.
Last week, Douglas McLellan of artsJournal ran a multi-vocal forum on the relationship between arts organizations and audiences, asking: In this age of self expression and information overload, do our artists and arts organizations need to lead more or learn to follow their communities more? Here are three of my favorites.
While the majority of experience-based museums like children's and science museums have unrestricted noncommercial photography policies, many collections-based art and history museums continue to maintain highly restrictive photo policies. There are thriving groups of Flickr users who share photos of themselves imitating art.
Our museum in Santa Cruz has been slammed by those who believe participatory experiences have gone too far. We always knew that the inclusion of participatory and community-centered practices in arts institutions was controversial. To me, the backlash against participatory and community-centered experiences is not surprising.
As many of you know, I've been working for the past year+ on a book about visitor participation in museums, libraries, science centers, and art galleries. The Participatory Museum is a practical guide to visitor participation. The Participatory Museum is an attempt at providing such a resource. Tweet about it.
The outcome is open-ended and visitor-driven. This is the participatory museum, played out loud. It's rare that someone sits down to bang out noise. 95% of our piano users play music, beautifully. The piano is a simple invitation to meaningful visitor participation. The activity is clear and well-scaffolded. A special skill.
To that end, our exhibitions are full of participatory elements. Riding the art couch through downtown Santa Cruz with two visitors and a dog while blasting the Jackson 5 was one of the highlights of my year. It happens because people see an opening where there wasn't one before. Happening Couch. Evergreen Cemetery Board Game.
It's rare that a participatory museum project is more than a one-shot affair. Wikipedia Loves Art, Take One The first version of Wikipedia Loves Art first took place in February 2009. In contrast, the Wikimedians were focused on making cultural content digitally available online using as open a licensing structure as possible.
I'm thrilled to share this brilliant guest post by Marilyn Russell, Curator of Education at the Carnegie Museum of Art. In a straightforward way, Marilyn explains how her team developed a participatory project to improve engagement in a gallery with an awkward entry. Reassert the "forum"?
It's my second week as the Executive Director at The Museum of Art & History in Santa Cruz, CA, and boy is my everything tired. Film festival openings. This one is wide open. I'd like to start a late night program series focused on working adults, and I'm really open as to what that looks like. Let me be frank.
The Silk Mill is part of the Derby Museums , a public institution of art, history, and natural history. This means that not only have they turned their museum into an experimental project space, they have opened that space explicitly and intentionally to community co-production. It''s serious. Everyone has something to give.
Earlier in 2013, I was amazed to visit one of the new “Studio” spaces at the Denver Art Museum. The Denver Art Museum is no stranger to community collaborations, but we’ve been dipping in our toe a little more deeply when it comes to developing permanent participatory installations.
Which of these descriptions exemplifies participatory museum practice? The exhibit opens. Museum staff create an exhibit by a traditional internal design process, but the exhibit, once open, invites visitors to contribute their own stories and participation. In the first case, you are making the design process participatory.
This is the second in a four-part series about writing The Participatory Museum. Several hundred people contributed their opinions, stories, suggestions, and edits to The Participatory Museum as it was written. Several said things like, "I was curious to see how this kind of participatory, collaborative approach would work in practice."
The runner up winner was Maureen Dowd from Open Museum What I propose to do with the library you are offering is read it, try it, share it, and let you know how it works for me, my colleagues and the people we influence. As you know, it takes more than access to create a successful social media network.
I am just starting to dive into the science of intergroup relations (psychology-speak for social bridging), and I greatly appreciate these individuals who are working to popularize and open up what could otherwise be esoteric research. inclusion Museum of Art and History research social bridging Unusual Projects and Influences'
On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggl es with in applying participatory design techniques to museum practice. open to anyone (minimize cultural bias). questions that induce grappling.
I can't say that any one experience--working on a collage with other visitors, swinging on a hammock, discovering a participatory display for pocket artifacts in the bathroom--directly contributed to increased attendance and giving. They all have in concert, and they build on each other.
Two weeks ago, I wrote about t he use of the word "quality" in the arts and its many forms. A commenter, Stacy Peterson, responded by turning my exploration back on itself: Quality makes sense but engagement is more open to interpretation. I don''t think these goals are universal by any means to the museum or arts field.
The Leading Change Summit was more intimate (several hundred people), participatory and interactive, intense, and stimulating. How do you inspire people to be open to learning during a session? Then we opened up for discussion. Learning Begins with Igniting Curiosity. What is the journey that you take them through?
George is a stranger I met last week at SFMOMA’s new show, The Art of Participation:1950 to Now. The Art of Participation provides a retrospective on participatoryart as well as presenting opportunities for visitors to engage in contemporary (“now”) works. Here are two pictures. The first one is me. DO message clearly.
It's a little living room in a lobby area that invites people to lounge on comfortable chairs, leaf through magazines and books related to art and Santa Cruz history, and generally hang out. The area that houses the Creativity Lounge also shows art. Teenagers are curling up with art magazines. People love petting zoos.".
I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."
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