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bbcon 2021 Virtual , happening October 13–15, will bring together thousands of arts & cultural professionals from zoos, museums, aquaria, performing arts organizations, gardens, and beyond for three days of cutting-edge thought leadership, virtual peer networking and unforgettable experiences.
It’s been a rough couple years for arts-based nonprofits. As pandemic aid has run out without patrons returning in pre-2020 numbers, many arts nonprofit across the country have had to shrink programming, cut staff, or close altogether. This includes summer art camps, museums, theaters, art galleries, and more.
When you look at more niche nonprofits—like those focused on arts and culture —fundraising plays a critical role in enabling your organization to make a positive impact on their communities. The arts are important to modern culture and society, yet competition from other causes can encroach on the ability of your nonprofit to raise funds.
The speakers for this panel include: Tracy Fullerton – Electronics Arts Game Innovation Lab. Ruth Cohen – American Museum of natural History. Jason Eppink – Museum of the Moving Image. Ruth Cohen – American Museum of natural History. Jason Eppink – Museum of the Moving Image.
This month, we're thinking about the way we do work in museums. As someone texted me recently, Art History grad school didn't teach us anything about working with others in museums. Sharing articles that work is a great reason to stay on Museum Twitter by the way. Museums are "no" cultures, often for good reason.
Is your museum running on interns? It is a strong, museum-focused complement to an excellent three-parter on Createquity about the ethics and future of unpaid arts internships. I got my first real job in a museum (at the Guggenheim) after a life-changing internship. It''s probably a path you had to navigate too.
Credit: World Video Game Hall of Fame / The Strong Museum. back in 1990, designed specifically to teach users how to use a mouse. Microsoft intern Wes Cherry initially programmed the game, and pixel art and Mac GUI pioneer Susan Kare designed the original card deck. Microsoft’s Solitaire game is turning 30 years old today.
Virtual education is a great tool and can be used to teach a wide range of skills. Just ensure that you’re able to secure an expert to teach who’s comfortable speaking on camera and familiar with the hardware and software necessary to make it happen. 5) Online classes. 7) Shopping. 13) Scavenger hunts.
Gretchen Jennings convened a group of bloggers and colleagues online to develop a statement about museums'' responsibilities and opportunities in response to the events in Ferguson, Cleveland and Staten Island. Museums are a part of this educational and cultural network. Schools and other arts organizations are rising to the challenge.
Beecher Hicks III, President & CEO of the National Museum of African American Music (NMAAM) in Nashville, TN. NMAAM is the only museum dedicated to preserving and celebrating the many music genres created, influenced, and inspired by African Americans. Even though the museum is now open, the Museum Without Walls will continue.
Texas A&M University has brought AR/VR production into its celebrated Visualization program , letting students learn to build state-of-the-art virtual productions before they leave college. The businesses in Fast Company s Most Innovative Companies in AR/VR reflect that trend. million global views.
After I finished teaching an intensive Networked NGO workshop for Packard family planning grantees in Delhi, I headed to Bangalore to visit my friend and colleague, Rufina Fernandes where I conducted a social media workshop for staff and teachers and got see a start up education company and its CSR program, close up.
One of the greatest gifts of my babymoon is the opportunity to share the Museum 2.0 First up is Beck Tench, a "simplifier, illustrator, story teller, and technologist" working at the Museum of Life & Science in Durham, NC. As a person who works for a science museum, I work in an environment that supports play.
This August/September, I am "rerunning" popular Museum 2.0 This post is even more relevant today to the broader conversation about audience diversity in the arts than when it was published three years ago. Most large American museums are reflections of white culture. If you can teach science, how can you be stupid?
He is Deputy Director for the Contemporary Jewish Museum , and an expert in using social media in a museum setting. He welcomed me to the Bay Area and asked if I would be interested in doing some trainings for the local arts community. One thing led to another and I designed a social media lab for arts organizations.
Already, the website has a wide variety of users like the Museum of Modern Art , comedy host Alexis Gay , the Abolitionist Teaching Network , activist Nupol Kiazolu , and a Malaysian virtual dance club. But Yang thinks that the crypto world has a communications problem.
ska, an art historian interested in museums, education, and new technologies. She has created educational mobile apps for teachingart history and is the organizer of the Polish edition of Free Arts Day. Museum-themed apps, which I work with, are mostly just gallery guides. Developing a Winning App Concept.
My social media plans for 2010 involve 1) developing my own knowledge and skill set, 2) helping to develop a strategy for my organization- Metro United Way in Louisville, KY - and 3) teaching within my organization to develop the knowledge and skills of others. and externally (with all of your fine readers!).
I just got home from the Museums and the Web conference in Indianapolis. I’d never attended before and was impressed by many very smart, international people doing radical projects to make museum collections and experiences accessible and participatory online. Instead, I found a standard artmuseum. Impersonal guards.
It started as a handout for a session that Stacey and I are doing at the California Association of Museums, and then I realized it was so darn useful that it was worth sharing with all of you. The majority of our public programs at the Santa Cruz Museum of Art & History are created and produced through community collaborations.
ArtsBoston aids nonprofits in the art of data mining - Business - The Boston Globe : ArtsBoston is teaching other US nonprofits the art of data mining.
Others are looking at no demand at all, and with it, no revenue, because their mission involved gathering large groups of people in places like theaters, galleries, and museums. Imagine you run a performing arts organization dedicated to saving theater programs in your local public school system.
Now, not all of you will get to spend every other week for months chatting with Rob about museums, but I wanted to offer you a slice of how wonderful that can be. This week Rob will share some ideas about museum work. The Activity Level Discussion in Museums: Is a Role Marketplace an Answer? People make museums.
Let's say you're a young person eager to break into museums. Over my first year in museums, I worked at five different institutions as an educator, exhibit builder, exhibit cleaner, art model, and whatever else I could find. Now, several years of full-time museum work later, I'm consulting.
In mid-2019, I will transition out of my role as the executive director of the Santa Cruz Museum of Art & History (MAH) to focus full-time on leading OF/BY/FOR ALL, an emerging global movement to build more inclusive community institutions. But the museum needed a new direction, and the board took a risk on me.
If you run a nonprofit museum, advocacy group, animal shelter or environmental protection organization, starting a summer camp could be a logical next step toward rewarding your members, donors and supporters. But the reality is that summer camps come in all shapes and sizes. Find a physical location.
Sometimes the latter is reduced to bells and whistles such as gold stars and progress bars, but gamification is potentially a much more subtle and powerful teaching strategy. To begin with some definitions, game-based learning differs from gamification in several important ways. T" 'via Blog this'
I was talking this week with Mark Allen, the founder of Machine Project (an alternative arts space in LA), about different models for community engagement in cultural institutions. For example, consider two independent arts organizations in Los Angeles -- Machine Project and The Public School.
Beecher Hicks III, President & CEO of the National Museum of African American Music (NMAAM) in Nashville, TN. NMAAM is the only museum dedicated to preserving and celebrating the many music genres created, influenced, and inspired by African Americans. Even though the museum is now open, the Museum Without Walls will continue.
This guest post was written by Rebecca Lawrence, Museum Educator, Schwenkfelder Library & Heritage Center in Pennsylvania. You can join the conversation in the blog comments, or on the Museum 2.0 The Schwenkfelder Library & Heritage Center (SLHC) is a small museum located in Pennsburg, Montgomery County, Pennsylvania.
Howard Wright and Phillip Horn received awards for their visionary efforts in forming CAMT, ArtsNet, and furthering the field of arts management and technology. He gave an entertaining talk about how technology has made this generation very different, his center's work, and why it was important for arts people to get involved with technology.
Arts & c ultural organizations can use this framework to send the right messages to the right people at the right time. . Let’s consider each stage from a n arts & cultural point of view and for our purposes rename this a visitor’s journey. . It’s a framework that promotes customer-centricity. Awareness ? Awareness .
You can join the conversation in the blog comments, or on the Museum 2.0 Like many museum and library professionals, I am enamored of the idea of cultural institutions as “third places” – public venues for informal, peaceable, social engagement outside of home or work. This is the only post written by me, Nina Simon.
The speakers for this panel include: Tracy Fullerton - Electronics Arts Game Innovation Lab Ruth Cohen - American Museum of natural History Elaine Charnov - The NY Public Library Jason Eppink - Museum of the Moving Image Syed Salahuddin - Babycastles Elaine Cohen: The New York Public Library 100 Years of the flagship library in New York.
I’ve received a few inquiries over the last year about museums and geocaching. So I felt lucky last week to learn not only about an innovative arts exhibition employing geocaching, but to discover that its exhibit developer, Seth! to ask him all the dumb questions about geocaching and museums you can imagine… and a few more.
For the past five years, each summer, the Santa Cruz Museum of Art & History has hosted MuseumCamp. I've learned a lot from attending and teaching workshops this year. And it's not just for museum people. While we will tour some of the MAH’s participatory programs and exhibitions, this bootcamp is not museum-centric.
Henry Timms, founder of #GivingTuesday, and Christine Schaefer, VP of Community and Marketing at Salsa Labs , will teach you how to boost your fundraising through this movement in the upcoming webinar, #GivingTuesday in July: Get Ready for December Now! Miss out on #GivingTuesday last year, but considering participating for 2014?
Inventory isn't a museum activity that inspires curiosity in many visitors. This summer, the Austrian Museum of Folk Life and Folk Art ( Österreichisches Museum für Volkskunde) is trying to change that. People often talk about non-collecting museums as the museums of the future.
A law meant to protect Indigenous art might just be lip service The first embroidery stitch María Méndez Rodríguez learned at the age of 7 was the chain stitch. It’s the same one that, years later, she would teach to her seven children. Illustration by Claudia Chinyere Akole.
Last week I was honored to be a counselor at Museum Camp , an annual professional development event hosted by the Santa Cruz Museum of Art & History (MAH). Nina Simon, the executive director of the museum, is an expert in participatory design and fantastic facilitator. A mature employee knows how to manage up.
Why do you care about and or work in museums? I don't work in museums because I love them. I didn't grow up staring open-mouthed at natural history dioramas or wandering through art galleries. I didn't grow up staring open-mouthed at natural history dioramas or wandering through art galleries. And check out the comments.
AS works with nonprofits across a wide range of industries, including arts and culture, the environment, foundations, and government. The firm is especially committed to working with partners involved in performing arts, the environment and conservation, education, and women. Website: [link]. Alexander Haas. Website: [link].
AS works with nonprofits across a wide range of industries, including arts and culture, the environment, foundations, and government. The firm is especially committed to working with partners involved in performing arts, the environment and conservation, education, and women. Website: [link]. Alexander Haas. Website: [link].
She is an expert in developing and teaching practical, ready-made tools that inspire people to take action. As CEO, Paul also oversees the company’s K12 edtech publishing group FableVision Learning, as well as The Reynolds Center for Teaching Learning & Creativity. Simon Scriver. changefundraising.com.
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