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I'm prepping for a workshop on Social Media and wanted do a round up of recent compelling examples of arts organizations using social media strategies and tools. I've covered arts organizations and social media here and there over the past three years and last winter co-wrote a cover story article with Rebecca Krause-Hardie for ArtsReach.
It made me think in ways that I haven't before about the relation of art--as expressive culture--to democracy. It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement. Note: you can view these photos of the exhibition on Flickr here.)
I am putting the finishing touches on another social media lab designed for arts organizations. So, have been updating arts 2.0 They had their staff, local experts in the location, add tips about what was interesting for visitors in the neighborhood.
This person is writing about a participatory element (the "pastport") that we included in the exhibition Crossing Cultures. We did three things to supplement Belle''s paintings (installation shots here , peopled shots here ): We issued a call to locals who are immigrants, or whose family immigrated, to share an artifact and story with us.
Two years ago, we mounted one of our most successful participatory exhibits ever at the Santa Cruz Museum of Art & History: Memory Jars. The project was linked to a larger exhibition, Santa Cruz Collects , about why local folks collect things. He creates a visual representation of his story. He puts it on the wall.
As of May 2, I will be the executive director of the Museum of Art & History at McPherson Center in Santa Cruz, CA (here's the press release ). Because of the increased workload I expect in the months to come, as well as the likely possibility that we will start a Museum of Art & History blog, I'm lowering my Museum 2.0
In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. This exhibition represents a few big shifts for us: We used a more participatory design process. We had some money.
Want to experience art in a populist, energized, industrial/urban setting? Artprize , now in its second year, is a city-wide art festival with a $250,000 top prize to be awarded to the work that receives the most public votes. It was the best experience I've ever had talking and learning about art. Want to talk about it?
Stacey has been collaborating with local artists to produce a series of content-rich events that invite visitors to participate in a range of hands-on activities. This past Friday, we experimented with a new feedback format at an evening event focused on poetry and book arts. full description here , photos from the event here ).
And it''s got me thinking about how we build energy and audience for the arts in this country. Barry Hessenius recently wrote a blog post questioning the theory that more art into the school day will increase and bolster future adult audiences for art experiences. Like Barry, I feel that more art in schools is always better.
--Elaine Heumann Gurian, The Importance of "And" Recently, I''ve been embroiled in local and national conversations about the relationship between active participation and quiet contemplation in museums. Our museum in Santa Cruz has been slammed by those who believe participatory experiences have gone too far. Some visit the archives.
Visitors bond and bridge through participatory experiences at MAH. There were times when coordinating a fire art festival while researching social capital theory made me want to burn my computer. I learn a ton from her every day and wanted to share her thinking--and her graduate thesis--with you.
Establish local networks of individuals and organizations using social media to help build stronger organizations and more participatory societies. Trainer the Trainers: Beth Kanter, Mohamad Najem, Jessica Dherre, and Mary Joyce.
It's rare that a participatory museum project is more than a one-shot affair. Wikipedia Loves Art, Take One The first version of Wikipedia Loves Art first took place in February 2009. Museums saw this project as an opportunity to engage local photographers to think creatively about how artworks might represent different topics.
Earlier in 2013, I was amazed to visit one of the new “Studio” spaces at the Denver Art Museum. The Denver Art Museum is no stranger to community collaborations, but we’ve been dipping in our toe a little more deeply when it comes to developing permanent participatory installations.
It's my second week as the Executive Director at The Museum of Art & History in Santa Cruz, CA, and boy is my everything tired. I'm also making the 2011-2012 budget, getting to know our terrific staff and volunteers, and starting up a few small participatory projects to launch us into being a more community-driven institution.
One of the collections on display is a set of "found lists" collected by a local farmer, Danny Lazzarini. We decided to show a selection of Danny's lists in a hallway surrounded by a participatory element where we invite visitors to contribute to new lists on evocative themes ("Things we forget," "The best feelings in the world," etc.)
The Digital Media and Learning Conference is meant to be an inclusive, international and annual gathering of scholars and practitioners in the field, focused on fostering interdisciplinary and participatory dialogue and linking theory, empirical study, policy, and practice. State/Local / #MCNAC16 / @SmartNonprofits. State/Local.
Last week, the local newspaper did a really generous front-page story on my museum (the MAH) and the changes here over the past eight months since I started. Our team focused this year on just three things: making the museum more comfortable, hosting new participatory events, and partnering wherever possible.
On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggl es with in applying participatory design techniques to museum practice. The most reliable question I'm using works in art museums. That's why I asked.
Well-planned events enable nonprofits, community groups, businesses and government agencies to showcase AAPI arts, food, performances, and more. Effective outreach strategies should focus on connecting with local AAPI groups, leaders, and community centers. Displaying AAPI visual arts is another engaging activity.
I get excited about a lot of things in my work at the Santa Cruz Museum of Art & History. Ze Frank is a participatory artist who creates digital projects that are explicitly about creating and enhancing authentic interpersonal connections. Photography, video, audio, text, origami, mail art.
I've now been the Director of The Museum of Art & History in Santa Cruz for two months. Yesterday, a lovely article came out in the local paper about what we're trying to do to become a thriving community hub. Lots more on this in the months to come, but I thought you might like to read the article.
It's a little living room in a lobby area that invites people to lounge on comfortable chairs, leaf through magazines and books related to art and Santa Cruz history, and generally hang out. The area that houses the Creativity Lounge also shows art. Teenagers are curling up with art magazines. People love petting zoos.".
We've been offering a host of participatory and interactive experiences at the Museum of Art & History this season. I loved Jasper Visser's list of 30 "do's" for designing participatory projects earlier this month. And the crayon drawings on the fridge door in an exhibition of award-winning local artists?
Schools and other arts organizations are rising to the challenge. Artists and arts organizations are contributing their spaces and their creative energies. Yet our posts contain similar phrases such as “21st century museums,” “changing museum paradigms,” “inclusiveness,” “co-curation,” “participatory” and “the museum as forum.”
To that end, our exhibitions are full of participatory elements. A local engineer, Greg McPheeters, brought his tandem-bike powered recycled couch to our Trash to Treasure festival last Friday night. Visitors can comment on how we can improve or what they would like to see. Happening Couch.
Their space is designed for local nonprofits to connect, share ideas and develop solutions together. My style of teaching is participatory; I don’t lecture with PPT endlessly and involve the audience. Co-Act is a unique organization, a hub for accelerating collaborative action in Southeast Michigan’s nonprofit community.
On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggles with in applying participatory design techniques to museum practice. The most reliable question I'm using works in art museums. That's why I asked.
Art, however, does not come to museums pre-hardened. At the museum of art and history where I work, we are grappling with the question of how to help people enjoy themselves while keeping the art and artifacts safe. The level of touching, especially of art, has increased. Engagement with local artists.
But we've just compiled all our attendance data for the past year at the Santa Cruz Museum of Art & History (our fiscal year ends on June 30), and several people have written to me asking for the numbers behind our turnaround. I promise--after this post, I'll stop writing about this. design new programs with a focus on history.
Participatory history programming. Over the past year, we've found it fairly easy to invent and sustain participatoryart and craft projects. My institution is increasingly partnering with local cause-based organizations, especially in the social services. What role will exhibitions play in this kind of institution?
Here's the short version (read the whole thing here ): The Museum of Art & History is committed to creating exhibitions that inspire our diverse audiences to engage deeply with contemporary art and Santa Cruz County history. It's a working document, and we mean to put it to work planning new projects with our partners.
Then again, Saturday was hardly normal at the Santa Cruz Museum of Art & History. This past weekend, in conjunction with our exhibition about Ze Frank's current participatory project, A Show , we hosted " Ze Frank Weekend "--a quickie summer camp of workshops, activities, presentations, and lots of hugging.
I'm seeing more and more examples of participatory media -- take for example WGBH's Video Sandbox. Reminds of the exquisite corpse like games we used to play on Arts Wire ten years ago with images. (And note how he has incorporated the use of his mail comment line into his content). t want to make it a big story.
We partnered with foster youth, former foster youth, artists, and community advocates to create an exhibition that used art to spark action on issues facing foster youth. This project wove together many different participatory threads. Short story: we learned a lot. We wrote a toolkit about our process. What did we learn?
What does the word "participatory" mean to you? The various definitions of participatory projects can lead to confusion and misunderstandings. Participation in science research is a good basis on which to develop a framework for participatory models because it is based on a consistent scientific process with many steps.
The majority of our public programs at the Santa Cruz Museum of Art & History are created and produced through community collaborations. For our Art That Moves event, our Membership and Development Director suggested the incredibly popular Tarp Surfing activity. Suggest them to press for a feature in the local paper.
Most of my work contracts involve a conversation that goes something like this: "We want to find ways to make our institution more participatory and lively." Most museums that offer interactive exhibits, media elements, or participatory activities offer them alongside traditional labels and interpretative tools. Fabulous!" "But
It's not the extent to which they are participatory. In some cases, that's based on subject matter, as at the Museum of Jurassic Technology or the American Visionary Art Museum. These institutions are often more connected to their specific, local communities than more generic institutions. It's a Starbucks.
I''d just met a local researcher and I thought she''d be a great person to talk to about it. For example: We worked with a local psychologist to create an implicit associations-based game called "Smart, Hot, Honest or Not?" game guestpost participatory museum Unusual Projects and Influences' as a part of Experimonth: Race.
It made me dig up this 2011 interview with Tina Olsen (then at the Portland Art Museum) about their extraordinary Object Stories project. They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they learned some unexpected lessons along the way. Why would people look at that?
The kind of strategic planning processes that I lead are inclusive and participatory which means that the group is consulted, the vision of the group, the energy, we kind of tap into the energy, vision, knowledge, experience of the people who will be doing the work in order to make plans. Where are we not putting our energy? ” Okay.
At the adjacent table, my colleague Stacey Garcia was meeting with a local artist, Kyle Lane-McKinley, to talk about an upcoming project. For a long time, I knew I cared deeply about designing from "me to we" --inviting visitors to form social connections through participatory experiences--but I couldn't express a clear reason why.
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