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Chris Torres, the artist behind Nyan Cat, has remastered the original animation and will be selling it through the crypto art platform Foundation. Buyers of these works get the privilege of “owning” a piece of digital art — to the limited extent one can really own an endlessly reproducible image file.
Wild applications of Vantablack are well documented, from cartoon holes in museums to other cars, like this BMW. The rights to create art with Vantablack were granted exclusively to one artist, Anish Kapoor. The effect is reminiscent of Vantablack , a light absorbing material made from carbon nanotubes.
online exhibit developed by the Maxwell Museum of Anthropology at the University of New Mexico and Ideum. If you click through to the license, it says "all rights reserved." Jim laughed and told me that the photo was in the public domain so I could blog it anyway I wanted and that he was going to change the default license.
Piet Mondrian was an early 20th-century abstract artist and art theorist obsessed with simplicity and essence of form. This science of trees inspired my colleague and me to measure the scaling of tree branch diameter in art. The art of trees Among my favorite images is a carving of a tree from a late-medieval mosque in India.
Should museums play music - in public spaces and or in galleries? So I thought I'd open it up to the Museum 2.0 Pros for music: Music helps designers frame the atmosphere for the intended experience at the museum. Most museums are trying to please everyone. Most museums are trying to please everyone.
It's rare that a participatory museum project is more than a one-shot affair. But next month, Britain Loves Wikipedia will commence--the third instance of a strange and fascinating collaborative project between museums and the Wikipedia community (Wikimedians). I hope you'll share your thoughts in the comments.
You can now read all the chapters in The Art of Relevance for free online. You can still buy The Art of Relevance as a paperback, ebook, or audiobook--but you can also read any chapter, any time, online. Take five minutes and learn how the Science Museum in London created better experiences for deaf visitors. It's finally here!
Written by Seema Rao Last month, I shared some of my thoughts about the best of museums over the last decades. (I I'll mention now, Kate Livingston, listed Museum Twitter as one of the best things, and I definitely thought this as I read people's responses. Many respondents talked about a fundamental shift in museums from them to us.
What does "big data" look like for museums? Several museums around the world have worked hard to make their data accessible by providing free access to datasets, applying Creative Commons licenses to digital content, or creating APIs (application programming interfaces) that allow programmers to build their own software on the museum''s data.
Last week, at the annual meeting of the American Association of Museums in Houston, I was honored to chair a fabulous panel on empowering museum staff to take creative risks ( slides here ). Beck beautifully described her entry into museum work. What kind of support do you need to be confident about taking a risk in your work?
Flickr Fan Art on a Typewrtr by CoCreator. I am a member of the Flickr Fan Art Group. Internal Planning: A museum was mounting a special collaborative exhibition with institutions located in five cities around the world. True confessions. But you all probably knew I was a fan already.
There are lots of museums (and organizations of all kinds) looking for ways to inspire users and visitors to produce their own content and share it with the institution online. The World Beach Project is managed by the Victoria and Albert Museum in London with artist-in-residence Sue Lawty. It's not marketing hype.
They need to build a digital experience that doesn't tie their hands with expensive proprietary licenses and high maintenance code. Open-source software differs from other platforms in that it doesn't cost anything to license and use. So often, nonprofits feel pain triggered by the decision of another department.
A law meant to protect Indigenous art might just be lip service The first embroidery stitch María Méndez Rodríguez learned at the age of 7 was the chain stitch. Illustration by Claudia Chinyere Akole. It’s the same one that, years later, she would teach to her seven children. Cultural works are continually being recreated and revised.
The Ship of Fools by Hieronymus Bosch, licensed under CC BY-SA 4.0 Museum Computer Network has become my Shangri-la, in a way. In some ways, museum work has this illusory aspect. Or museum work is like atomic theory perhaps. I'm pretty open to a number of possibilities in museums.
This is not an analytical post (primarily); it's an announcement and invitation to join the new project I've been working on with The Tech Museum of Innovation in San Jose, CA. To be eligible for the prize, your exhibit must be on the theme of "Art, Film, Music & Technology." The meat is people coming together to design exhibits.
How can you make your museum website more effective in driving traffic and raising awareness of your institution? But there is a simpler, more impactful way for museum websites to become more visible, cited, and visited in the online landscape. Museums are creating “walled gardens,” and it hurts online visibility and impact.
I was a small fry at a big museum, volunteering for a project I had no business taking on. As Beck once put it, risk-takers need "space-makers" to provide them with the support, the creative license, and the encouragement to try new things, fail, and get up again. Fifteen years ago, my boss kicked me under the table.
Bryant likes to joke that they know it’s fall when the license plates begin to change. But the Gardens aren’t the only draw, it shares a campus with several other organizations: a heritage village, an artmuseum, the Extension services, as well as the county parks department. .
How can you design museum spaces so that exhibits and artifacts become social objects--things that people want to share with each other? This is great news for museums. Unlike digital networks, which have to manufacture or solicit online versions of objects around which users can rally, museums are full of objects.
Remember the road trips where you valiantly combated boredom by collecting license plates from different states? Museums should drool over this. Imagine if visitors thought your artifacts were so cool that they wanted, independently of any prompting from the museum, to make games out of them. Playing 20 questions?
This can range from donations of food and clothing to event space, legal services, and property and art. Because they’re expensive, these are usually only used for donations of jewelry, art, real estate, or other major in-kind contributions. Very broadly, in-kind donations are non-monetary contributions to your organization.
You have a kiosk in your museum where visitors can record 30 second videos of themselves sharing their personal opinions on global warming. Media release forms are (typically) used in formal situations—promotional shoots, program recordings—in which the museum, not the user, dictates the circumstances and use of the content.
After graduating with a BFA in drama & music from New York University’s Tisch School of the Arts, Ellen spent ten years bringing joy to audiences nightly as one of only ten lead performers in the longest running musical revue in the world—San Francisco’s “Beach Blanket Babylon.”
Chinese artificial intelligence firm DeepSeek launched a pair of state-of-the-art, open-source AI models that require far less computing power and capital than those of Western companies, sending shockwaves through Silicon Valley and the Wall Street firms that fund them. The company knows how to make a splash.
I'm working on a section of my book about sharing social objects and am writing about the most common way that visitors share their object experiences in museums: through photographs. Revenue Streams: Museums want to maintain control of sales of "officially sanctioned" images of objects via catalogues and postcards.
In this age of increasing hacks and cybercrime, the Norman Rockwell Museum has a lot of digital assets, museum operations data, and private patron data that need to be protected. Find out why Frank Kennedy, IT manager at the Rockwell museum, chose Veritas Backup Exec to be a key part of the museum's security strategy.
Online sales gave Gee’s Bend quilters control over their work Quilts made by generations of women in Gee’s Bend, Alabama, have hung in the Met, the Whitney, and the Smithsonian Museum of Art. They’ve been shown at galleries and art fairs around the world. The idea is that it not become a dying art. Photo by Stacy K.
Is google highlighting fine art? I really, really, really wanted to put a smile emoticon :-) in the face but damn it isn't licensed under Creative Commons By License. Image from Art News Blog shown here via HTML IMG code (Hmm. Does anyone know why? The painting was returned a few months ago, was it stolen again?
The Institute of Museum and Library Services was also on the list. Congress created the IMLS in 1996 through the Museum and Library Services Act. The law merged the Institute of Museum Services, which was established in 1976, with the Library Programs Office of the Department of Education. The Conversation U.S.
I teach history in Connecticut , but I grew up in Oklahoma and Kansas, where my interest in the subject was sparked by visits to local museums. I fondly remember trips to the Fellow-Reeves Museum in Wichita, Kansas, and the National Cowboy & Western Heritage Museum in Oklahoma City. museums are portraying history.
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