This site uses cookies to improve your experience. To help us insure we adhere to various privacy regulations, please select your country/region of residence. If you do not select a country, we will assume you are from the United States. Select your Cookie Settings or view our Privacy Policy and Terms of Use.
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Used for the proper function of the website
Used for monitoring website traffic and interactions
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Strictly Necessary: Used for the proper function of the website
Performance/Analytics: Used for monitoring website traffic and interactions
Earlier this month, I participated in a social media library giveaway organized by Steve Cunningham , who like me, loves books. For the social media library giveaway I asked folks to leave a comment on how they would use the books to shape their 2010 social media strategy. and externally (with all of your fine readers!). .
As of May 2, I will be the executive director of the Museum of Art & History at McPherson Center in Santa Cruz, CA (here's the press release ). Because of the increased workload I expect in the months to come, as well as the likely possibility that we will start a Museum of Art & History blog, I'm lowering my Museum 2.0
Last week, Douglas McLellan of artsJournal ran a multi-vocal forum on the relationship between arts organizations and audiences, asking: In this age of self expression and information overload, do our artists and arts organizations need to lead more or learn to follow their communities more? Here are three of my favorites.
As many of you know, I've been working for the past year+ on a book about visitor participation in museums, libraries, science centers, and art galleries. The Participatory Museum is a practical guide to visitor participation. The Participatory Museum is an attempt at providing such a resource. Want to buy a book ?
And it''s got me thinking about how we build energy and audience for the arts in this country. Barry Hessenius recently wrote a blog post questioning the theory that more art into the school day will increase and bolster future adult audiences for art experiences. Like Barry, I feel that more art in schools is always better.
You can now read all the chapters in The Art of Relevance for free online. You can still buy The Art of Relevance as a paperback, ebook, or audiobook--but you can also read any chapter, any time, online. Or how Felton Thomas fought the library union to make the Cleveland Public Library matter more. It's finally here!
On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggl es with in applying participatory design techniques to museum practice. The most reliable question I'm using works in art museums. That's why I asked.
I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."
On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggles with in applying participatory design techniques to museum practice. The most reliable question I'm using works in art museums. That's why I asked.
Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean''s book Visitor Voices in Museum Exhibitions.
Well-planned events enable nonprofits, community groups, businesses and government agencies to showcase AAPI arts, food, performances, and more. The Art of Celebration: Showcasing AAPI Cultural Richness Incorporating cultural performances and art displays is a great way to bring the essence of AAPI heritage to life at your event.
This week marks five years since the book The Participatory Museum was first released. I thought the pinnacle of participatory practice was an exhibit that could inspire collective visitor action without facilitation. Over the past four years, I''ve been running a small regional art and history museum in Santa Cruz, CA.
For the past five years, each summer, the Santa Cruz Museum of Art & History has hosted MuseumCamp. Develop compelling, powerful participatory offers and promises for your prospective partners. Tour MAH participatory exhibitions and shadow MAH community events. We'd love to have you here for this pilot year.
Like many museum and library professionals, I am enamored of the idea of cultural institutions as “third places” – public venues for informal, peaceable, social engagement outside of home or work. I used to think museums and libraries should be third places, but this book opened my eyes to how far they are from being so.
The result is a new book, The Art of Relevance , coming out in a few weeks. It's packed with practical theories, rags-to-relevance case studies, and inspiring stories from museums and libraries, theaters and parks, dance companies and orchestras, afterschool programs and activists, churches and synagogues. That's where you come in.
We've also developed new state-of-the-art explainability methods to identify the role of training data on model behaviors and misbehaviours. The Data Cards Playbook is a toolkit of participatory activities and frameworks to help teams and organizations overcome obstacles when setting up a transparency effort.
ers, Next week, I'll be going to DC for a meeting convened by the National Academy of Sciences and the Institute of Museum and Library Services on "Museums and Libraries in the 21st Century." Over the last 50 years, public-facing museums and libraries in the U.S. Dear Museum 2.0-ers, We are uniquely situated to be these venues.
The majority of our public programs at the Santa Cruz Museum of Art & History are created and produced through community collaborations. For our Art That Moves event, our Membership and Development Director suggested the incredibly popular Tarp Surfing activity. Can't wait to hear what you think.
"The arts are future-making." I wrote this down when Deborah Cullinan said it at a meeting of arts leaders about a year ago. Deborah''s vision for the arts leading the way to stronger future inspired me. Deborah''s vision for the arts leading the way to stronger future inspired me. The arts ARE future-making.
Today, I wanted to think about participatory elements, something so essential to this blog. Our visitors often see museums as a genre, not unlike hospitals or libraries. Lumin at Detroit Institute of Art Now on to the interactives…I’ve been thinking a great deal about the function of interactives in museums.
We share an abiding interest in exploring the community-enhancing roles of libraries, archives, and museums (LAMs), especially in terms of the practice of hospitality and service within the institution. Nina's research keeps finding that the right kind of constraints work to produce a better participatory museum experience.
Like the Living Library project , the advice booth was a platform that connected strangers with strangers--not just staff with strangers. In Praise of the Post-It There's lots of post-it-powered art on the web these days (like this and this ). Tags: evaluation exhibition design participatory museum usercontent.
On 8.16.08, the Museum of Art and History (Santa Cruz, CA) hosted FreelanceCamp, a free unconference that brought 150 designers and techies from the south bay area together to talk shop. Several libraries have started to offer gaming nights where you can drink soda and play Wii to your heart's content. Projects participatory museum.
Image via State Library of Queensland (an institution I love). I spent 2007-2011 traveling the world, doing participatory projects and consulting gigs, and writing my first book. You gave me support as I struggled to lead a museum through a participatory rebirth. Woman reading a book on a beached rowboat, 1925. Museum 2.0
Many of my favorite museums, libraries, and zoos are customer-centered places. One hundred years ago, John Cotton Dana, founder of the Newark Museum and godfather of modern museums, famously said: “A great department store, easily reached, open at all hours, is more like a good museum of art than any of the museums we have yet established."
I think it's a good thing that librarything gives me a way to talk to strangers about books that feels safer than approaching the drooling guy at the public library. It almost seems quaint to imagine that until very recently, library books listed names of actual people who had actually read the book.
Visitor Co-Created Museum Experiences This session was a dream for me, one that brought together instigators of three participatory exhibit projects: MN150 (Kate Roberts), Click! So far, most participatory museum design projects are heavily guided by the institution. MN150 will have formal summative evaulation, which is wonderful.
Today, the Luce Center at the Smithsonian American Art Museum (SAAM) is launching what they claim is the first ever alternate reality game (ARG) in a museum. Why would an art museum create an ARG? But comments on the gamers' forum like: An internet collaborative [sic] art display in a national museum? To expand their audiences.
I used the example of the Yerba Buena Center for the Arts, which has a mission statement that includes unusual words like “bold” and “fearless.” Assessment tools like the Museums, Libraries, and 21st Century Skills report can help you couch both your goals and evaluation in contexts that are well-understood by funders and executives alike.
I'm prepping for a workshop on Social Media and wanted do a round up of recent compelling examples of arts organizations using social media strategies and tools. I've covered arts organizations and social media here and there over the past three years and last winter co-wrote a cover story article with Rebecca Krause-Hardie for ArtsReach.
I spent last week in the glorious country of Taiwan, hiking, eating, and working with museum professionals and graduate students at a conference hosted at the Taiwan National Museum of Fine Arts. It's not topic-specific; I've done these exercises with art, history, science, and children's museums to useful effect.
Museums are quality learning spaces, but so are libraries. Museum house things, but so do libraries. — Art + Museum Transparency (@AMTransparency) September 21, 2019 Museum Transparency brought up the fact that museums are work places. Shaelyn Amaio, a museum worker, agreed, as do I. A museum is a workplace.
Institutions tying their online and onsite activities, as the Ontario Science Centre did when it hosted a YouTube meetup , or the Smithsonian American Art Museum did when they developed an alternate reality game. But enough of these experiences have convinced me that the participatory museum is not a fringe concept. There is funding.
We organize all of the trending information in your field so you don't have to. Join 12,000+ users and stay up to date on the latest articles your peers are reading.
You know about us, now we want to get to know you!
Let's personalize your content
Let's get even more personalized
We recognize your account from another site in our network, please click 'Send Email' below to continue with verifying your account and setting a password.
Let's personalize your content