This site uses cookies to improve your experience. To help us insure we adhere to various privacy regulations, please select your country/region of residence. If you do not select a country, we will assume you are from the United States. Select your Cookie Settings or view our Privacy Policy and Terms of Use.
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Used for the proper function of the website
Used for monitoring website traffic and interactions
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Strictly Necessary: Used for the proper function of the website
Performance/Analytics: Used for monitoring website traffic and interactions
Photo by American ArtMuseum Note from Beth: This week I'm trying to understand crowdsourcing and nonprofits, hopefully with a crowd of other folks. Guest Post: Interview with Georgina Goodlander: Fill the Gap Flickr Campaign by Debra Askanase, publisher of Community Organizer 2.0 What is the Luce Foundation Center doing?
What if museums were curated and funded by the internet, and allowed pieces to stay close to their cultural roots, displayed in a context that made sense? Native art in native museums, religious artifacts shown in temples, mosques and churches, and so on? That’s the premise of Arkive , which just raised a $9.6
A new company in New York, Museum Hack , is reinventing the museum tour from the outside in. They give high-energy, interactive tours of the Metropolitan Museum and the American Museum of Natural History (AMNH). The tours are pricey, personalized, NOT affiliated with the museums involved… and very, very popular.
This week we’ve found apps from museums. Mobile apps are an interesting way for museums to advance their educational missions beyond people’s expectations. ArtClix from the High Museum of Art, Atlanta. iOS/Android: ArtClix enhances uses mobile to enhance the museum experience. Frogloop has you covered.
Official Google Blog: Explore museums and great works of art in the Google Art Project – Take yourself on an art tour using Google Maps! "One "One of the things I love about working at Google is that you can come up with an idea one day and the next day start getting to work to make it a reality.
Last week''s New York Times special section on museums featured a lead article by David Gelles on Wooing a New Generation of Museum Patrons. In the article, David discussed ways that several large artmuseums are working to attract major donors and board members in their 30s and 40s.
" They covered the why, what, and how to get started of podcasting in the arts sector. Jerry Coltin gave an excellent overview which included listening to and showing some examples of arts podcasting and video podcasting. These were mostly museums like MoMa (which I wrote about over a year ago here ) and a few others.
In April, I taught a social media workshop for artists and arts nonprofits and did some research. on how different arts organizations using social media effectively. The Brooklyn Museum kept coming up as a stellar example, particularly its Click Exhibition , an experiment in crowd-sourced exhibits. Full Moon Over the East River.
Photo Source: Indianapolis Museum of Art Blog. The Indianapolis ArtMuseum has been doing just that by sharing its institutional dashboard out for everyone to view. It was met by with both positive and negative reactions from nonprofit and museum professionals. Two years later, we might have some answers.
Participants may improve their painting abilities, try their hand at some knitting, or do whatever other sort of art they like without having to leave the comfort of their own home. Best yet, you could even offer some of the art produced in the class as auction items during your next fundraiser. 7) Shopping. 13) Scavenger hunts.
Recently, we''ve been talking at our museum about techniques for capturing compelling audio/video content with visitors. It made me dig up this 2011 interview with Tina Olsen (then at the Portland ArtMuseum) about their extraordinary Object Stories project. We ended up with a gallery in the museum instead.
The site’s design emphasizes three primary avenues for discovering content: watching the series, exploring additional materials like interviews and lesson plans, and engaging in real-world activities, such as building a native plant garden. Endowed by Dr. Ruth J.
Lots of museums these days have video comment booths to invite visitors to tell their stories, but how many of those booths really deliver high-impact content? Last week, I talked with Tina Olsen, Director of Education and Public Programs at the Portland ArtMuseum, about their extraordinary Object Stories project.
This post features an interview with Sarah Schultz, a museum staffer at one of the institutions Light profiled in the book (the Walker Art Center). It's easier to secure grants for community-based programming or exhibitions, but it's not easy to get funding for some of the core work that museums do.
I had a total fan-girl moment meeting Colleen when she delivered the Arts & Cultural track’s keynote at bbcon 2019 in Nashville last October. And coming very soon, we will be interviewing Aubrey on Blackbaud’s sgENGAGE Podcast on all of the above — so make sure you subscribe to be notified as soon as it goes live. .
Thirteen students produced three projects that layered participatory activities onto an exhibition of artwork from the permanent collection of the Henry Art Gallery. The guiding principle is uncovering relationships between the works of art themselves rather than explicating information or theoretical concepts.
Audience segmentation and research has become a hot topic in museums, especially when it comes to crafting appealing offerings that are customized to different kinds of visitors. I sat down with Kristen Denner, Director of Membership and Annual Fund, to learn more about the program's development and the museum's goals for its future.
But I’d been scribbling notes for an artmuseum label post for awhile, and then yesterday, the NY Times had a review of a new show at MOMA, Comic Abstraction. And it ended with this: No wonder it [MOMA] ends up showing shallow, label-dependent art rather than work that offers deeper, more contradictory encounters.
Interview with Donald Marinelli - Parents and their kids - web2.0 Howard Wright and Phillip Horn received awards for their visionary efforts in forming CAMT, ArtsNet, and furthering the field of arts management and technology. If you are in the business of education or arts, what degree do we know this future generation?
Some of the entries of what you can read on the Walker Blog, may appear at first glance to be mundane details of cube life , but then you remember that it is a museum blog and it makes the institution seem more human. This Walker Blog let's us peer into the inner workings of the art institution. I saw your posts on Art Mobs.
on July 18th and subsequently had a chance to interview her at her fabulous virtual office in Second Life. We created and ran the web site for the Liberal Arts College in an atmosphere which, upon reflection is a lot like Linden Lab. I learned a lot from San Jose ArtMuseum. Mixed Reality Event ???
What happens when a formal artmuseum invites a group of collaborative, participatory artists to be in residence for a year? Will the artists ruin the museum with their plant vacations and coatroom concerts? But for museum and art wonks, it could be. No, this is not a reality TV show.
Each of them comes from the extended family of museums: close enough to be relevant, far enough to spark new thinking. Joe Patti runs a performing arts center in Ohio. he has been blogging about arts management. Grasstronaut offers long-format essays and interviews about grassroots and DIY arts spaces.
Two weeks ago, my museum was featured in a Wall Street Journal article by Ellen Gamerman, Everybody''s a Curator. I''m thrilled that our small community museum is on the map with many big institutions around the country. I''m glad to see coverage about artmuseums involving visitors in exhibitions. It''s not cheap.
." -- Tom Aageson, co-founder, Global Center for Cultural Entrepreneurship A week, or so ago I interviewed my Dad, Tom Aageson, for a special Father's Day show on the Big Vision Podcast. I've posted an edited transcript of the interview below. He is also the co-founder of the International Folk Art Market. This was 7 years ago.
There is a long interview with me in this week's Good Times (Santa Cruz's leading weekly). We talked Paulo Friere, what museums can learn from dentists' offices, and the challenges of not feeling stupid while viewing art.
Let’s say you wanted to find a model museum using Web 2.0 A place that does all this in the context of a fairly traditional collections-based museum. A place that does all this in the context of a fairly traditional collections-based museum. It’s the Brooklyn Museum. to support programs and exhibits. Not really.
While I was at the Philadelphia Museum of Art working on a website redesign, we recognized the need to be transparent with our internal audiences and started hosting a series of monthly open forum presentations called “Website Wednesdays.” Just like a good soccer coach does for their team. They can even be done virtually!
This August/September, I am "rerunning" popular Museum 2.0 This post is even more relevant today to the broader conversation about audience diversity in the arts than when it was published three years ago. Most large American museums are reflections of white culture. blog posts from the past. Why can''t new visitors do the same?
a leash with your logo on it for animal shelters, a portable Bluetooth speaker for music or theater organizations, or a special edition print for artmuseums, etc.) You can use surveys, polls, interviews, focus groups, or online forums to collect and analyze your donors’ input. or a discount on tickets or membership.
Stay tuned for a video interview I did with him while in Vegas. But even more fun was this video interview with the good folks at the Gifts In Kind International who I ran into in the lobby and they pulled out their copy of the book and shared a few thoughts about they’re applying the ideas. Independent Sector in Atlanta.
Geoffrey Dunn, a fabulous writer and collaborator, just published a big cover interview with me in our local weekly, the Good Times. I was proud to work with amazing colleagues to lead major change at the museum. For a museum to survive and thrive today, it must be relevant and meaningful for many people from many backgrounds.
She has worked in museum informatics for many years, including 10 as co-chair of Museums and the Web. (I I interviewed her (but not about STEVE) for a technology and the arts paper I researched and co-authored for NPower a few years back.). Technorati Tags: net2 , nptech
I've been spending time recently interviewing people who run unusual cultural and learning venues. Art spaces masquerading as laundromats and letterpresses. From a museum perspective, I think there's a lot to learn from these venues' business models, approach to collecting and exhibiting work, and connection with their audiences.
It was then that I began working at a local artmuseum as a volunteer. I was assigned to the art school to track art classes and enrollments, and to work on reporting and making sure records were polished and current. When I look back, this was one of the most sophisticated fundraising programs in Texas!
Save Time and Energy When Turning Interviews Into Content by Joanne Fritz on the About.com Nonprofit Charitable Orgs blog. Ask for the interview well in advance. Unless you're covering a breaking news story, you likely have the luxury of letting the interviewee know in plenty of time that you'd like to interview them.
Seth quickly reached out to me via Roxy Allen suggested that I do an interview. There's no better example than the public dashboards of the Indiana ArtMuseum - Innovation is about opening up and letting the outside in. This conversation took place yesterday.
Nikki created "The Ministry of Rules" --a shadow organization that existed for one week during half-term break, staffed by visitors who served as "Inspectors" investigating, exploring, and poking fun at the rules that make museums and galleries go. How did the museum staff respond to this experience? How did this project come about?
I’ve always been inspired by the creative ways the Brooklyn Museum uses technology to connect visitors to museum content. To learn more, I interviewed Brooklyn Museum project partners Shelley Bernstein, Vice Director of Digital Engagement & Technology, and Sara Devine, Manager of Audience Engagement & Interpretive Materials.
For example, a museum could create a fun treasure hunt by having people check at specific galleries or works of art. There are certainly some wonderful possibilities - like putting out volunteer requests and for organizations where they want their audience or stakeholders to explore the physical space.
Last week marked four years for the Museum 2.0 People--especially young folks looking to break into the museum business--often ask me how I got here. Ed Rodley recently wrote a blog post about museum jobs entitled "Getting Hired: It's Who You Know and Who Knows You." hour at the Museum. I made $26/hour at NASA and $7.25/hour
When you find a bar with your favorite song on the jukebox, or a museum room that feels like your grandmother's living room, you suddenly feel a strong affinity and are able to see yourself reflected in the space. It may be great for a natural refuge to remain hidden, but that sounds like a disaster for a restaurant or museum.
As I drop 5 cent tokens into my slots of choice, I often wonder: could my museum be on this list? They are successful with audiences who already believe in the intrinsic power of art or the role art plays in civic engagement, but it's unclear how helpful they are to the people who aren't attending, participating, or supporting.
Designed to assist and support an organization (and most commonly hospitals, museums, libraries, and arts organizations), these groups historically focus on raising funds, sometimes manage the volunteer corps, and nearly always maintain their own governance system. Lessons from the Field.
We organize all of the trending information in your field so you don't have to. Join 12,000+ users and stay up to date on the latest articles your peers are reading.
You know about us, now we want to get to know you!
Let's personalize your content
Let's get even more personalized
We recognize your account from another site in our network, please click 'Send Email' below to continue with verifying your account and setting a password.
Let's personalize your content