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You’ve read about participatory grantmaking—and maybe even heard about other organizations using this model to distribute control of their funding strategy and grants decisions to the communities they serve. Not sure if participatory grantmaking is for you or maybe you need a refresher on what it is? Is this you?
Nina has written a fantastic book engagement called The Participatory Museum. A third argues that the project won’t be truly participatory unless users get to define what content is sought in the first place. I’ve been using these participatory categories to talk about how we’d like users to participate in different projects.
It made me think in ways that I haven't before about the relation of art--as expressive culture--to democracy. It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement. Note: you can view these photos of the exhibition on Flickr here.)
Want to experience art in a populist, energized, industrial/urban setting? Artprize , now in its second year, is a city-wide art festival with a $250,000 top prize to be awarded to the work that receives the most public votes. It was the best experience I've ever had talking and learning about art. Want to talk about it?
At the Santa Cruz Museum of Art & History, we take our interns seriously, give them real responsibility, creative challenges, and meaningful work opportunities. I'm particularly excited about two internships that relate to participatory exhibition design. First, there is the Participatory Exhibit Design Internship.
In addition to the education and inspiration, NTEN is promoting accessibility, equity, and inclusivity like never before with dedicated racial affinity spaces, meditation sessions, and even virtual art galleries and live music. Opportunities for Professional Development.
Priya Parker's wonderful book The Art of Gathering shares the core principles of how to drive. The book explains how to host events with purpose, drawing lessons from intimate parties, mass happenings, and international summits. When you host an event, you have the power to define what happens. To clear the plates.
I can't say that any one experience--working on a collage with other visitors, swinging on a hammock, discovering a participatory display for pocket artifacts in the bathroom--directly contributed to increased attendance and giving. They all have in concert, and they build on each other.
Kudos to NTEN for breaking the template on the typical type of events it has hosted. The Leading Change Summit was more intimate (several hundred people), participatory and interactive, intense, and stimulating. Often, facilitation teams are brought together by an event host.
The Silk Mill is part of the Derby Museums , a public institution of art, history, and natural history. They host public co-making events, invite groups to book workshops directly, engage on twitter and tumblr , and encourage drop-in participation. design inclusion institutional change participatory museum' It''s serious.
He writes a blog called " Read It To Me " that summarizes business books and also hosts Webinars with authors. Earlier this month, I participated in a social media library giveaway organized by Steve Cunningham , who like me, loves books. As you know, it takes more than access to create a successful social media network.
I've now been the Director of The Museum of Art & History in Santa Cruz for two months. Her mission in her blog has been to rebrand the experience of going to a museum, chasing away the old ideas of a quiet temple of tweedy art appreciation by generating new ideas of what a museum could be.
We've been offering a host of participatory and interactive experiences at the Museum of Art & History this season. I loved Jasper Visser's list of 30 "do's" for designing participatory projects earlier this month. This isn't even participatory. We had over 400 successful bangers with no injuries.
I was talking this week with Mark Allen, the founder of Machine Project (an alternative arts space in LA), about different models for community engagement in cultural institutions. For example, consider two independent arts organizations in Los Angeles -- Machine Project and The Public School.
Our curator writes labels about licking the art. I host dating games. Merilee Mostov and the Columbus Museum of Art. In particular, we had a great group of 15 talking about participatory history experiences on Sunday. Participatoryart and co-creation on the rise. I found this idea really powerful.
WOW2 hosts immediately made the connection to micro blogging or micro media making. It made me curious about the art of mircoblogging - and how you develop the technique of saying it in 140 characters. I just discovered a new site called " Great Nonprofits " another participatory philanthropy site.
Schools and other arts organizations are rising to the challenge. University law schools are hosting seminars on Ferguson. Artists and arts organizations are contributing their spaces and their creative energies. Are there civic organizations in your area that are hosting conversations? What should be our role(s)?
Well-planned events enable nonprofits, community groups, businesses and government agencies to showcase AAPI arts, food, performances, and more. The Art of Celebration: Showcasing AAPI Cultural Richness Incorporating cultural performances and art displays is a great way to bring the essence of AAPI heritage to life at your event.
Then again, Saturday was hardly normal at the Santa Cruz Museum of Art & History. This past weekend, in conjunction with our exhibition about Ze Frank's current participatory project, A Show , we hosted " Ze Frank Weekend "--a quickie summer camp of workshops, activities, presentations, and lots of hugging.
Art, however, does not come to museums pre-hardened. At the museum of art and history where I work, we are grappling with the question of how to help people enjoy themselves while keeping the art and artifacts safe. The level of touching, especially of art, has increased. Low level of staffing and security.
Three of them are being hosted at my museum , and one at a mystery location. In July of 2013, the MAH will host our first You Can't Do That in Museums Camp (or better name to be suggested by you), inviting 80 creative people to collaborate on an experimental exhibition. The Arts Dinner-vention Project - date TBD.
For the past five years, each summer, the Santa Cruz Museum of Art & History has hosted MuseumCamp. This year, to address these issues, we're experimenting with hosting two camps instead of one: COMMUNITY PARTICIPATION BOOTCAMP , June 7-8, 2018. Tour MAH participatory exhibitions and shadow MAH community events.
They were “preaching the museum gospel” in NYC via alternative tours at The Metropolitan Museum of Art. We interacted with the art and with each other through dynamic photo challenges, kinesthetic activities, and conversations. I imagine that there are a lot more presumed barriers to break down at an art museum than a science museum.
This month brings three examples of museums hosting meetups for online communities: On 8.6.08, the Computer History Museum (Silicon Valley, CA) hosted a Yelp! On 8.8.08, the Ontario Science Center (Toronto, Canada) hosted the 888 YouTube meetup for any and all YouTube aficionados. Projects participatory museum.
What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? But for museum and art wonks, it could be. Artists and administrators grapple with the shifting roles of institutions as hosts and incubators for creative work. No, this is not a reality TV show.
Cultural Connections is a group of museum professionals who meet up a few times a year and host excellent programs on a variety of topics. This week, they hosted "Let Them Be Heard: Visitor Participation in the Museum Experience," featuring four presentations on incorporating visitors' content into museums.
The majority of our public programs at the Santa Cruz Museum of Art & History are created and produced through community collaborations. For our Art That Moves event, our Membership and Development Director suggested the incredibly popular Tarp Surfing activity. Can't wait to hear what you think.
I wholeheartedly believe it has the power to advance science (and art and cultural heritage) through the power of play. In fact, we''ll be hosting Frenemy, Freeloader, and Do You Know What I Know You Know? game guestpost participatory museum Unusual Projects and Influences'
The Digital Media and Learning Conference is meant to be an inclusive, international and annual gathering of scholars and practitioners in the field, focused on fostering interdisciplinary and participatory dialogue and linking theory, empirical study, policy, and practice. Each fall since 2008 MNN has hosted an annual conference and expo.
"The arts are future-making." I wrote this down when Deborah Cullinan said it at a meeting of arts leaders about a year ago. Deborah''s vision for the arts leading the way to stronger future inspired me. Deborah''s vision for the arts leading the way to stronger future inspired me. The arts ARE future-making.
There are some parties where hosts go out of their way to welcome guests individually and to introduce them to others via shared interests - making sure Susie the winemaker meets George the restauranteur and so on. Not every cultural experience requires a party host (though they are always useful). Ideas participatory museum.
Last week I was honored to be a counselor at Museum Camp , an annual professional development event hosted by the Santa Cruz Museum of Art & History (MAH). Nina Simon, the executive director of the museum, is an expert in participatory design and fantastic facilitator.
Hosting a session on Monday at 2pm on Design for Participation with participatory design gurus Kathleen McLean and Dan Spock, along with research extraordinaire Kris Morrissey and participatoryart rockstar Mark Allen. The Brewery Art Colony. Signing books on Monday from 4-5 in the AAM bookstore. The Newsroom Cafe.
Here are four surprising things Oldenburg describes about third places—characteristics I think would be quite difficult for cultural institutions to assume: The primary attraction of a third place is the patrons, not the décor, the hosts, or the activities provided by management. The cultural service model is antithetical to the third place.
Today, I wanted to think about participatory elements, something so essential to this blog. Psst, also consider entering the Muse Awards come 2020, but that's a story for another day) @artlust doing a charming job hosting us at #museawards #AAM2019 ! Me with a friend As I keep saying, I’ve been to a few museums of late.
Hosted by a sound art collective, Ultra-red, the 2015 event promised "to investigate listening as a political activity and to interrogate the stakes of participation in neoliberalism." It reenergized me about focusing my limited time, energy, and creativity on the participatory opportunities that fuel me and my dreams.
It doesn't matter if you are creating a didactic diorama or a participatory smorgasborg if the experience is fundamentally about your desires rather than visitors'. Devon Hamilton of the Ontario Science Centre told a lovely story about the way hosts (floor staff) are trained in their innovation center to connect visitors with one another.
I hosted two sessions, one on design for participation and the other on mission-driven museum technology development. This session was participatory in several ways, including interactive music-making machines in the audience and half the time reserved for Q&A. You can view and download all the slides here.
Yesterday, I spent a day facilitating leadership workshops for arts leaders attending the Art House Convergence Conference near Park City, Utah. However, I don’t always have that opportunity because many times nonprofit workshops are hosted at conferences at hotels. Have you ever had to do a room hack?
I thought about all of this when reading about the recent incident at the Perez Art Museum Miami, where artist Maximo Carminero smashed a vase by Chinese artist Ai Wei Wei in an unauthorized act of visitor participation. It is not acceptable to walk into a museum and destroy another artist''s work of art.
I spent last week in the glorious country of Taiwan, hiking, eating, and working with museum professionals and graduate students at a conference hosted at the Taiwan National Museum of Fine Arts. It's not topic-specific; I've done these exercises with art, history, science, and children's museums to useful effect.
I published The Participatory Museum in March (with help from many of you!) Thank you so much for hosting me, picking me up at airports, taking me to karaoke bars, showing me secret parts of your museums, helping me find vegetarian food, and sharing your ideas, dreams, and schemes for the future. Dear Museum 2.0 Everything about it.
The podcast featured the two hosts, Robert Krulwich and Jad Abumrad, speaking to a crowd about their unique partnership. Effectively, Robert is saying that Radiolab isn't just a show where the hosts have conversations with scientists. Tags: participatory museum Unusual Projects and Influences. Ask him why he keeps going.
Last week, Jim Richardson and I hosted MuseumNext , a 24-hour workshop for museum professionals focused on bringing new, wild museum projects into the world. I gave an hour-long talk about participatory design practices ( video here ), and Jim gave a small tour of an exhibition he had organized nearby. Facilitator bits.
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