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What I Learned from Beck (the rock star) about Participatory Arts

Museum 2.0

Beck''s project is unusual because he deliberately resurrected a mostly-defunct participatory platform: sheet music for popular songs. In his thoughtful preface to this project, I reconnected with five lessons I''ve learned from participatory projects in museums and cultural sites. Constrain the input, free the output.

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New Approach, Historic Mission: Remaking a Factory Museum via Community Co-Production

Museum 2.0

The Silk Mill is part of the Derby Museums , a public institution of art, history, and natural history. The Mill itself claims fame as the world''s oldest factory, a UNESCO world heritage site, and a birthplace of mechanized silk production. Or silk production. Or factory life in the 1700s. It''s serious.

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Balancing Engagement: Adventures in Participatory Exhibit Labels

Museum 2.0

The Santa Cruz Surfing Museum recently loaned us some fabulous surfboards that tell the co-mingled history of surfing and redwood trees in Santa Cruz. We decided to approach the label-writing for these boards in a participatory way. Maybe this person was writing about his or her preference for neon paper products, but I doubt it.

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12 Ways We Made our Santa Cruz Collects Exhibition Participatory

Museum 2.0

In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. This exhibition represents a few big shifts for us: We used a more participatory design process. We had some money.

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The Art of Facilitating Virtual Meetings with Sticky Notes

Beth's Blog: How Nonprofits Can Use Social Media

Designing A Participatory Hook for a Virtual Meeting. For this meeting, we asked two questions: What makes a meeting a good, productive use of your time? Guidestar has a history of doing walking meetings, especially one on ones and at its Williamsburg location. Design must comes first. Flickr Image by Derek Gavey.

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Selling a Product vs. Building a Movement

Museum 2.0

Do you consider yourself an "activist" for your organization, avocation, or art form? Sure, I admire cultural organizations that have a strong mission to change education or diversify access or transform the role of art in everyday life, but I'm an insider. A national election is the ultimate participatory project.

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Guest Post: Community and Civic Engagement in Museum Programs

Museum 2.0

Visitors bond and bridge through participatory experiences at MAH. There were times when coordinating a fire art festival while researching social capital theory made me want to burn my computer. I learn a ton from her every day and wanted to share her thinking--and her graduate thesis--with you.

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