Museum 2.0

FEBRUARY 19, 2014

The man is artist Rocky Lewycky , whose work is part of a group show of visual artists who have won a prestigious regional fellowship. While some in the art world are heralding Carminero''s act as expanding the role of art to disrupt and make political statements, I feel that this is a pretty straightforward issue of a criminal act.

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Museum Arts Artist Participatory 50

Museum 2.0

FEBRUARY 7, 2011

Imagine this situation: You go to an arts event, one of a type you rarely or never take part in. There's been a lot of innovation in arts programming in the last few years. There's been a lot of innovation in arts programming in the last few years. How do you form an arts habit? You have a great time.

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Arts Museum Music Calendar 50

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 25, 2011

Note From Beth: Yesterday, I attended a convening called “ Beyond Dynamic Adaptability ” for arts organizations about cultural participation in the arts. Together, Fox and Fledgling developed an intensive outreach strategy through more than 500 community screenings.

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Guatemala Movie Artist Award 94

Museum 2.0

SEPTEMBER 12, 2012

In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. This exhibition represents a few big shifts for us: We used a more participatory design process. We had some money.

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Museum 2.0

OCTOBER 10, 2012

What happens when you let visitors vote on art? Let's look at the statistics from three big participatory projects that wrapped up recently. Each of these invited members of the public to vote on art in a way that had substantive consequences--big cash prizes awarded, prestige granted, exhibitions offered.

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Arts Artist Museum Award 47

Museum 2.0

SEPTEMBER 26, 2012

Visitors bond and bridge through participatory experiences at MAH. There were times when coordinating a fire art festival while researching social capital theory made me want to burn my computer. Bonding social capital refers to networks that bring people together with common interests to strengthen relationships in preexisting groups.

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Museum Program Participatory Community 49

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 8, 2014

The Leading Change Summit was more intimate (several hundred people), participatory and interactive, intense, and stimulating. Scribe: The role of the scribe is to capture ideas and build group memory. The scribe should only interact with the lead facilitator, not the group. Orienting the Group.

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Reflection NTEN Change Exercise 127

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 24, 2009

Resource List Early Use of Backchannels Tara Hunt, Backchannel=Blogosphere Marc Cantor, Spell My Name Correctly Liz Lawley, Backchannel Modes Liz Lawley, Confessions of a Backchannel Queen Clay Shirky, Snarkiness on Parade NY Times, In the Lecture Hall, A Geek Chorus Dannah Boyd, Bridging Diverse Groups Backchannel in Learning and Education Vicky Davis, (..)

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Conference Reflection Resource Arts 69

Museum 2.0

JANUARY 4, 2010

It's rare that a participatory museum project is more than a one-shot affair. Wikipedia Loves Art, Take One The first version of Wikipedia Loves Art first took place in February 2009. It started with a request from a group of New York Wikimedians to the Brooklyn Museum. I hope you'll share your thoughts in the comments.

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Wikipedia Arts Museum Images 40

Beth's Blog: How Nonprofits Can Use Social Media

MAY 26, 2015

Designing A Participatory Hook for a Virtual Meeting. Next, as a group we do a theme analysis. Depending on the number of people in your group, there are different ways to facilitate the report out. Design must comes first. Finally, you identify next steps and follow up. Flickr Image by Derek Gavey.

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Facilitation Virtual Arts Participatory 50

Museum 2.0

NOVEMBER 6, 2012

I'm thrilled to share this brilliant guest post by Marilyn Russell, Curator of Education at the Carnegie Museum of Art. In a straightforward way, Marilyn explains how her team developed a participatory project to improve engagement in a gallery with an awkward entry. Reassert the "forum"?

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Museum 2.0

SEPTEMBER 4, 2012

This simple participatory project invites visitors to contribute their own small objects in little alcoves in our bathrooms. We have seven participatory elements in our current exhibitions on three floors, ranging from voting to talkback walls to an in-depth "make a memory jar" craft activity. and I hope you share them in the comments.

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Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 31, 2007

I met her like ten years ago when I leading training workshops for arts educators, artists, and arts organizations throughout New York State on how to use the Internet. These projects were done nearly ten years ago, but they presage what the social web, participatory media. Meet Susan Silverman. I was teaching Web1.0

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Flickr Professional Participatory New York 50

Museum 2.0

AUGUST 28, 2013

Earlier in 2013, I was amazed to visit one of the new “Studio” spaces at the Denver Art Museum. The Denver Art Museum is no stranger to community collaborations, but we’ve been dipping in our toe a little more deeply when it comes to developing permanent participatory installations. Who are all of these people?

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Denver Museum Arts Collaboration 35

Museum 2.0

MARCH 17, 2010

This is the second in a four-part series about writing The Participatory Museum. Several hundred people contributed their opinions, stories, suggestions, and edits to The Participatory Museum as it was written. Several said things like, "I was curious to see how this kind of participatory, collaborative approach would work in practice."

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Participatory Museum Process Experiment 32

NTEN

NOVEMBER 4, 2014

Today, we want to introduce you to Leah Horn , Director of Marketing and Communications at the Western States Arts Federation (WESTAF). WESTAF''s mission is to strengthen the financial, organizational, and policy infrastructure of the arts in the West. What is your organization''s mission?

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Donation Share Impact NTEN 64

Beth's Blog: How Nonprofits Can Use Social Media

JULY 3, 2009

On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggl es with in applying participatory design techniques to museum practice. Ask the question several different ways to different groups of people.

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Technique Question Design Participatory 50

Museum 2.0

APRIL 25, 2011

I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

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Question Participatory Museum Vietnam 49

Museum 2.0

OCTOBER 30, 2013

We have some strategies for tackling this: convening diverse content advisors, incorporating anti-bias educational approaches in our design, developing participatory opportunities for visitors to connect past to present. inclusion Museum of Art and History research social bridging Unusual Projects and Influences'

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Measure Arts People Museum 47

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 10, 2019

My style of teaching is participatory; I don’t lecture with PPT endlessly and involve the audience. This includes integrating moving around into small groups or share pairs as well as standing & stretching. The “S” stands for slowest pace sets the pace for the group – it isn’t a race.

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Detroit Instructional Instruction PPT 78

Museum 2.0

MAY 8, 2013

In the past, I''ve subscribed to the theory that an organization should target many different groups and types of people to serve a constellation of specific audiences across diverse affinities, needs, and interests. It''s still grouping. But ultimately, that''s still targeting. And rarely the twain shall meet. Why fight it?

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Museum Social Arts History 55

Museum 2.0

JULY 23, 2014

The Silk Mill is part of the Derby Museums , a public institution of art, history, and natural history. They host public co-making events, invite groups to book workshops directly, engage on twitter and tumblr , and encourage drop-in participation. design inclusion institutional change participatory museum' It''s serious.

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Museum Product Participatory Community 53

The Modern Nonprofit

MAY 1, 2024

Well-planned events enable nonprofits, community groups, businesses and government agencies to showcase AAPI arts, food, performances, and more. Effective outreach strategies should focus on connecting with local AAPI groups, leaders, and community centers. Reach out to Asian American student groups on college campuses as well.

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Celebrate Education Fundraising Culture 59

Museum 2.0

JANUARY 11, 2012

I can't say that any one experience--working on a collage with other visitors, swinging on a hammock, discovering a participatory display for pocket artifacts in the bathroom--directly contributed to increased attendance and giving. They all have in concert, and they build on each other.

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Audience Museum Participatory History 47

Zen and the Art of Nonprofit Technology

JUNE 29, 2007

Home About Me Subscribe Zen and the Art of Nonprofit Technology Thoughtful and sometimes snarky perspectives on nonprofit technology Gender, Race and Open Source June 29, 2007 My session on Free and Open Source software and the US Social Forum went great yesterday. And aren’t those different that the issues other groups of people face?

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Open Source Open Music Software 100

Museum 2.0

NOVEMBER 11, 2008

George is a stranger I met last week at SFMOMA’s new show, The Art of Participation:1950 to Now. The Art of Participation provides a retrospective on participatory art as well as presenting opportunities for visitors to engage in contemporary (“now”) works. Here are two pictures. The first one is me. DO message clearly.

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Participatory Arts Design Museum 20

Museum 2.0

JULY 20, 2010

Last week, I gave a talk about participatory museum practice for a group of university students at UCSC. I immediately flashed to my work with art museums and staff members' concerns that older, traditional audiences will shy away from social engagement in the galleries. First, teens often have incredibly tight social spheres.

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Teen Social Museum Participatory 49

Museum 2.0

JULY 11, 2012

I get excited about a lot of things in my work at the Santa Cruz Museum of Art & History. Ze Frank is a participatory artist who creates digital projects that are explicitly about creating and enhancing authentic interpersonal connections. Photography, video, audio, text, origami, mail art.

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Museum Participatory Artist History 45

Museum 2.0

SEPTEMBER 18, 2013

Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean''s book Visitor Voices in Museum Exhibitions.

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Museum Question Participatory Vietnam 45

Museum 2.0

APRIL 28, 2009

On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggles with in applying participatory design techniques to museum practice. Ask the question several different ways to different groups of people.

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Technique Question Design Develop 52

Museum 2.0

JULY 30, 2014

Our work to transform the Santa Cruz Museum of Art & History into a participatory and community-centered place has been heavily supported by the James Irvine Foundation. The report is a slim 12 pages on the common characteristics of arts organizations that successfully and continuously engage diverse audiences.

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Report Malaysia Memphis Museum 52

Museum 2.0

NOVEMBER 13, 2012

We can change that by embracing participatory culture and opening up to the active, social ways that people engage with art, history, science, and ideas today. We seek and encourage collaboration with diverse groups and individuals in our community, and we develop ways for people to contribute in both immediate and long-term ways.

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Museum Open Charlotte Participatory 55

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 3, 2015

It is always challenge to use participatory techniques when your participants are not native English speakers and you don’t speak the language. I thought I’d share a few quick insights and tips that I learned for others who may be preparing for doing tech training internationally and want to use participatory techniques.

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Facilitation Training Train International 50

Museum 2.0

DECEMBER 28, 2011

We've been offering a host of participatory and interactive experiences at the Museum of Art & History this season. I loved Jasper Visser's list of 30 "do's" for designing participatory projects earlier this month. This isn't even participatory. All of them are cheap, mostly simple, and occasionally, dangerous.

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Design Participatory Learning Instructional 45

Museum 2.0

DECEMBER 23, 2014

They were “preaching the museum gospel” in NYC via alternative tours at The Metropolitan Museum of Art. I was intrigued and curious to learn more, but also skeptical of the merits of an outside group running roughshod in The Met. I imagine that there are a lot more presumed barriers to break down at an art museum than a science museum.

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Museum Interview New York Interaction 55

Museum 2.0

JULY 17, 2012

But we've just compiled all our attendance data for the past year at the Santa Cruz Museum of Art & History (our fiscal year ends on June 30), and several people have written to me asking for the numbers behind our turnaround. I promise--after this post, I'll stop writing about this. actively sought out community needs to respond to.

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Museum Arts History Artist 47

Museum 2.0

JANUARY 18, 2012

There are many participatory experiences that appeal primarily to adults, and they are designed distinctly for adults. There's a huge difference between the edgy, DIY beauty of Candy Chang 's participatory urban artworks and the dayglow colors, exclamatory language , and preschool fonts of most museum interactives.

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Interaction Design Museum Participatory 47