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You’ve read about participatory grantmaking—and maybe even heard about other organizations using this model to distribute control of their funding strategy and grants decisions to the communities they serve. Not sure if participatory grantmaking is for you or maybe you need a refresher on what it is? Is this you?
In our years of talking to staff, boards, and communities about participatory philanthropy, people often talk about their worst participatory decision-making experiences. New to Participatory Grantmaking? However, we feel strongly that this is the wrong conclusion to draw. But these “soft skills” are not magic.
A Shared and Flexible Understanding of Impact As practitioners of and advocates for participatory philanthropy, we believe there’s a better way. Like many other activities in participatory philanthropy, this approach considers the process to be as important as the outcomes. It promotes mutuality instead of extraction.
Last month, the Irvine Foundation put out a new report, Getting In On the Act , about participatoryarts practice and new frameworks for audience engagement. Here's what I think is really strong about the report: Coordinated, succinct research findings supporting the rise of active arts engagement.
There are many adhoc Twitter hashtags where nonprofits, foundations, social entrepeneurs, and others are sharing resources or having conversations. In my initial analysis of mega list of 90 Foundations that Tweet , I did not look at hashtags. He observes that the hashtags are general, not unique.
The origins of some foundations’ wealth, which in some cases includes slavery and other forms of exploitation. Unicorns Unite: How nonprofits and foundations can build EPIC Partnerships. In the March Toward Equity and Justice, Foundations Need to Remember: It’s Not Our Money to Control. Philanthropy is at a turning point.
With all these options, we wanted to look back and highlight some of the Issue Lab community’s most popular publications in 2022, featuring a wide array of topics ranging from education to participatory grantmaking and beyond. Kellogg Foundation in partnership with the University of New Mexico This report examines how W.K.
A philanthropy insider once shared during a presentation that foundations develop guidelines so they know to whom to say “no.” There is much hand-wringing, but little in the way of actual financial support because most foundations do not see themselves as climate or justice funders. . Not reinventing the wheel.
In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. This exhibition represents a few big shifts for us: We used a more participatory design process. We had some money.
Note From Beth: Yesterday, I attended a convening called “ Beyond Dynamic Adaptability ” for arts organizations about cultural participation in the arts. Good Pitch is an effort that brings documentary filmmakers together with a wide range of partners in distribution, financing and outreach for activism.
Scene: a regional workshop on arts engagement. A funder is speaking with conviction about the fact that her foundation is focusing their arts grantmaking strategy on engagement. Engaging people actively in the arts. PARTICIPATORY: can people get involved or contribute to it? No arts experience hits them all.
I met Janet Salmons many years ago while I working on various arts and technology projects in New York State for the New York Foundation for the Arts. I started in the Cornell University Center for Theatre Arts , where I founded and directed two programs: Cornell Theatre Outreach and the Community-Based Arts Project.
Visitors bond and bridge through participatory experiences at MAH. There were times when coordinating a fire art festival while researching social capital theory made me want to burn my computer. I learn a ton from her every day and wanted to share her thinking--and her graduate thesis--with you.
The above powerpoint is from 1999 and excerpted from day-long workshops I used to lead when I worked at NYFA and design and ran a program called "KIT: Knowledge in Technology - Technology Planning for Arts Organizations." He defines participatory culture as a culture: 1.
Our work to transform the Santa Cruz Museum of Art & History into a participatory and community-centered place has been heavily supported by the James Irvine Foundation. I''ve learned a lot from Irvine Foundation staff and partners directly. The last one was on arts innovation and change , also from Irvine.)
I am the director of a non-profit that promotes open museum practices, and we are in midst of launching a free service for arts organizations: a web site that permits any museum to create a participatory exhibit space and social network centered on the museum's collections.
The WHAT IF Conference is for anyone who supports nonprofit organizations, especially staff and board members, volunteers, donors, foundations and corporate funders. National Arts Marketing Project Conference. National Arts Marketing Project Conference. National Arts Marketing Project / Austin, TX / $575. 11/10/2016.
The Leading Change Summit was more intimate (several hundred people), participatory and interactive, intense, and stimulating. I designed this exercise after a delightful experience visiting the Barnes Foundation Museum where the art work is hung on the wall in a way to facilitate pattern recognition and learning about art concepts.
Today is my one-year anniversary as the executive director of the Santa Cruz Museum of Art & History. We went through a dramatic financial turnaround and redefined our relationship with our community through a series of experimental participatory projects and new programmatic approaches. 85% of our visitors attend through events.
Our curator writes labels about licking the art. Merilee Mostov and the Columbus Museum of Art. In particular, we had a great group of 15 talking about participatory history experiences on Sunday. Participatoryart and co-creation on the rise. I found this idea really powerful. I host dating games.
As a platform for such local activity, more participatory forms of engagement are already envisaged—an area “culture pass” for museums and arts institutions is one exciting example—to further stimulate local activity.
Last week, I talked with Tina Olsen, Director of Education and Public Programs at the Portland Art Museum, about their extraordinary Object Stories project. They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they made some unexpected decisions along the way.
We've also developed new state-of-the-art explainability methods to identify the role of training data on model behaviors and misbehaviours. The Data Cards Playbook is a toolkit of participatory activities and frameworks to help teams and organizations overcome obstacles when setting up a transparency effort.
Six years ago, the Paul Hamlyn Foundation set out on an ambitious quest. Most participatory projects were short-term, siloed innovations, not institutional transformations. Interestingly--for good and ill--this transformative funding program coincided with a national funding crisis in the arts in the UK. didn't mince words.
I LOVE the way the James Irvine Foundation presents their lessons learned from grant-making in the Arts Innovation Fund program. This is just a super-interesting review of an exhibition of damaged art. What happens to objects when they are no longer art? How should (and do) we treat them?
The weather is hopefully the least of the reasons you should want to come work with us here at the Santa Cruz Museum of Art & History. These are unpaid, part-time internships in which you will make a significant contribution to our work, and at the same time, learn a heck of a lot about participatory design and community engagement.
It made me dig up this 2011 interview with Tina Olsen (then at the Portland Art Museum) about their extraordinary Object Stories project. They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they learned some unexpected lessons along the way. Why would people look at that?
"The arts are future-making." I wrote this down when Deborah Cullinan said it at a meeting of arts leaders about a year ago. Deborah''s vision for the arts leading the way to stronger future inspired me. Deborah''s vision for the arts leading the way to stronger future inspired me. The arts ARE future-making.
Like many people in the arts, I'm interested in new models that help people combine mission-driven work with an entrepreneurial spirit. This relationship bit helped me think about how different kinds of folks will be involved with a highly participatory, community-co-created project in the long-term. Here's a brief primer on PRIs.
This argument became one of the foundations of The Participatory Museum. This is the participatory platform model. Museums could make the platforms for those experiences. There is power IN the platform--power to shape the way people participate. Nine years later, I still believe this.
Jyri suggests that more nebulous social networks, like LinkedIn or Facebook, can only succeed if and when objects are at the foundation of the experience. Some, like the Brooklyn Museum's ArtShare Facebook application, make it easy for users to share their art interests with others. Gifting is a powerful participatory behavior.
I didn't grow up staring open-mouthed at natural history dioramas or wandering through art galleries. There are many parallels between free-choice learning and participatory design. There is money in traditional education, lots more than what MacArthur and other foundations are starting to offer for alternative learning environments.
At this moment in the arts and social justice sectors, were seeing greater visibility of disability cultureled by disabled creatives including artist, composer JJJJJerome Ellis , filmmaker Jim LeBrecht , and writer Alice Wong. Funding disabled creatives advances the arts and social justice.
Now, this might seem absurd and on some level it is, but what they succeeded in doing here was creating an experience that was so richly participatory that actually the experience of imagining the game was more important than the game itself. There’s a whole world that’s been created.
For a long time, I’ve admired their ambitious work, from exhibitions on complex topics like network science to integration of contemporary art into their galleries to incredible dedication to advancing the careers of diverse youth in Queens. Then again, the New York Hall of Science isn’t just any science center. Paul five years ago.
We're taking the art of freelancing for writers, and making it much more transparent and much more public. The other two things that happened was that I started working a lot in participatory journalism. I'm a big believer in participatory journalism, or citizen journalism, whatever you want to call it.
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