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Today we’re excited to share that Deena Pierott , founder of the White House honored youth program called iUrban Teen Tech , will offer a keynote called Moving from Diversity to Inclusion: Changing landscapes of nonprofit technology. And check out the full lineup of #14LCS speakers and facilitators !
Johns — my North Portland, Oregon, neighborhood — I've been working this year on a new, all-volunteer mentoring program for local teen parents. - Leonie Allan, Goddess Guidebook Buy art from artists. I've narrowed it down to 7 ways to have fun and do good , that can be mixed and matched: Personal choices (e.g.
This week, my colleague Emily Hope Dobkin has a beautiful guest post on the Incluseum blog about the Subjects to Change teen program that Emily runs at the Santa Cruz Museum of Art & History. Subjects to Change is an unusual museum program in that it explicitly focuses on empowering teens as community leaders.
The speakers for this panel include: Tracy Fullerton – Electronics Arts Game Innovation Lab. Trying to engaged the teen-to-twenty-something who normally may not use the research library. In painted wood and styrofoam, it was a masterful and whimsical refusal to answer that pesky question of whether games can be art.
Analisa Xavier implemented Native American Connections ' first ever teen after-school programs. Michael Soto traveled to every corner of Arizona to facilitate a comprehensive arts education program he designed. This year alone, Joseph Perez created an entire collaborative program that uses hip hop to teach students about life.
Hundreds of unique, hand-made art postcards, containing words of compassion and solidarity are hand delivered to individuals and communities all over the world, bringing connection, hope, visibility and voice to women and girls whose lives have suffered from isolation, violence or repression. Each card is a piece of art in my mind.
This post is even more relevant today to the broader conversation about audience diversity in the arts than when it was published three years ago. Guards staring at black teens and grumbling about their clothes. In the summer, they spend 8 weeks working full-time at the Taylor Center learning and facilitating public programs.
He gives you the inside story about the work of art. This shot is from a program for teens that the met sponsors, #metteens. His photo and commentary and use the hash tags facilitates visibility and connection to this audience target. You will see photos of Met art works as well as art in other museums.
I just spent two days in Miami at the Knight Foundation Media Learning Seminar where I co-facilitator a pre-conference workshop on leading on social channels with Amy Gahran and Stephanie Rudat. Later, when were chatting with a small group of people in the lobby, we noticed a group of teens walking by looking a little sad.
It made me think in ways that I haven't before about the relation of art--as expressive culture--to democracy. Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution.
Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question. In Your Face ).
In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. We're involving visitor services and volunteers more intentionally in facilitation.
The speakers for this panel include: Tracy Fullerton - Electronics Arts Game Innovation Lab Ruth Cohen - American Museum of natural History Elaine Charnov - The NY Public Library Jason Eppink - Museum of the Moving Image Syed Salahuddin - Babycastles Elaine Cohen: The New York Public Library 100 Years of the flagship library in New York.
The recent flurry of restrictions that has sent teens fleeing? I want to see more multi-person exhibits, more prompts for discussion about content, more tools to facilitate connecting wtih other visitors whose interests are similar or in some way useful to your own. I can just imagine the headline: CHILD MOLESTERS CALL ON ART, VICTIMS.
I thought the pinnacle of participatory practice was an exhibit that could inspire collective visitor action without facilitation. Over the past four years, I''ve been running a small regional art and history museum in Santa Cruz, CA. But almost ALL of those opportunities are facilitated by people. Humans empower each other.
I’m thinking of the Smithsonian American Art Museum, which is trying to be a museum for people, but is also a national and collection-based place. In Puerto Rico and Chile, there are museums made out of posters so that kids in parks can come and visit real art—well, it’s not real art, but you’re getting access to Picasso for $5.
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