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Chris Torres, the artist behind Nyan Cat, has remastered the original animation and will be selling it through the crypto art platform Foundation. Buyers of these works get the privilege of “owning” a piece of digital art — to the limited extent one can really own an endlessly reproducible image file.
Note from Beth: I had pleasure of facilitating a panel discussion in October at the recent Grantmakers in the Arts pre-conference on technology and media with Rory MacPherson where I learned about some of the preliminary study result he discovered. Arts organizations are not alone in this. The question. The panic is over!
Photo by American ArtMuseum Note from Beth: This week I'm trying to understand crowdsourcing and nonprofits, hopefully with a crowd of other folks. How do you truly involve the general public and ask them to engage , online with art? In essence, it is visible storage for the museum.
The ArtMuseum Social Tagging Project is a group of artmuseums is looking at integrating folksonomies into the museum Web by developing a working prototype for tagging and term collection, and outlining directions for future development and research that could benefit the entire museum community.
A new company in New York, Museum Hack , is reinventing the museum tour from the outside in. They give high-energy, interactive tours of the Metropolitan Museum and the American Museum of Natural History (AMNH). The tours are pricey, personalized, NOT affiliated with the museums involved… and very, very popular.
The speakers for this panel include: Tracy Fullerton – Electronics Arts Game Innovation Lab. Ruth Cohen – American Museum of natural History. Jason Eppink – Museum of the Moving Image. Ruth Cohen – American Museum of natural History. Jason Eppink – Museum of the Moving Image.
Research and assessment is rare in the arts, and it tends to focus on "proving" our value. Studies of how arts participation affects student test scores. And given what I''ve seen on micro and macro-levels in arts funding and power, I don''t think this strategy is working. Economic impact studies. She needed money.
I'm thrilled to share this brilliant guest post by Marilyn Russell, Curator of Education at the Carnegie Museum of Art. This is a perfect example of a museum using participation as a design solution. We decided to select 12 individual works of art from the exhibition, reproduce them as 2.5 Reassert the "forum"?
Last week I facilitated the “ Impact Leadership Track ” at the NTEN Leading Change Summit with John Kenyon, Elissa Perry, and Londell Jackson. Here’s what I learned: Facilitation Teams. Often, facilitation teams are brought together by an event host. Photo by Trav Williams. Do you have a preferred method?
Musical Instrument Museum. As a member of the board of YNPN (Young Nonprofit Professionals Network) Phoenix, I have been fortunate to cross paths with some extraordinary emerging leaders, facilitators, mentors, and nonprofit sector thought leaders. Maureen Baker , Manager for Individual Giving.
Thirteen students produced three projects that layered participatory activities onto an exhibition of artwork from the permanent collection of the Henry Art Gallery. The guiding principle is uncovering relationships between the works of art themselves rather than explicating information or theoretical concepts.
This post was written by my colleague Nora Grant, Community Programs Coordinator at the Santa Cruz Museum of Art & History. Pop Up” has become an international buzz term to describe ephemeral, experimental projects--from pop up restaurants to pop up boutiques--but a “Pop Up Museum” is still somewhat mystifying.
Want to experience art in a populist, energized, industrial/urban setting? Artprize , now in its second year, is a city-wide art festival with a $250,000 top prize to be awarded to the work that receives the most public votes. Now, after attending with museum friends from around the country, I'm hooked. Want to talk about it?
This Black History Month, we reflect on the strategy work that our team does through our partnership with the Smithsonian National Museum of African American History and Culture —much of which centers around expanding access. And for those who have, they quickly understand that the Museum has much more to offer than can be absorbed in a day.
Last week, Douglas McLellan of artsJournal ran a multi-vocal forum on the relationship between arts organizations and audiences, asking: In this age of self expression and information overload, do our artists and arts organizations need to lead more or learn to follow their communities more? Here are three of my favorites.
I get excited about a lot of things in my work at the Santa Cruz Museum of Art & History. That's how I felt when artist Ze Frank got in touch to talk about a potential museum exhibition to explore a physical site/substantiation for his current online video project, A Show (s ee minute 2:20, above).
Why does your museum open its doors each day? Every arts and culture organization has a brand and that brand has a purpose. For arts and culture organizations, brand purpose is often about facilitating learning and engaging visitors in unforgettable experiences that provide educational and social value. open rate, CTR.
I had a total fan-girl moment meeting Colleen when she delivered the Arts & Cultural track’s keynote at bbcon 2019 in Nashville last October. H er thoughts on personal facilitated experiences (PFEs) being the most remarkable way to connect with an audience are still influencing us. . Robert Gilmor , Jr.”
He is Deputy Director for the Contemporary Jewish Museum , and an expert in using social media in a museum setting. He welcomed me to the Bay Area and asked if I would be interested in doing some trainings for the local arts community. One thing led to another and I designed a social media lab for arts organizations.
I’m working with a network of community foundations, grantees of the Knight Foundation, that are hosting giving days as the facilitator. The peer learning exchange is experimenting with best practices for Giving Days. The group is using and adding their knowledge to The Giving Day Playbook.
In his thoughtful preface to this project, I reconnected with five lessons I''ve learned from participatory projects in museums and cultural sites. If there are museum objects and visitors'' objects on display together, all should be afforded the same level of exhibit design, labels, etc. Constrain the input, free the output.
This guest post was written by Joël Tan , Director of Community Engagement at Yerba Buena Center for the Arts (YBCA) in San Francisco, CA. YBCA:YOU is an intriguing take on experiments in membership and raises interesting questions about what scaffolding people need to have social and repeat experiences in museums. But they don’t.
Two weeks ago, my museum was featured in a Wall Street Journal article by Ellen Gamerman, Everybody''s a Curator. I''m thrilled that our small community museum is on the map with many big institutions around the country. I''m glad to see coverage about artmuseums involving visitors in exhibitions. Core Museum 2.0
I’ve had the pleasure working with Diana Scearce , from Monitor Institute, who has been facilitating and weaving this network. Social media tools for engaging and capturing the work of crowds include: wikis, custom platforms or web sites that facilitate voting, rating, giving feedback, adding content, or funding.
Last week I was in Chicago to facilitate a session about leadership and social media as part of Knight Digital Media Center’s Digital Strategy for Community Foundations and Nonprofits. Lean on Your Staff.
Despite a broken toe, I facilitated a workshop on Social Media for CEOs of nonprofits and foundation. The Portland Arts and Culture Social Media Convening Workshop. The Portland Arts and Culture Social Media Convening Workshop. Flickr Photo by James Leventhal. And, they all got copies of Networked Nonprofit (thank you James!)
This August/September, I am "rerunning" popular Museum 2.0 This post is even more relevant today to the broader conversation about audience diversity in the arts than when it was published three years ago. Most large American museums are reflections of white culture. blog posts from the past. Why can''t new visitors do the same?
The use of podcasting has many implementations for museums. For starters, podcasting can liberate art lovers from the museum's clunky audio sets and enjoy the Museum's "Official Audio" more stylist piece of equipment. It can also liberate museum goers from hearing one view - that of the expert or curator.
Recently, I was giving a presentation about participatory techniques at an artmuseum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from artmuseums? Aren't artmuseums less open to participation than other kinds of museums?" In Your Face ).
This week, my colleague Emily Hope Dobkin has a beautiful guest post on the Incluseum blog about the Subjects to Change teen program that Emily runs at the Santa Cruz Museum of Art & History. Subjects to Change is an unusual museum program in that it explicitly focuses on empowering teens as community leaders.
When you count attendance to your museum, do you include: people who eat in the cafe? Louis Post-Dispatch published the kind of "how sausage is made" story that rarely gets written about the arts. It''s about museum attendance and how the five big, free museums in St. Summertime concerts at the history museum?
It made me think in ways that I haven't before about the relation of art--as expressive culture--to democracy. Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution.
Designed to assist and support an organization (and most commonly hospitals, museums, libraries, and arts organizations), these groups historically focus on raising funds, sometimes manage the volunteer corps, and nearly always maintain their own governance system. Those recommendations are then presented to leadership.
Last week, I had the pleasure of facilitating a Networked Nonprofit and Social Media workshop at the Independent Sector Annual Conference “ Forging A Stronger Future Together &# in Atlanta. The downside to virtual presenting is that you don’t get to see your friends face-to-face !
Between high-altitude hijinks, run-ins with wildlife, and very long days of hiking, I finished John Falk's new book, Identity and the Museum Visitor Experience. In other words, if you are a curious person, you will go to museums to learn new things. And the facilitator wants his friends and family to have a good time.
Accept donations during the event registration process to facilitate even greater fundraising results. This solution simplifies the auction experience for planners and attendees, reducing stress and facilitating more efficient fundraising. Art & History Museums Maitland planned a virtual three-day online art auction.
While I was at the Philadelphia Museum of Art working on a website redesign, we recognized the need to be transparent with our internal audiences and started hosting a series of monthly open forum presentations called “Website Wednesdays.” Just like a good soccer coach does for their team.
This is a picture of the largest temporary exhibition gallery in the Santa Cruz Museum of Art & History. This winter, my museum is trying an experiment called Work in Progress. This winter, my museum is trying an experiment called Work in Progress. How do we facilitate visitor experiences in these spaces?
I like to ask myself this question periodically, challenging myself to find substantive ways for visitors to contribute to our museum. And when I think back on the past year, some of the most magical things that have happened at the museum have NOT been designed by us. We don't have to convince them that it's their museum.
One of the best personal brands that I’ve seen on Instagram from a nonprofit leader is Thomas P Campbell the CEO of the Metropolitan Museum. This shot is a painting at a museum visited during a professional conference for museums. He gives you the inside story about the work of art. Visibility.
Facilitating personal bonds between local producers, consumers, and suppliers can increase resiliency in periods of global supply chain disruption while cutting the carbon footprint of shipping. .); and Humanity Cash , a tech venture focused on alternative digital currencies.
Live facilitation has a varied role in museums. In children’s and science museums, explainers are everywhere. From a financial and management perspective, however, many museums try to minimize live facilitation as much as possible. Many peoples’ most memorable museum experiences come from interactions with staff.
Last week I was honored to be a counselor at Museum Camp , an annual professional development event hosted by the Santa Cruz Museum of Art & History (MAH). Nina Simon, the executive director of the museum, is an expert in participatory design and fantastic facilitator.
is a web-based digital photo sharing application that uses tags to facilitate finding people and photos. Why Museum Professionals Should Use Flickr from the Musem 2.0 Indianapolis Museum of Art Visitors sharing photos in a group. It isn??????t t simply about putting your photos up on the web for the world to see.
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