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An Evolution of Evaluation in Grantmaking With a Participatory Lens

sgEngage

A Shared and Flexible Understanding of Impact As practitioners of and advocates for participatory philanthropy, we believe there’s a better way. Like many other activities in participatory philanthropy, this approach considers the process to be as important as the outcomes. It promotes mutuality instead of extraction.

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Goodbye Consulting, Hello Museum of Art & History!

Museum 2.0

As of May 2, I will be the executive director of the Museum of Art & History at McPherson Center in Santa Cruz, CA (here's the press release ). Because of the increased workload I expect in the months to come, as well as the likely possibility that we will start a Museum of Art & History blog, I'm lowering my Museum 2.0

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Year One as a Museum Director. Survived!

Museum 2.0

Today is my one-year anniversary as the executive director of the Santa Cruz Museum of Art & History. We went through a dramatic financial turnaround and redefined our relationship with our community through a series of experimental participatory projects and new programmatic approaches.

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A Revolution in Documentary Film

Beth's Blog: How Nonprofits Can Use Social Media

Note From Beth: Yesterday, I attended a convening called “ Beyond Dynamic Adaptability ” for arts organizations about cultural participation in the arts. Vincent Stehle is a regular columnist for The Chronicle of Philanthropy and a member of the Board of Directors of Grantmakers in Film and Electronic Media.

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The Art of the Social Web

Have Fun - Do Good

It is an art form completely dependent upon the creative potential of each audience member in relation to the events on stage. Over a month ago I told Emily from the Nonprofit Blog Exchange that I would participate in the most recent exchange and write about The Artful Manager. art social media social web web net2 nptech

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Lead or Follow: Arts Administrators Hash it Out

Museum 2.0

Last week, Douglas McLellan of artsJournal ran a multi-vocal forum on the relationship between arts organizations and audiences, asking: In this age of self expression and information overload, do our artists and arts organizations need to lead more or learn to follow their communities more? Here are three of my favorites.

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Put Down the Clipboard:Visitor Feedback as Participatory Activity

Museum 2.0

A few weeks ago, the MAH Director of Community Programs, Stacey Garcia, came to me with an idea. This past Friday, we experimented with a new feedback format at an evening event focused on poetry and book arts. The events are informal, personal, and fun, but our feedback mechanism--onsite and post-event surveys--not so much.