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project will focus on apps for arts organizations, with a practical. We'll share some interesting apps developed for arts. Discovering Public Art with Public Art Omaha. engage with public art? engage with public art? The really cool thing is how Public Art Omaha did it: their public art.
After graduating with a BFA in drama & music from New York University’s Tisch School of the Arts, Ellen spent ten years bringing joy to audiences nightly as one of only ten lead performers in the longest running musical revue in the world—San Francisco’s “Beach Blanket Babylon.” 32) Fred Northup, Jr.
Imagine this situation: You go to an arts event, one of a type you rarely or never take part in. There's been a lot of innovation in arts programming in the last few years. In most cases the goal is the same: to attract new audiences and help them understand how the institution (and the arts experience) might fit into their lives.
Now, a year later, I've seen the beginnings of how that question has borne out at the Santa Cruz Museum of Art & History (MAH) , as well as hearing from folks around the museum industry about the interplay of exhibitions and events at their own institutions. And so, in this post, a few findings, and more questions.
This past weekend, I had the opportunity to give one of the closing talks at the Theater Communications Group annual conference in Dallas. Over the past two years, the Santa Cruz Museum of Art & History has undergone a significant transformation of program, audience, and resources. You can download all the slides here.
Writing my masters thesis for Gothenburg University’s International Museum Studies program while also working four days a week as the Director of Community Programs at the Santa Cruz Museum of Art & History this spring was certainly a challenge but also an incredible opportunity.
These "virtual field trips" have been available, for example, at the Amon Carter Museum of American Art, the Sid Richardson Museum, the Fort Worth Museum of Science and History and the Sixth Floor Museum in Dallas for several years.
I would be surprised if this is the case given my direct observation of visitors in the galleries; however, the Dallas Museum of Art's Ignite the Power of Art study DID show a much higher incidence of participation among women at that museum (62% vs 38% for men, more information here ).
It''s much easier for art and history museums than for those museums that rely on admissions for a majority of their income (science, children''s). Nationally, admissions income generates only 1-4% of most art museums'' annual revenue. But HOW do you do it?
Kathy believes strongly in the need for museum professionals to be more literate in the history and evolution of museum practice, and checking out her work is a good starting point for a particular kind of radical museum education. downloadable PDF versions of several essays (and links to her great books on exhibition design).
It is our turn to make history. National Arts Marketing Project Conference. National Arts Marketing Project Conference. National Arts Marketing Project / Austin, TX / $575. With continuous shifting trends in the landscape of arts marketing and audience engagement, arts organizations must go beyond “embracing” change.
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