Museum 2.0

SEPTEMBER 3, 2014

This person is writing about a participatory element (the "pastport") that we included in the exhibition Crossing Cultures. The idea was that people would spin the wheel and start a conversation. This element was a dud - it was not as compelling as the rest of the exhibition, and redundant in a gallery replete with juicy conversations.

Participatory 45

Participatory Museum History Arts 45

Museum 2.0

SEPTEMBER 29, 2010

Want to experience art in a populist, energized, industrial/urban setting? Artprize , now in its second year, is a city-wide art festival with a $250,000 top prize to be awarded to the work that receives the most public votes. It was the best experience I've ever had talking and learning about art. Want to talk about it?

Arts 52

Arts Experiment Social Museum 52

Museum 2.0

APRIL 14, 2011

As of May 2, I will be the executive director of the Museum of Art & History at McPherson Center in Santa Cruz, CA (here's the press release ). Because of the increased workload I expect in the months to come, as well as the likely possibility that we will start a Museum of Art & History blog, I'm lowering my Museum 2.0

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Museum History Arts Consultant 55

Museum 2.0

OCTOBER 10, 2012

What happens when you let visitors vote on art? Let's look at the statistics from three big participatory projects that wrapped up recently. Each of these invited members of the public to vote on art in a way that had substantive consequences--big cash prizes awarded, prestige granted, exhibitions offered.

Arts 47

Arts Museum Artist Award 47

Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 19, 2017

Yesterday, I spent a day facilitating leadership workshops for arts leaders attending the Art House Convergence Conference near Park City, Utah. This accomplished a few things: I didn’t have to trash my plans and revert to a traditional lecture. I made it participatory so participants helped move the furniture.

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Learning Lecture Experiment Classroom 93

Museum 2.0

APRIL 24, 2012

Participatory history programming. Over the past year, we've found it fairly easy to invent and sustain participatory art and craft projects. I just care about having good conversations and learning from each other. What role will exhibitions play in this kind of institution?

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Conversation Museum Participatory Minneapolis 43

Deborah Elizabeth Finn

NOVEMBER 25, 2019

I recently had a conversation with a friend and colleague about what I perceive to be a revolution in progress. It is really inspiring to see philanthropic and nonprofit professional engaging in public conversations about these challenges, and even more inspiring to see them taking action to create positive changes.

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Philanthropy Open Participatory Foundation 98

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 24, 2009

In 2005, at the Les Blogs conference in Paris, there was a flap about the backchannel because the conversation crossed a line. . Can the backchannel evolve past " snarkiness on parade " or " complaint festival " to improve learning and networking in conference sessions? How can the backchannel enhance our attentiveness and learning ?

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Conference Reflection Resource Tips 69

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 14, 2007

Last night I had the pleasure of joining a conversation with WOW2 over at edtech. It made me curious about the art of mircoblogging - and how you develop the technique of saying it in 140 characters. I just discovered a new site called " Great Nonprofits " another participatory philanthropy site.

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Reflection Conversation Develop Nonprofit 50

Museum 2.0

MARCH 3, 2010

As many of you know, I've been working for the past year+ on a book about visitor participation in museums, libraries, science centers, and art galleries. The Participatory Museum is a practical guide to visitor participation. The Participatory Museum is an attempt at providing such a resource. Tweet about it.

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Participatory Museum Vietnam Arts 30

Museum 2.0

JUNE 18, 2014

Conversations about the tournament on the street. And it''s got me thinking about how we build energy and audience for the arts in this country. Barry Hessenius recently wrote a blog post questioning the theory that more art into the school day will increase and bolster future adult audiences for art experiences.

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Arts Build Audience United States 47

Museum 2.0

APRIL 20, 2009

I’d never attended before and was impressed by many very smart, international people doing radical projects to make museum collections and experiences accessible and participatory online. Are participatory activities happening on the web because that is the best place for them? Instead, I found a standard art museum.

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Participatory Museum Web Indianapolis 35

Museum 2.0

NOVEMBER 5, 2014

I''m glad to see coverage about art museums involving visitors in exhibitions. I had to imagine the deep conversations visitors had as they deliberated on which painting to vote for. The whole process of being interviewed for the story made me question the stories we tell and words we use to describe participatory work.

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Journal Community Museum Participatory 54

Museum 2.0

SEPTEMBER 10, 2014

Scene: a regional workshop on arts engagement. A funder is speaking with conviction about the fact that her foundation is focusing their arts grantmaking strategy on engagement. Engaging people actively in the arts. Here, in no particular order, are ten different kinds of quality in arts experiences: AESTHETIC: is it beautiful?

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Participatory Museum Arts Culture 55

Museum 2.0

SEPTEMBER 26, 2012

Visitors bond and bridge through participatory experiences at MAH. There were times when coordinating a fire art festival while researching social capital theory made me want to burn my computer. I learn a ton from her every day and wanted to share her thinking--and her graduate thesis--with you.

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Museum Community Program Participatory 49

Museum 2.0

NOVEMBER 5, 2013

--Elaine Heumann Gurian, The Importance of "And" Recently, I''ve been embroiled in local and national conversations about the relationship between active participation and quiet contemplation in museums. Our museum in Santa Cruz has been slammed by those who believe participatory experiences have gone too far. Some visit the archives.

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Museum Participatory Arts History 53

Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 18, 2011

Establish local networks of individuals and organizations using social media to help build stronger organizations and more participatory societies. Trainer the Trainers: Beth Kanter, Mohamad Najem, Jessica Dherre, and Mary Joyce.

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Network Build Social Media Participatory 95

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 11, 2006

The above powerpoint is from 1999 and excerpted from day-long workshops I used to lead when I worked at NYFA and design and ran a program called "KIT: Knowledge in Technology - Technology Planning for Arts Organizations." He defines participatory culture as a culture: 1. With strong support for creating and sharing one???

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Social Network Network Guide Social 50

Museum 2.0

MARCH 17, 2010

This is the second in a four-part series about writing The Participatory Museum. Several hundred people contributed their opinions, stories, suggestions, and edits to The Participatory Museum as it was written. Several said things like, "I was curious to see how this kind of participatory, collaborative approach would work in practice."

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Participatory Museum Process Experiment 32

Beth's Blog: How Nonprofits Can Use Social Media

MAY 26, 2015

Designing A Participatory Hook for a Virtual Meeting. The serendipity of being able to have an informal conversation with a colleague that you might not normally run into if you sat at your desk. Design must comes first. Finally, you identify next steps and follow up. Flickr Image by Derek Gavey.

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Facilitation Virtual Arts Participatory 50

Museum 2.0

AUGUST 28, 2013

Earlier in 2013, I was amazed to visit one of the new “Studio” spaces at the Denver Art Museum. The Denver Art Museum is no stranger to community collaborations, but we’ve been dipping in our toe a little more deeply when it comes to developing permanent participatory installations. Who are all of these people?

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Denver Museum Arts Collaboration 35

Museum 2.0

OCTOBER 30, 2013

We have some strategies for tackling this: convening diverse content advisors, incorporating anti-bias educational approaches in our design, developing participatory opportunities for visitors to connect past to present. inclusion Museum of Art and History research social bridging Unusual Projects and Influences'

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Measure Arts People Social 47

Zen and the Art of Nonprofit Technology

JUNE 29, 2007

Home About Me Subscribe Zen and the Art of Nonprofit Technology Thoughtful and sometimes snarky perspectives on nonprofit technology Gender, Race and Open Source June 29, 2007 My session on Free and Open Source software and the US Social Forum went great yesterday. That speaks volumes to me.

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Open Source Open Software Wiki 100

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 8, 2014

The Leading Change Summit was more intimate (several hundred people), participatory and interactive, intense, and stimulating. When doing interactive sessions, you also have to give a nod to the introverts in the room who don’t always process well by having a conversation with someone they don’t know.

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Reflection NTEN Change Facilitation 127

Museum 2.0

APRIL 25, 2011

I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

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Question Participatory Museum Evaluation 49

Museum 2.0

APRIL 21, 2011

I'm reaching the end of my consulting days, with just one more day on the road before I dedicate myself to Santa Cruz and The Museum of Art & History. On Monday, April 25, I'll be participating in an online video chat with Andrew Taylor and James Undercofler to explore new business models for arts organizations.

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Arts Model Business Museum 26

Museum 2.0

SEPTEMBER 24, 2014

Two weeks ago, I wrote about t he use of the word "quality" in the arts and its many forms. Inspired by Stacy, I wanted to share some of the work we are doing at the Santa Cruz Museum of Art & History to clarify what we mean by engagement. I don''t think these goals are universal by any means to the museum or arts field.

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Goal Museum Evaluation Arts 48

Museum 2.0

NOVEMBER 13, 2012

We can change that by embracing participatory culture and opening up to the active, social ways that people engage with art, history, science, and ideas today. How can we use our artifacts to activate important conversations about the future of our communities? How can we make museum objects more like dogs?

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Museum Open Participatory Charlotte 55

Museum 2.0

DECEMBER 15, 2014

Schools and other arts organizations are rising to the challenge. Artists and arts organizations are contributing their spaces and their creative energies. Yet our posts contain similar phrases such as “21st century museums,” “changing museum paradigms,” “inclusiveness,” “co-curation,” “participatory” and “the museum as forum.”

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Museum Blogger Cleveland Culture 52

Museum 2.0

SEPTEMBER 18, 2013

Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. In 2008, the conversation started shifting to "how" and "what." Are there certain kinds of institutions that are more well-suited for participatory techniques than others? Yes and no.

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Museum Question Participatory Evaluation 45

Museum 2.0

FEBRUARY 29, 2012

Here's the short version (read the whole thing here ): The Museum of Art & History is committed to creating exhibitions that inspire our diverse audiences to engage deeply with contemporary art and Santa Cruz County history. Have you done this at your museum, either directly with a document or indirectly through conversation?

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Museum Participatory Artist History 38

Museum 2.0

OCTOBER 2, 2013

Proposals involve sculpture, performance, participatory-projects, videos, and installation that use and respond to the museum’s collection. This past July, artist Guillermo Gómez proposed to restore a piece of art. Both objects and art-objects would be part of this continuing transformation and evolution.

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Museum Artist Participatory Proposal 49

Museum 2.0

OCTOBER 24, 2012

To that end, our exhibitions are full of participatory elements. Riding the art couch through downtown Santa Cruz with two visitors and a dog while blasting the Jackson 5 was one of the highlights of my year. Visitors can comment on how we can improve or what they would like to see. Happening Couch. Here's a picture of it in action.

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Open Museum Platform Participatory 41

Museum 2.0

AUGUST 16, 2010

I spent last week in the glorious country of Taiwan, hiking, eating, and working with museum professionals and graduate students at a conference hosted at the Taiwan National Museum of Fine Arts. It's not topic-specific; I've done these exercises with art, history, science, and children's museums to useful effect.

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Museum Technique Social Taiwan 41

Museum 2.0

MAY 9, 2012

Our curator writes labels about licking the art. It was terrific to have a packed room and a long, open conversation (we split the session into half presenting, half audience discussion) about these issues. Merilee Mostov and the Columbus Museum of Art. Participatory art and co-creation on the rise.

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Reflection Museum Columbus Participatory 43

Museum 2.0

MAY 22, 2013

Negotiated agency" strikes me as a really useful framework in which to talk about visitor/audience participation in the arts. The theater is dark and the artist breaks the fourth wall and asks for conversation. The museum invites art-making in the elevator. The player''s agency is not total, but it is significant.

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Museum Artist Participatory Arts 40

Museum 2.0

MAY 15, 2008

But we're trying to model a kind of conversation with important people, powerful people, but particularly knowledgeable people, where we say--YOU can go up to a person with a lot of knowledge and ask him "why?," Effectively, Robert is saying that Radiolab isn't just a show where the hosts have conversations with scientists.

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Conversation Arts Museum Voice 20