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million volunteers making things happen in the arts and cultural space. In order to sustain this type of impact tech savvy artmuseums, zoos, historical sites, botanical gardens and many other types of arts and cultural nonprofits understand that technology is key to sustaining their growth. Creating interesting contest.
A genuine social media shout out from a happy visitor is fantastic for marketing your arts and cultural institution; consider it like a testimonial but not as arduous to solicit. According to The Art Newspaper’s annual survey in 2021, visits to the world’s 100 most-visited museums plummeted by 77% in 2020 due to the coronavirus pandemic.
In April, I taught a social media workshop for artists and arts nonprofits and did some research. on how different arts organizations using social media effectively. The Brooklyn Museum kept coming up as a stellar example, particularly its Click Exhibition , an experiment in crowd-sourced exhibits. Full Moon Over the East River.
This year, Alan invited me to present a webinar for participants in the Marcus Institute Digital Education for the Arts on how Networked Nonprofits use Facebook. Before the session, I spent some time reviewing Museum Facebook Pages – luckily the MIDEA project has them organized into this handy list. I struck out.
Participants may improve their painting abilities, try their hand at some knitting, or do whatever other sort of art they like without having to leave the comfort of their own home. Best yet, you could even offer some of the art produced in the class as auction items during your next fundraiser. 15) Brand design contests.
million volunteers making things happen in the arts and cultural space. In order to sustain this type of impact tech savvy artmuseums, zoos, historical sites, botanical gardens and many other types of arts and cultural nonprofits understand that technology is key to sustaining their growth. Creating interesting contest.
is a new art form that re-uses commercial video-game environments to make animated films. Combining aspects of animation, game development, puppetry, graffiti, fan fiction, and improvisational theater into a moving image art form, machinima represents the latest frontier of digital popular culture. Check this out.
Chad Norman shares a post of some interesting nonprofit examples , including one from the South Carolina Aquarium that created the Be Rare Contest , which used QR codes as the focus of a city-wide scavenger hunt. Joe Waters shares an example used for Cause Marketing. QR Codes: fab or a fad for Museums?
On October 20, a young woman named Kate will move into Chicago's Museum of Science and Industry and live there for a month. This post is not about the Month at the Museum concept or implementation. Instead, this post focuses on a fascinating aspect of Month at the Museum: the video applications. That will come later.
Nina has written a fantastic book engagement called The Participatory Museum. Most of my work involves museums, but these categories can be useful in any project that involves user participation. Blog commenters are contributors, as are people who engage in contests. I've purchase a two copies, one for me and one to give away.
In his thoughtful preface to this project, I reconnected with five lessons I''ve learned from participatory projects in museums and cultural sites. If there are museum objects and visitors'' objects on display together, all should be afforded the same level of exhibit design, labels, etc. Constrain the input, free the output.
Last month, the Irvine Foundation put out a new report, Getting In On the Act , about participatory arts practice and new frameworks for audience engagement. Here's what I think is really strong about the report: Coordinated, succinct research findings supporting the rise of active arts engagement.
Margaret shared these thoughts about "museums for use" on her blog , and I asked her to adapt a version for the Museum 2.0 Should a museum be a destination or a place for everyday use? During my time at RISD studying industrial design, I developed relationships with two museums on campus: the Museum of Art and the Nature Lab.
While writing my mentor post last Sunday I got to thinking about how artists use art for social change and accumulated a bunch of links for related projects, programs and organizations that I thought I'd share: Change Me: The Power of Imagery to Create Change. This is a project of the Getty Museum. (I art activism social change
Culture, arts, and environmental organizations live and breathe memberships. Hold a recruitment contest with special perks for current members and recognition for when they recruit new members. Nonprofit membership models are all around us. Advocacy and professional associations thrive on them. What is a membership model?
Louis City Museum's amateur video contest. And therein lies an essential problem with this and other similar museum forays into Web 2.0: For those who haven't visited, the City Museum is part obstacle course, part art city, part shoelace factory. And in June, they launched a creative user-generated content contest.
When I announced the contest, I thought there was one important book missing, Shel Israel's Twitterville. The runner up winner was Maureen Dowd from Open Museum What I propose to do with the library you are offering is read it, try it, share it, and let you know how it works for me, my colleagues and the people we influence.
Crowds create original works of knowledge or art. The Royal Opera used Twitter to crowdsource a new opera. The opera staff collected the suggestions and summarized them on their blog. Opera is not the only art form, there’s been crowdsourced choreography – Dance Theatre Workshop. 2) Crowd Creation. A Crowd-Curated Exhibition.”
Virtual tours for museums. Your local museums may not be open for admission, but that doesn’t mean you can’t explore all they have to offer. Partner with your local museums to offer virtual tours to your donors, complete with fun, educational facts and some behind-the-scenes action. Student art show.
Why Museum Professionals Should Use Flickr from the Musem 2.0 Indianapolis Museum of Art Visitors sharing photos in a group. Creative Commons Swag Contest and I won! Freedom from Oil Flickr Photo Contest. March of Dimes Contest (features community voting). March of Dimes Contest (features community voting).
This is an amazing April Fool’s idea from the Frederic Remington ArtMuseum : Their annual April Fool’s Day Ball invites users to contribute at normal event-pricing tiers (attendance, attendance + pre-party, attendance + after-party), but then not show up. Art Show and Silent Auction. Have a Gala Where No One Shows Up (April 1).
It made me think in ways that I haven't before about the relation of art--as expressive culture--to democracy. Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution.
Let’s say you wanted to find a model museum using Web 2.0 A place that does all this in the context of a fairly traditional collections-based museum. A place that does all this in the context of a fairly traditional collections-based museum. It’s the Brooklyn Museum. They just finished a YouTube video contest.
Braided River combines the arts of photography and literature to create books, media campaigns, and museum exhibits about preserving North America's wild places. We are delighted to honor TechSoup member Braided River as a winner of our 2015 Green Tech Success Story Contest. Environmental Impact. " Exemplary Work.
Braided River combines the arts of photography and literature to create books, media campaigns, and museum exhibits about preserving North America's wild places. We are delighted to honor TechSoup member Braided River as a winner of our 2015 Green Tech Success Story Contest. Environmental Impact. " Exemplary Work.
Negotiated agency" strikes me as a really useful framework in which to talk about visitor/audience participation in the arts. Sometimes the negotiation is contested. The museum invites art-making in the elevator. This is a kind of negotiation jui-jitsu that can create art through creative tension.
There are lots of museums (and organizations of all kinds) looking for ways to inspire users and visitors to produce their own content and share it with the institution online. The World Beach Project is managed by the Victoria and Albert Museum in London with artist-in-residence Sue Lawty. It's not marketing hype.
What happens when you combine reality TV tactics with a traditional art collection? This guest post, written by Philippa Tinsley, Collections Manager for the Worcester City Art Gallery and Museum (UK), describes the innovative Top 40 exhibition they mounted in the summer of 2009.
When it comes to user participation in cultural institutions and the arts, it's popular to launch projects that pit visitors against experts. at the Brooklyn Museum, where you could track how people of various levels of art expertise rated crowd-contributed photographs. Tags: Museums Engaging in 2.0 There was Click!
For example, create a contest/game via social media that leads to prizes or discounts. Carnegie Museums of Pittsburgh utilized their resources to develop an innovative retention strategy. Participants earn special stamps when they visit one of the museums or attend an event for a chance to win a grand-prize.
It's not every day that a visitor buys pizza for everyone in the museum. Then again, Saturday was hardly normal at the Santa Cruz Museum of Art & History. The museum itself was well-integrated into the event. Or that visitors form a spontaneous "laugh circle" on the floor. Online to onsite migration isn't always easy.
Nik inquired as to how I feel about museum blogs. what's your take on museums that keep blogs? In general, yes, I think that museums maintaining blogs is an effective, cheap way to get changing content out to the public frequently. version of the news clippings tackboard on “Current Events” in hallways of some museums.
I was thinking I’d do a few alternative histories of museums for the first post of the last month of the decade. As I imagined a world without the many museum tech projects of the decade, I felt inherently sad about the imagining away the successes that friends and colleagues have enjoying. But I couldn’t get there.
I read recently about an awesome project at the San Jose Museum of Art in 2001, Collecting Our Thoughts, in which visitors were invited to write the labels for an art exhibition (more another time). But it's a lot of fun, and it could be a great way to construct a personalized takeaway from a museum experience.
Taking a different approach, the Bishop Museum of Science and Nature , the largest natural and cultural history museum on Florida’s Gulf Coast, partnered with a local couple who are matching donations dollar for do llar up to $25,000 given before December 31. . Whatever you decide, get creative! Donation matches are time-tested.
No, these are neither the words of a self-important curator nor a well-spoken museum director. the crowd-curated photo exhibition now open at the Brooklyn Museum of Art. It is a substantive research contribution by the museum to the social technology field at large. s about data, and making the data visual.
This week marks five years since the book The Participatory Museum was first released. Across the museum field, the questions about visitor participation have gone from "what?" Over the past four years, I''ve been running a small regional art and history museum in Santa Cruz, CA. and "why?" to "how?".
This is the second installation in a series of posts on the Santa Cruz Museum of Art & History (MAH)'s development of Abbott Square , a new creative community plaza in downtown Santa Cruz. The MAH fundamentally has two jobs: we bring art and history out into our community, and we invite our community in.
Arts and Cultural organizations are capitalizing on this giving movement by creating a clear call-to-action attached to customized campaigns. Example: The Florida Aquarium set up a peer-to-peer fundraising contest on #GivingTuesday that resulted in unique opportunities for the top performing donors. .
Work for many museum managers has gotten real recently, I suspect. I’m so lost as to how we’re going to get out of the mess that is the equitable support of arts and culture in the age of billionaires. Museums are a very small sector ( though larger than coal-mining! ). I’m not talking about a popularity contest.
Zen and the Art of Nonprofit Technology speaks about how difficult is to be objective, while Social Source blog described it as a high school popularity contest. Netsquared Innovation Fund Netsquared Announces the 21 Featured Projects and solicits for feedback. Much commentary and critiques about the semi-public ballotting process.
Our recently completed 2015 Green Tech Success Story Contest winners and finalists are an impressive group, showcasing the broad reach and impact of TechSoup member charities doing environmental work. We had many excellent submissions to the contest. As a reuse organization, its motto is "make art, not waste."
Trendswatch 2016 predicts that augmented and virtual realities are going to provide arts and cultural organizations with new ways to make exhibits more accessible. Recently, I sat down with Matthew Gibson, curator of natural history at the Charleston Museum , to find out how he and his team organized the Museum’s first Pokémon Go event.
For instance, the Pikes Peak Habitat for Humanity hosted a wildly successful Gingerbread Home Build contest, bringing in 132% over their goal. Pet photo contest – Everyone loves looking at adorable animals and showing off their pets. With a pet photo contest, ask supporters to submit photos of their furry friends beforehand.
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