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Americans for the Arts :: @ Americans4Arts. National Campaign to Prevent Teen and Unplanned Pregnancy :: @ TheNC. If there is a nonprofit that you would like to add, please do so in a comment below (political rants not necessary, thank you). American Heart Association :: @ American_Heart. American Red Cross :: @ RedCross.
That adaptation captured the mood and tone of the art that inspired it and received Emmy nominations for cinematography and special visual effects. Read full article Comments The Electric State was Stlenhag's third such book, published in 2018 and set in a similar dystopian, ravaged landscape.
At it’s heyday, a few hours a day sending friend requests and posting wall comments on MySpace profiles quickly resulted in large, thriving online communities. Famous on MySpace and to teens across the world, outside of MySpace they are hardly known. If your organization is trying to reach teens, absolutely!
A “social branding” app for creative teens and twenty-somethings, Tagg is announcing a $2 million seed round today from Twitter co-founder Biz Stone, Facebook’s former VP of International Growth Ed Baker, TripAdvisor founder Stephen Kaufer, Pillar VC and more. .” Image Credits: Tagg.
to plan a monthlong peer-to-peer fundraising campaign: February = Black History Month, American Heart Month, Oral Hygiene Awareness Month, Teen Dating Violence Awareness Month, Eating Disorder Awareness Month. 15th : World Art Day — #WorldArtDay. We’d love to hear from you in the comments. 22nd : Earth Day — #EarthDay.
This post features an interview with Sarah Schultz, a museum staffer at one of the institutions Light profiled in the book (the Walker Art Center). In the 1990s, we decided we wanted to engage a teen audience. We created a teenarts council, invested in staff, and invested in programming.
I called Pepsi out in a post called " What can Pepsi Learn About Crowdourcing for Social Good? " A representative from Pepsi, Bonin Bough, left a comment and I invited him to write a guest post about they are learning about crowdsourcing for social good. . Anyone can apply for a grant and the public decides who wins.
I immediately flashed to my work with art museums and staff members' concerns that older, traditional audiences will shy away from social engagement in the galleries. Many teens love to perform for each other. First, teens often have incredibly tight social spheres. Second, teens today are incredibly aware of "stranger danger."
The speakers for this panel include: Tracy Fullerton – Electronics Arts Game Innovation Lab. Trying to engaged the teen-to-twenty-something who normally may not use the research library. In painted wood and styrofoam, it was a masterful and whimsical refusal to answer that pesky question of whether games can be art.
Liquid Death For giving the brand collab new life In a scene straight from the 90s, two girls fawn over a heartthrob in a teen magazine. Edwards reacts to real comments from legend Carmelo Anthony and rapper Camron. But instead of looking like Freddie Prinze Jr., Most brands shy away from controversy. Stir the pot. Get people talking.
But I’d been scribbling notes for an art museum label post for awhile, and then yesterday, the NY Times had a review of a new show at MOMA, Comic Abstraction. And it ended with this: No wonder it [MOMA] ends up showing shallow, label-dependent art rather than work that offers deeper, more contradictory encounters. The review was harsh.
Art spaces masquerading as laundromats and letterpresses. This list is by no means exhaustive: please add your favorites (especially non-American ones) in the comments. Machine Project is a non-profit storefront arts venue that hosts a dizzying array of eclectic classes, workshops, events, and occasional exhibits.
This post is even more relevant today to the broader conversation about audience diversity in the arts than when it was published three years ago. If you like the post, please check out the thoughtful and complicated comments on the original post. Guards staring at black teens and grumbling about their clothes.
A group in their late teens/early 20s were wandering through the museumwide exhibition on love. They were in a playful mood, talking about the objects, playing the games, responding on the comment boards. When I walked by the first time, the teens were collaging and Kyle and Stacey were talking. Next time, everyone was talking.
I''ve now been the executive director of the Santa Cruz Museum of Art & History for three years. I''m open to any questions you want to share in the comments. When I look back at some recent projects that I''m most excited about (like this teen program ), I realize that I had very little to do with their conception or execution.
He gives you the inside story about the work of art. This shot is from a program for teens that the met sponsors, #metteens. You will see photos of Met art works as well as art in other museums. Please share the URL in the comments and I’ll add it to the list. Visibility. Specialization. Campbell above.
Note that, despite the missingess process being clearly related to the observed values in Age, it is completely unrelated to the number of cigarettes smoked by these teens , had it been reported (note the “Complete” column, where a low and high number of cigarettes would be found among the missing values, had they been observed).
To enter, you had to write a comment on the post, Win a Copy of Being the Difference: True Stories of Ordinary People Doing Extraordinary Things to Change the World about an "ordinary" person you know who is doing extraordinary things to change the world. She is a CEO of a nonprofit day program for adults with developmental disabilities.
You''re in for a treat, with upcoming posts on creativity, collections management, elitism, science play, permanent participatory galleries, partnering with underserved teens, magic vests, and more. folk through comments, emails to me, and hallway conversations. The greatest gift you can give me is your thoughtful comments.
It made me think in ways that I haven't before about the relation of art--as expressive culture--to democracy. Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution.
Center Teen Addiction Anonymous Unlimited Potential I hope to see you at the presentation! The eight finalists presenting on March 2 include the following: Accept the Challenge Arizona Quest for Kids Back to School Clothing Drive Ear Candy Charity Helping Hands for Single Moms P.O.P.S.I.C.L.E.
That's when I was working with the New York Foundation for the Arts on its technology capacity building programs, including offline/online workshops for online skill building called SpiderSchool. She suggests that if organizations are targeting young people, particularly teens and 20 somethings that platforms like Myspace can be a good tool.
Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question. In Your Face ).
The Institute found that mobile phones can increase homeless teens' opportunities and help them stay connected to caseworkers, shelters, potential employers, and support networks. 's space can be used for creating all kinds of sustainable things, such as clothing, food, shelter, and art. Dolores Street Community Services.
Second Life isnt just about wasting time, however, nor are its "residents" exclusively teens hunkered down in their parents basements with Hot Pockets and Red Bulls - there may be real marketing potential for both for-profit and nonprofit organizations. " Theres a "Teen Grid" that eliminates this completely.
Then again, Saturday was hardly normal at the Santa Cruz Museum of Art & History. The group was mostly young (teens to thirties) and nerd-diverse: a little bit punk, a little bit hacker, a little bit craft grrl. You can see more comments from participants here and here and see a photo set from one participant here.
The last two weeks of the contest, Amy and 10 others worked 8-10 hours a day blogging, emailing supporters, making phone calls, and recruiting teens and college students to help them towards gathering donations for the Cause. It was great to see grandparents, parents, young adults, and teens all working together to support orphaned children.
The last two weeks of the contest, Amy and 10 others worked 8-10 hours a day blogging, emailing supporters, making phone calls, and recruiting teens and college students to help them towards gathering donations for the Cause. It was great to see grandparents, parents, young adults, and teens all working together to support orphaned children.
In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. As always, I welcome your questions and comments. Digital Collections comment wall.
At the big one, I worked on a small project with teens to design science exhibits for community centers in their own neighborhoods. I also learned that the best money in museums for someone who's starting out is in art modeling. I survived the first half of 2003 financially on art modeling and poetry gigs.
The speakers for this panel include: Tracy Fullerton - Electronics Arts Game Innovation Lab Ruth Cohen - American Museum of natural History Elaine Charnov - The NY Public Library Jason Eppink - Museum of the Moving Image Syed Salahuddin - Babycastles Elaine Cohen: The New York Public Library 100 Years of the flagship library in New York.
One of my favorite comments on the first post in this series came from Lyndall Linaker, an Australian museum worker, who asked: " Who decides what is relevant? Community First Program Design At the Santa Cruz Museum of Art & History , we've gravitated towards a "community first" program planning model. My answer: neither.
So I felt lucky last week to learn not only about an innovative arts exhibition employing geocaching, but to discover that its exhibit developer, Seth! commented that the demographic of people who are involved is much broader than you’d think, including lots of families looking for a fun, educational, free activity.
Many institutions do this unintentionally--by providing post-its or comment books, pens or crayons. I encourage you to share your own rules and thoughts on this in the comments. Rabinowitz commented that "as a 40-year veteran of history museum interpretation, I can say that I never learned so much from and about visitors."
I was particularly interested in the ECHO project and Bryan's comments about the lack of in-house technical staff in museums and how that affects ability to innovate. Institutions like the Library of Congress and the Powerhouse Museum are getting thousands of quality tags and comments on previously hidden away images.
There is the Art Gallery of Ontario's portrait exhibition In Your Face , for which the museum solicited and displayed thousands of visitor-created self-portraits. Imagine the Art Gallery of Ontario staff, sorting, hanging, and managing the 17,000 self-portraits they received for In Your Face. First, museum content.
The chairs were cast-off art, reclaimed as art, available for people to take off the hooks and use. What kind of an art institution is this? It encourages process-driven performances and art projects. It takes the kind of risks that a university art gallery should take. They were there for artist talks.
Or art-lovers of Brooklyn. Or Santa Cruz County teens who want to make social change. If you are reading this via email and would like to share a comment or question, you can join the conversation here. These differences are useful when considering how and who to reach out to when trying to get involved with a new community.
6 Comments | by Share Article in Guest Blogs , Social Networking Reader Comments (6) Justin, thanks for publishing this. In terms of consulting I this myspace is the solution for teen or preteen work-forces to get a jump start in the financial world. 60) Search « Would you like a share of $5 million?
6 Comments | by Share Article in Guest Blogs , Social Networking Reader Comments (6) Justin, thanks for publishing this. In terms of consulting I this myspace is the solution for teen or preteen work-forces to get a jump start in the financial world. 60) Search « Would you like a share of $5 million?
I used the example of the Yerba Buena Center for the Arts, which has a mission statement that includes unusual words like “bold” and “fearless.” I worked on one project in which the client institution thought they wanted unfettered teen expression. Ask leaders to be accountable to the mission.
Nearly 70% of users are under 35 , and 72% of teens use Instagram. An active account that interacts with followers and replies to comments. As above, Instagram really has become an art form. You can read more about why you should use Instagram Business on the Constant Contact blog. Who is Instagram’s audience?
It was co-designed by staff across the Ontario Science Centre, teen co-conspirators, and visitors via a series of ingenious brainstorming and making exercises developed by Julie Bowen and her brilliant team.
I’m thinking of the Smithsonian American Art Museum, which is trying to be a museum for people, but is also a national and collection-based place. In Puerto Rico and Chile, there are museums made out of posters so that kids in parks can come and visit real art—well, it’s not real art, but you’re getting access to Picasso for $5.
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