Museum 2.0

AUGUST 28, 2013

Earlier in 2013, I was amazed to visit one of the new “Studio” spaces at the Denver Art Museum. The Denver Art Museum is no stranger to community collaborations, but we’ve been dipping in our toe a little more deeply when it comes to developing permanent participatory installations.

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Museum 2.0

FEBRUARY 1, 2012

Last week, Douglas McLellan of artsJournal ran a multi-vocal forum on the relationship between arts organizations and audiences, asking: In this age of self expression and information overload, do our artists and arts organizations need to lead more or learn to follow their communities more? Here are three of my favorites.

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Beth's Blog: How Nonprofits Can Use Social Media

MAY 7, 2010

Nina has written a fantastic book engagement called The Participatory Museum. If you want a chance of winning a copy, leave a comment saying how you might apply some of the science of participation to your social media strategy. Blog commenters are contributors, as are people who engage in contests.

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Museum 2.0

SEPTEMBER 26, 2012

Visitors bond and bridge through participatory experiences at MAH. There were times when coordinating a fire art festival while researching social capital theory made me want to burn my computer. We seek to understand this by listening to and developing ongoing dialogues with a range of community members.

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Museum Program Participatory Community 49

Museum 2.0

APRIL 7, 2009

Which of these descriptions exemplifies participatory museum practice? Museum invites community members to participate in the development and creation of an exhibit. But the difference between the two examples teases out a problem in differentiating "participatory design" from "design for participation." The exhibit opens.

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Museum 2.0

APRIL 21, 2011

I'm reaching the end of my consulting days, with just one more day on the road before I dedicate myself to Santa Cruz and The Museum of Art & History. On Monday, April 25, I'll be participating in an online video chat with Andrew Taylor and James Undercofler to explore new business models for arts organizations.

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Arts Model Wisconsin Business 26

Museum 2.0

JANUARY 4, 2010

It's rare that a participatory museum project is more than a one-shot affair. I hope you'll share your thoughts in the comments. Wikipedia Loves Art, Take One The first version of Wikipedia Loves Art first took place in February 2009. Wikipedia Loves Art, Take Two In June of 2009, Dutch Wikimedians tried again.

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Wikipedia Arts Museum Images 40

Museum 2.0

APRIL 15, 2015

"The arts are future-making." I wrote this down when Deborah Cullinan said it at a meeting of arts leaders about a year ago. Deborah''s vision for the arts leading the way to stronger future inspired me. Deborah''s vision for the arts leading the way to stronger future inspired me. The arts ARE future-making.

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Museum 2.0

DECEMBER 15, 2014

Gretchen Jennings convened a group of bloggers and colleagues online to develop a statement about museums'' responsibilities and opportunities in response to the events in Ferguson, Cleveland and Staten Island. Schools and other arts organizations are rising to the challenge. Can we be as brave and direct as these young women?

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Museum 2.0

JANUARY 11, 2012

I'd say that these techniques support audience development, repeat visitation, membership, maybe could even attract new kinds of donors. Our team focused this year on just three things: making the museum more comfortable, hosting new participatory events, and partnering wherever possible. but I didn't have numbers to back it up.

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Audience Museum Participatory History 47

Museum 2.0

SEPTEMBER 18, 2013

Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. Feel free to add your own questions and answers in the comments! Are there certain kinds of institutions that are more well-suited for participatory techniques than others? The Museum 2.0

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Museum Question Participatory Vietnam 45

Museum 2.0

OCTOBER 24, 2012

To that end, our exhibitions are full of participatory elements. Visitors can comment on how we can improve or what they would like to see. We actively seek participation and develop structured opportunities for visitors to collaborate with us. They can contribute their own stories, objects, and creative work to exhibitions.

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Platform Open Museum Participatory 41

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.

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Museum 2.0

FEBRUARY 29, 2012

We wanted to share with people, in as clear and transparent a format as possible, our approach to developing exhibitions. In particular, we want exhibition collaborators--artists, researchers, historians, collectors--to understand our goals and how we intend to steer the exhibition development process.

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Museum Artist Participatory History 38

Museum 2.0

JULY 23, 2019

Today, I wanted to think about participatory elements, something so essential to this blog. Lumin at Detroit Institute of Art Now on to the interactives…I’ve been thinking a great deal about the function of interactives in museums. Those feelings developed over hours of classroom time with a human.

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Museum 2.0

MARCH 14, 2017

This is the second installation in a series of posts on the Santa Cruz Museum of Art & History (MAH)'s development of Abbott Square , a new creative community plaza in downtown Santa Cruz. The MAH fundamentally has two jobs: we bring art and history out into our community, and we invite our community in.

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Museum 2.0

JANUARY 16, 2013

Then again, Saturday was hardly normal at the Santa Cruz Museum of Art & History. This past weekend, in conjunction with our exhibition about Ze Frank's current participatory project, A Show , we hosted " Ze Frank Weekend "--a quickie summer camp of workshops, activities, presentations, and lots of hugging.

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Museum 2.0

APRIL 25, 2011

Feel free to add your own questions and answers in the comments! Granted, I live in an increasingly narrow world of people who are exploring these topics and want me to work with them, but I still learn a lot from the questions and struggles I hear from colleagues and people who comment on the blog. The Museum 2.0 Yes and no.

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Question Participatory Museum Vietnam 49

Museum 2.0

DECEMBER 23, 2014

Dustin is a science instructor at the New York Hall of Science (NYSCI) by day, Museum Hack tour developer/leader at AMNH by night. They were “preaching the museum gospel” in NYC via alternative tours at The Metropolitan Museum of Art. How did you first get involved with Museum Hack? Who is the audience for Museum Hack?

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Museum 2.0

JANUARY 18, 2012

Many exhibit developers create thoughtful interactives intended for all ages and then discover that old familiar pattern--kids engaging while parents stand back and watch. There are many participatory experiences that appeal primarily to adults, and they are designed distinctly for adults. Share your story with other visitors.

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Museum 2.0

MAY 2, 2012

Today is my one-year anniversary as the executive director of the Santa Cruz Museum of Art & History. We went through a dramatic financial turnaround and redefined our relationship with our community through a series of experimental participatory projects and new programmatic approaches. It is incredibly rewarding work.

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Museum 2.0

JULY 31, 2013

You''re in for a treat, with upcoming posts on creativity, collections management, elitism, science play, permanent participatory galleries, partnering with underserved teens, magic vests, and more. But I never really saw the blog explicitly as a business development vehicle. I''ve never taken a break from blogging before.

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Museum 2.0

MARCH 13, 2013

Visitor-contributed photos surround a collection piece in Carnegie Museum of Art's Oh Snap! It can be incredibly difficult to design a participatory project that involves online and onsite visitor engagement. If you have a question or comment for Jeffrey and the Oh Snap! team, please share it.

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Museum 2.0

DECEMBER 19, 2012

We're looking for an Exhibitions Manager to join our team here at the Santa Cruz Museum of Art & History. What opportunities might that open up for participatory and community projects that evolve over time in the space? What if we slowed down and changed some spaces less frequently--like once a year?

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Beth's Blog: How Nonprofits Can Use Social Media

APRIL 21, 2015

The book offers best practices, examples, and frameworks for leaders who want to nurture and develop a deeper connection with their stakeholders. Share to Shape: How to use stories and other stories to develop shared understanding and shape people’s mindsets and actions. This means sharing stories and visuals. What is off limits?

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Museum 2.0

DECEMBER 28, 2010

Every once in a while I come across a project I wish I could have included in The Participatory Museum. an exhibition produced with schoolchildren at the Wallace Collection in London, is a lovely example of co-creation that demonstrates the multiple benefits of inviting audience members to act as partners in arts organizations.

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Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 12, 2006

Joitske Hulsebosch, who lives and works in Netherlands, writes a blog called " Communities of practice for development " where she writes about topics related to her work of facilitating processes at different levels; teams, groups, organizations, networks, and communities of practice. The art of advising communities of practice.

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Museum 2.0

AUGUST 14, 2013

A critical part of the scientific method is the development of a hypothesis, which can then be tested with well controlled research. We worked with an anthropologist studying the evolution of coordination to develop Experimonth: Do You Know What I Know You Know? ,

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Museum 2.0

MAY 21, 2014

I''ve now been the executive director of the Santa Cruz Museum of Art & History for three years. I''m open to any questions you want to share in the comments. Participatory work can be very labor-intensive. How do we share our bifurcated story as both a place to engage with art and history AND a place that builds community?

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Zen and the Art of Nonprofit Technology

JUNE 29, 2007

Home About Me Subscribe Zen and the Art of Nonprofit Technology Thoughtful and sometimes snarky perspectives on nonprofit technology Gender, Race and Open Source June 29, 2007 My session on Free and Open Source software and the US Social Forum went great yesterday. 1 comment… read it below or add one } 1 Chris Blow 06.29.07

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Museum 2.0

SEPTEMBER 22, 2009

What does the word "participatory" mean to you? The various definitions of participatory projects can lead to confusion and misunderstandings. In the co-option model, the institution turns over a portion of its facilities and resources to support programs developed and implemented by external public groups.

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Public Research Participatory Report 36

Museum 2.0

JULY 7, 2010

Most of my work contracts involve a conversation that goes something like this: "We want to find ways to make our institution more participatory and lively." Audience development is not an exercise in concentric circles. I don't know - and I hope you'll share your thoughts in the comments. Fabulous!" "But

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Zen and the Art of Nonprofit Technology

AUGUST 18, 2005

Home About Me Subscribe Zen and the Art of Nonprofit Technology Thoughtful and sometimes snarky perspectives on nonprofit technology IP Tidbits August 18, 2005 Here are a few tidbits I’ve come across in the Intellectual Property arena in the past few days. This is very cool. It’s definitely a thing to watch.

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Museum 2.0

JUNE 12, 2012

It made me think in ways that I haven't before about the relation of art--as expressive culture--to democracy. It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement. Note: you can view these photos of the exhibition on Flickr here.)

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Museum 2.0

APRIL 16, 2008

I've written before about the inspiring work that the Brooklyn Museum of Art is doing with their community-focused efforts. Click is an exhibition process in three parts: The Museum solicited photographs from artists via an open call on their website, Facebook group, Flickr groups, and outreach to Brooklyn-based arts organizations.

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Museum 2.0

NOVEMBER 30, 2009

What happens when you combine reality TV tactics with a traditional art collection? This guest post, written by Philippa Tinsley, Collections Manager for the Worcester City Art Gallery and Museum (UK), describes the innovative Top 40 exhibition they mounted in the summer of 2009.

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Museum 2.0

SEPTEMBER 21, 2016

The chairs were cast-off art, reclaimed as art, available for people to take off the hooks and use. What kind of an art institution is this? It encourages process-driven performances and art projects. It takes the kind of risks that a university art gallery should take. They were there for artist talks.

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