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A “social branding” app for creative teens and twenty-somethings, Tagg is announcing a $2 million seed round today from Twitter co-founder Biz Stone, Facebook’s former VP of International Growth Ed Baker, TripAdvisor founder Stephen Kaufer, Pillar VC and more. Image Credits: Tagg.
This week, the National Committee for Responsive Philanthropy released a new paper by Holly Sidford called Fusing Arts, Culture, and Social Change. The majority of foundation funding for the arts goes to large, established organizations that present work that is based in the European canon for a primarily white, upper-income audience.
This post features an interview with Sarah Schultz, a museum staffer at one of the institutions Light profiled in the book (the Walker Art Center). In my experience, innovation is about flexibility, capacity, and collaborative relationships. In the 1990s, we decided we wanted to engage a teen audience.
million to the winning ideas across six categories, including: Health, Arts & Culture, Food & Shelter, The Planet, Neighborhoods and Education. We collaborated with organizations that are dedicated to making a positive difference in the world to design and implement the Pepsi Refresh Project.
This year alone, Joseph Perez created an entire collaborative program that uses hip hop to teach students about life. Analisa Xavier implemented Native American Connections ' first ever teen after-school programs. Michael Soto traveled to every corner of Arizona to facilitate a comprehensive arts education program he designed.
At the Santa Cruz Museum of Art & History , we''re approaching this challenge through a different lens: social bridging. One of our core programming goals is to build social capital by forging unexpected connections between diverse collaborators and audience members. Museum of Art and History programs social bridging'
Art spaces masquerading as laundromats and letterpresses. Machine Project is a non-profit storefront arts venue that hosts a dizzying array of eclectic classes, workshops, events, and occasional exhibits. Want some waffles with your art? Elsewhere Collaborative (Greensboro, NC). Skill-sharing free schools.
A high school student and artist, Ollie spends much of his free time making fan art about his favorite Minecraft streamers. So when Ollie saw Dream tell his followers to check out the art on his account, Ollie burst into tears. The Dream SMP narrative isn’t fan service; it’s “collaborative storytelling”.
case you haven’t heard, 501(c)(3) private foundations are now eligible to receive donated video conferencing, online collaboration, and remote desktop solutions from the Citrix Online Donation Program. Teen Outreach Pregnancy Services. " —Laura Pedersen. Executive Director. Private Operating Foundation.
We are hiring for a School Programs Coordinator to wrangle the 3,500+ students and their teachers who come to the museum every year for a tour and hands-on experience in our art and history exhibitions. How can we invite students to collaborate with us the way we do with community partners and visitors?
A group in their late teens/early 20s were wandering through the museumwide exhibition on love. When I walked by the first time, the teens were collaging and Kyle and Stacey were talking. I don't know what formed the bridge between the artists and the teens in this circumstance. Kyle had brought his baby with him.
I was talking this week with Mark Allen, the founder of Machine Project (an alternative arts space in LA), about different models for community engagement in cultural institutions. For example, consider two independent arts organizations in Los Angeles -- Machine Project and The Public School.
It made me think in ways that I haven't before about the relation of art--as expressive culture--to democracy. Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution.
Center Teen Addiction Anonymous Unlimited Potential I hope to see you at the presentation! Better Together: Collaboration and Nonprofit Netwo. Posted by ASU Lodestar Center at 2:49 PM Labels: Fast Pitch Social Innovation Expo , Terri Wogan 2comments: Jill said. ► April (9) Research Friday: The Office or the Impact?
Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question. In Your Face ).
The organization is currently fundraising to build an online hackathon and social app collaboration center. The Institute found that mobile phones can increase homeless teens' opportunities and help them stay connected to caseworkers, shelters, potential employers, and support networks. well, that's a different story.
Kimberly has authored two books: Hip Tranquil Chick: A Guide to Life On and Off the Yoga Mat , and Tranquilista: Mastering the Art of Enlightened Work and Mindful Play. Do you have any favorite Tranquil Teens success stories? Below is an edited transcript of my November 3rd interview with Kimberly for the Big Vision Podcast.
Then again, Saturday was hardly normal at the Santa Cruz Museum of Art & History. The group was mostly young (teens to thirties) and nerd-diverse: a little bit punk, a little bit hacker, a little bit craft grrl. Or that visitors form a spontaneous "laugh circle" on the floor. It was pretty freaking amazing.
Community First Program Design At the Santa Cruz Museum of Art & History , we've gravitated towards a "community first" program planning model. Develop collaborations and programs, keeping in mind what you have learned. Once we've identified assets and needs, we seek out collaborators and project ideas. It's pretty simple.
In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. We collaborated with community members to source content and develop the show. I hope there's something in here you can use.
For those who haven't attended, the Museums and the Web conference brings an international audience from art, history, cultural, and science museums together to talk about new ways to engage with their audiences via the web. The Walker Art Center is turning its teen website over to the teens.
It was co-designed by staff across the Ontario Science Centre, teen co-conspirators, and visitors via a series of ingenious brainstorming and making exercises developed by Julie Bowen and her brilliant team. They need to treat respect users as design collaborators (to some extent) if they want to keep them as contributors.
There was a wonderful example at the Ontario Science Center in their Hot Zone area, which features several voting and commenting kiosks popular with teens. There was one kiosk in particular that was drawing several inappropriate comments, until it was moved from a corner into an open space close to the entrance to the women's bathroom.
Our entire strategy at the Santa Cruz Museum of Art & History is rooted in community participation. Teens advocating for all-gender bathrooms. My museum can pursue radical collaboration because of our small size and local focus. Printmakers leading workshops. Volunteers restoring a historic cemetery.
And that was that funders are collaborating so much more together than they ever have before. Maybe it’s one of the teens that participate in the Girls and Boys Club after-school program, or maybe it’s an adult that has truly benefited from some of the healthcare services you provide. So we wrote a whole bunch of those.
Nearly 70% of users are under 35 , and 72% of teens use Instagram. As above, Instagram really has become an art form. Nov 19, 2019 | Guides Find out how to use Google’s free G Suite for Nonprofits to become more efficient, collaborate worldwide and maximise your impact. Who is Instagram’s audience?
Over the past four years, I''ve been running a small regional art and history museum in Santa Cruz, CA. Our museum is highly participatory: plenty of opportunities for visitors to contribute, for artists to collaborate, for community members to co-create. But almost ALL of those opportunities are facilitated by people.
I''ve now been the executive director of the Santa Cruz Museum of Art & History for three years. When I look back at some recent projects that I''m most excited about (like this teen program ), I realize that I had very little to do with their conception or execution. Participatory work can be very labor-intensive.
Orrigo says children and teens light up when they see their DALL·E-generated creations, and they are ready to be the star of a story brought to life from their imaginations. “It feels like having a genie in a bottle that I can collaborate with,” he said.
The chairs were cast-off art, reclaimed as art, available for people to take off the hooks and use. What kind of an art institution is this? It encourages process-driven performances and art projects. It takes the kind of risks that a university art gallery should take. They were there for artist talks.
Every brand is seemingly into collaborations, but Liquid Death comes at its unpredictable iterations from a comedy angle. Liquid Death For giving the brand collab new life In a scene straight from the 90s, two girls fawn over a heartthrob in a teen magazine. But there is a difference between engaging with culture and chasing it.
Frustrated with the theatrical establishment that continually stymies her success, she finds herself increasingly drawn to rap, a solitary art form that needs no collaborators or gatekeepers. The characters are real teens, reaching for connection without fully understanding their own motivations. — K.G. — K.G.
Whether you're looking for a moving documentary, the return of Bridget Jones, cannibal teen drama, or some of the best movies of 2024, we've got something just for you. Yellowjackets, Season 3 I hope you're hungry for more teen cannibalism, because Yellowjackets Season 3 is on the way. And this time, Hilary Swank is along for the ride.
When filmmaker Travis Gutirrez Senger reflects on Ascos legacy, he quickly notes they were more than an art group; they created a movement, one with remarkable influence on Chicano art history. They met as teens, formed as young adults, and called their group asconausea or disgust in Spanishafter one of their early DIY exhibits.
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