Candid

JANUARY 6, 2023

With all these options, we wanted to look back and highlight some of the Issue Lab community’s most popular publications in 2022, featuring a wide array of topics ranging from education to participatory grantmaking and beyond. Expanding Equity: Inclusion & Belonging Guidebook , by the W.K.

Issue 98

Issue Resource New Mexico Mexico 98

Museum 2.0

FEBRUARY 20, 2013

The majority of our public programs at the Santa Cruz Museum of Art & History are created and produced through community collaborations. Every time we collaborate, we learn new ways to improve our process, organization and communication. We realize collaboration differs greatly for each individual and organization.

Collaboration 55

Collaboration Community Tools Museum 55

Museum 2.0

AUGUST 28, 2013

Earlier in 2013, I was amazed to visit one of the new “Studio” spaces at the Denver Art Museum. The Denver Art Museum is no stranger to community collaborations, but we’ve been dipping in our toe a little more deeply when it comes to developing permanent participatory installations.

Denver 35

Denver Museum Arts Collaboration 35

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 29, 2006

I met Janet Salmons many years ago while I working on various arts and technology projects in New York State for the New York Foundation for the Arts. I started in the Cornell University Center for Theatre Arts , where I founded and directed two programs: Cornell Theatre Outreach and the Community-Based Arts Project.

Arts 50

Arts Community Online Intergenerational 50

Museum 2.0

SEPTEMBER 13, 2011

As a designer, I'm always trying to ensure that participatory activities, however casual, impact both the participant and the organization. If fundraisers are so keen on relationships, why weren't they the first into social media and participatory projects on behalf of their organizations?

Participatory 39

Participatory Practice Fundraising Relationship 39

Museum 2.0

SEPTEMBER 26, 2012

Visitors bond and bridge through participatory experiences at MAH. There were times when coordinating a fire art festival while researching social capital theory made me want to burn my computer. I learn a ton from her every day and wanted to share her thinking--and her graduate thesis--with you.

Museum 49

Museum Program Participatory Community 49

Zen and the Art of Nonprofit Technology

AUGUST 18, 2005

Home About Me Subscribe Zen and the Art of Nonprofit Technology Thoughtful and sometimes snarky perspectives on nonprofit technology IP Tidbits August 18, 2005 Here are a few tidbits I’ve come across in the Intellectual Property arena in the past few days. This is very cool. It’s definitely a thing to watch.

Open Source 100

Open Source Vlog License PowerPoint 100

Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 18, 2011

The project is being managed by IIE and builds on a highly successful program launched in the Middle East five years ago, Women in Technology that trained over 10,000 women from 9 countries in the Middle East and in collaboration with over 60 training partners.

Network 95

Network Build Yemen Morocco 95

Museum 2.0

NOVEMBER 5, 2014

I''m glad to see coverage about art museums involving visitors in exhibitions. I meet them doing research in the archives, collaborating on cultural festivals, and contributing stories to exhibitions. The metaphor for traditional art museums is the temple. What is the metaphor for participatory arts? Not a crowd.

Journal 54

Journal Participatory Museum Community 54

Museum 2.0

JANUARY 25, 2012

Stacey has been collaborating with local artists to produce a series of content-rich events that invite visitors to participate in a range of hands-on activities. This past Friday, we experimented with a new feedback format at an evening event focused on poetry and book arts. full description here , photos from the event here ).

Participatory 50

Participatory Activism Active Activities 50

Museum 2.0

JUNE 18, 2014

And it''s got me thinking about how we build energy and audience for the arts in this country. Barry Hessenius recently wrote a blog post questioning the theory that more art into the school day will increase and bolster future adult audiences for art experiences. Like Barry, I feel that more art in schools is always better.

Arts 47

Arts Build United States Audience 47

Museum 2.0

JANUARY 4, 2010

It's rare that a participatory museum project is more than a one-shot affair. But next month, Britain Loves Wikipedia will commence--the third instance of a strange and fascinating collaborative project between museums and the Wikipedia community (Wikimedians). I hope you'll share your thoughts in the comments.

Wikipedia 40

Wikipedia Arts Museum Images 40

Museum 2.0

OCTOBER 30, 2013

I eagerly read about a new social psychology research study in which whites, Asians, and Latinos engaged in a simple collaborative activity--making a music video together. inclusion Museum of Art and History research social bridging Unusual Projects and Influences' This blog is about shared learning, and I went to engineering school.

Measure 47

Measure Arts People Museum 47

Beth's Blog: How Nonprofits Can Use Social Media

JANUARY 31, 2007

I met her like ten years ago when I leading training workshops for arts educators, artists, and arts organizations throughout New York State on how to use the Internet. Susan was doing these amazing collaborative, user-generated content projects over the Internet. I was teaching Web1.0

Flickr 50

Flickr Professional Participatory New York 50

Museum 2.0

NOVEMBER 6, 2012

I'm thrilled to share this brilliant guest post by Marilyn Russell, Curator of Education at the Carnegie Museum of Art. In a straightforward way, Marilyn explains how her team developed a participatory project to improve engagement in a gallery with an awkward entry. Reassert the "forum"?

Museum 45

Museum Arts Problem Design 45

Museum 2.0

MARCH 17, 2010

This is the second in a four-part series about writing The Participatory Museum. Several hundred people contributed their opinions, stories, suggestions, and edits to The Participatory Museum as it was written. Interest in the collaborative writing process. Tags: Book: The Participatory Museum. What did they do?

Participatory 32

Participatory Museum Process Experiment 32

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 10, 2019

Last week I facilitated a workshop in Detroit hosed by Co-Act , a nonprofit collaboration space in Detroit. Co-Act is a unique organization, a hub for accelerating collaborative action in Southeast Michigan’s nonprofit community. My style of teaching is participatory; I don’t lecture with PPT endlessly and involve the audience.

Detroit 78

Detroit Instruction Instructional PPT 78

Museum 2.0

JANUARY 11, 2012

I'm incredibly proud of all the staff, trustees, volunteers, collaborators, visitors, and members who have made this happen. Our team focused this year on just three things: making the museum more comfortable, hosting new participatory events, and partnering wherever possible. They all have in concert, and they build on each other.

Audience 47

Audience Museum Participatory History 47

Museum 2.0

SEPTEMBER 24, 2014

Two weeks ago, I wrote about t he use of the word "quality" in the arts and its many forms. Inspired by Stacy, I wanted to share some of the work we are doing at the Santa Cruz Museum of Art & History to clarify what we mean by engagement. I don''t think these goals are universal by any means to the museum or arts field.

Goal 48

Goal Museum Evaluation History 48

Museum 2.0

APRIL 7, 2009

Which of these descriptions exemplifies participatory museum practice? But the difference between the two examples teases out a problem in differentiating "participatory design" from "design for participation." In the first case, you are making the design process participatory. In the second, you make the product participatory.

Participatory 27

Participatory Design Difference Museum 27

Museum 2.0

MAY 8, 2013

At the Santa Cruz Museum of Art & History , we''re approaching this challenge through a different lens: social bridging. One of our core programming goals is to build social capital by forging unexpected connections between diverse collaborators and audience members. Museum of Art and History programs social bridging'

Museum 55

Museum Social Arts History 55

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 28, 2009

I am the director of a non-profit that promotes open museum practices, and we are in midst of launching a free service for arts organizations: a web site that permits any museum to create a participatory exhibit space and social network centered on the museum's collections. It takes content, strategy and elbow grease.

Library 94

Library Social Media Louisville Media 94

Museum 2.0

JULY 17, 2012

But we've just compiled all our attendance data for the past year at the Santa Cruz Museum of Art & History (our fiscal year ends on June 30), and several people have written to me asking for the numbers behind our turnaround. A big festival with 50 collaborators and 1,000 visitors might rate a $250 budget.

Museum 47

Museum Arts History Artist 47

Museum 2.0

JULY 11, 2012

I get excited about a lot of things in my work at the Santa Cruz Museum of Art & History. Ze Frank is a participatory artist who creates digital projects that are explicitly about creating and enhancing authentic interpersonal connections. Photography, video, audio, text, origami, mail art.

Museum 45

Museum Participatory Artist History 45

Museum 2.0

OCTOBER 2, 2013

Proposals involve sculpture, performance, participatory-projects, videos, and installation that use and respond to the museum’s collection. This past July, artist Guillermo Gómez proposed to restore a piece of art. Both objects and art-objects would be part of this continuing transformation and evolution.

Artist 49

Artist Museum Proposal Participatory 49

Museum 2.0

NOVEMBER 11, 2008

George is a stranger I met last week at SFMOMA’s new show, The Art of Participation:1950 to Now. The Art of Participation provides a retrospective on participatory art as well as presenting opportunities for visitors to engage in contemporary (“now”) works. Here are two pictures. The first one is me. DO message clearly.

Participatory 20

Participatory Arts Design Museum 20

Museum 2.0

DECEMBER 28, 2011

We've been offering a host of participatory and interactive experiences at the Museum of Art & History this season. I loved Jasper Visser's list of 30 "do's" for designing participatory projects earlier this month. This isn't even participatory. All of them are cheap, mostly simple, and occasionally, dangerous.

Design 45

Design Participatory Learning Instructional 45

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 8, 2014

The Leading Change Summit was more intimate (several hundred people), participatory and interactive, intense, and stimulating. Is there a lead facilitator who is responsible for the final decision or is the team to work collaboratively making decisions?

Reflection 127

Reflection NTEN Change Exercise 127

Museum 2.0

APRIL 25, 2011

I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."

Question 49

Question Participatory Museum Vietnam 49

Museum 2.0

MAY 2, 2012

Today is my one-year anniversary as the executive director of the Santa Cruz Museum of Art & History. We went through a dramatic financial turnaround and redefined our relationship with our community through a series of experimental participatory projects and new programmatic approaches. 85% of our visitors attend through events.

Museum 55

Museum Director Participatory Culture 55

Museum 2.0

NOVEMBER 13, 2012

We can change that by embracing participatory culture and opening up to the active, social ways that people engage with art, history, science, and ideas today. We seek and encourage collaboration with diverse groups and individuals in our community, and we develop ways for people to contribute in both immediate and long-term ways.

Museum 55

Museum Open Charlotte Participatory 55

Museum 2.0

FEBRUARY 29, 2012

In particular, we want exhibition collaborators--artists, researchers, historians, collectors--to understand our goals and how we intend to steer the exhibition development process. We knew internally that we wanted our exhibitions to become more interdisciplinary, more participatory, and more responsive to audience needs.

Museum 38

Museum Artist Participatory History 38

Museum 2.0

SEPTEMBER 22, 2009

What does the word "participatory" mean to you? The various definitions of participatory projects can lead to confusion and misunderstandings. In this report, the authors describe three specific models for public participation: contribution, collaboration, and co-creation. This isn't just a rhetorical question.

Public 36

Public Research Participatory Report 36

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 14, 2007

We talked about Cambodia and one of the questions was (an excellent one), what do teachers need to think about if they are doing an over the web collaborative project with a classroom in the developing world. It made me curious about the art of mircoblogging - and how you develop the technique of saying it in 140 characters.

Reflection 50

Reflection Conversation Develop Cambodia 50

Museum 2.0

JULY 23, 2013

We are hiring for a School Programs Coordinator to wrangle the 3,500+ students and their teachers who come to the museum every year for a tour and hands-on experience in our art and history exhibitions. How can we invite students to collaborate with us the way we do with community partners and visitors?

Program 39

Program Museum Work History 39

The Modern Nonprofit

MAY 1, 2024

Well-planned events enable nonprofits, community groups, businesses and government agencies to showcase AAPI arts, food, performances, and more. The Art of Celebration: Showcasing AAPI Cultural Richness Incorporating cultural performances and art displays is a great way to bring the essence of AAPI heritage to life at your event.

Celebrate 59

Celebrate Education Fundraising Culture 59

Museum 2.0

FEBRUARY 22, 2012

What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? But for museum and art wonks, it could be. Several artists offer surprising insights into making participatory projects appealing to visitors. No, this is not a reality TV show.

Artist 39

Artist Museum Project Public 39