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Nina has written a fantastic book engagement called The Participatory Museum. Most of my work involves museums, but these categories can be useful in any project that involves user participation. Here’s a chart that may help you figure out what type is best for your next project.
But this month, it's as if there was a subliminal email sent to a crew of bloggers in the arts suggesting a salon about audience diversity, and how/why to move in that direction. A rare blog post that combines personal narrative with statistical charts. This never seems like a good idea. You should go and tell us all about it.
One of the greatest gifts of my babymoon is the opportunity to share the Museum 2.0 First up is Beck Tench, a "simplifier, illustrator, story teller, and technologist" working at the Museum of Life & Science in Durham, NC. As a person who works for a science museum, I work in an environment that supports play.
Here are a few photos of a few of the myriad of fun activities we had from the Welcome Banner to Indy to visiting the ArtMuseum to Symphony on the Prairie at Conner Prairie to celebrating a birthday! Jay and his team grew the company to more than 10,000 nonprofit clients, charting a decade of record growth.
Spitfire’s useful SMART chart planning tool has been used by many nonprofits and was adapted for social media for nonprofits by NTEN’s WeAreMedia project several years ago. Here’s an example of 25 SMART social media objectives from arts organizations. Here’s an example from the Metropolitan Museum of Art.
What does "big data" look like for museums? Several museums around the world have worked hard to make their data accessible by providing free access to datasets, applying Creative Commons licenses to digital content, or creating APIs (application programming interfaces) that allow programmers to build their own software on the museum''s data.
When it comes to user participation in cultural institutions and the arts, it's popular to launch projects that pit visitors against experts. at the Brooklyn Museum, where you could track how people of various levels of art expertise rated crowd-contributed photographs. There was Click! What tools do we use?
This can be done with a flip chart and markers or there might be one graphic facilitator dedicated to this task. I designed this exercise after a delightful experience visiting the Barnes Foundation Museum where the art work is hung on the wall in a way to facilitate pattern recognition and learning about art concepts.
At the end of February, I attended the first of (what I hope will be) many Museums Advocacy Days (MAD) on Capitol Hill in Washington, DC. There was something magical about the combination of something I love – museums – with something that scares me: US politics. around something I’ve suspected for a long time: everyone loves museums.
What happens when you combine reality TV tactics with a traditional art collection? This guest post, written by Philippa Tinsley, Collections Manager for the Worcester City Art Gallery and Museum (UK), describes the innovative Top 40 exhibition they mounted in the summer of 2009.
Do you consider yourself an "activist" for your organization, avocation, or art form? Sure, I admire cultural organizations that have a strong mission to change education or diversify access or transform the role of art in everyday life, but I'm an insider. Why AREN'T we asking visitors to join the fight for arts education?
Now, not all of you will get to spend every other week for months chatting with Rob about museums, but I wanted to offer you a slice of how wonderful that can be. This week Rob will share some ideas about museum work. The Activity Level Discussion in Museums: Is a Role Marketplace an Answer? People make museums.
People often ask me which museums are my favorite. I visit lots of perfectly nice, perfectly forgettable museums. In some cases, that's based on subject matter, as at the Museum of Jurassic Technology or the American Visionary ArtMuseum. Some are scrappy and iconoclastic, like the City Museum in St.
No, these are neither the words of a self-important curator nor a well-spoken museum director. the crowd-curated photo exhibition now open at the Brooklyn Museum of Art. It is a substantive research contribution by the museum to the social technology field at large. s about data, and making the data visual.
You know those times when you are looking for a blog that provides you with meaty analysis on contemporary issues in arts engagement? When you want someone rooted in both the business and art worlds? When you want cogent arguments with charts to back them up? Exposure to a broader arts world. A healthy dose of nerdiness.
Last week I was honored to be a counselor at Museum Camp , an annual professional development event hosted by the Santa Cruz Museum of Art & History (MAH). Nina Simon, the executive director of the museum, is an expert in participatory design and fantastic facilitator.
Why do you care about and or work in museums? I don't work in museums because I love them. I didn't grow up staring open-mouthed at natural history dioramas or wandering through art galleries. I didn't grow up staring open-mouthed at natural history dioramas or wandering through art galleries. And check out the comments.
4 Important Membership Trends Every Museum Needs to Consider by Brendan Ciecko, Cuseum. A lot has been changing in the museum world. Brendan shares four trends that museums need to be aware of to have continued success with membership operations. Have you seen a chart and asked yourself, “What is this?
This is the sixth in a series of posts on the Santa Cruz Museum of Art & History ( MAH )'s development of Abbott Square , a new creative community plaza in downtown Santa Cruz. John would run Abbott Square Market , a multi-vendor food and drink business, adjacent to the plaza, adjacent to the museum. Money is on the table.
Can you really use the same criteria to measure the effectiveness of a rural food bank that works locally and an internationally renowned artmuseum located in a major metropolitan area? Nonprofits’ missions vary too widely, and size and location matter, too. My colleagues and I would say that you can’t.
My more complete thoughts and reactions to the AAM (American Association of Museums) conference are forthcoming in a longer post soon. Today, I want to share slide presentations and interviews you might be seeking related to the sessions I chaired this week.
Our nonprofit museum had outgrown our grass roots. When we had seven people, we barely needed an organizational chart. She was a retired HR executive and a treasured museum volunteer. When we started this project, I expected about 30% of the museum’s jobs to change a little bit, and about 20% to change a lot.
We believe that partnerships build a stronger museum and a stronger community. Like most museums and nonprofits, we have a donor database. Instead of each staff member tracking their own community partners, we're building a shared database of all the partners who contribute time, money, and talent to the museum. SALESFORCE.
I’ve managed campaigns ranging from about $5 million to over a billion dollars in health care, education, arts and culture, and advocacy sectors. And if you think about this pie chart, what I really want to call out is that bequests, which are about 9%, are gifts made by individuals. So it’s both a science and an art.
On Friday, I facilitated the final face-to-face workshop for the Social Media Lab for 25 arts organizations inspired by Thomas Edison’s approach. It was sponsored by the Hewlett Foundation, Wallace Foundation, San Francisco Foundation, Grants for the Arts, and the Koret Foundation. Contemporary Jewish Museum.
stories story museum women international We are looking for all types of films – documentaries, short films, animation, music videos, basically any kind of film you can think of, they just have to be made by a female director. For more information about how to submit your story, click here.
This is the final installment of the Museum 2.0 book club on Civilizing the Museum; The Collected Writings of Elaine Heumann Gurian. I’d like to do more book clubs in the future; please let me know if there are any particular books on museum theory, design, innovation, etc. that you would recommend for Museum 2.0.
Entertain the idea of an exhibit based on Gantt charts and spreadsheets, and your head might just explode. Moveable Type, like its predecessor, Listening Post (now touring international art and science museums), is an exercise in harnessing and repackaging data as art. Huge swaths of words. Volumes of dry-as-dirt content.
The study specifically excluded institutions without employees, museums, religious institutions, hospitals, and membership organizations to focus on traditional higher education institutions like Harvard, NYU, Johns Hopkins, Duke, and others. people, representing a significant economic impact.
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