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Want to experience art in a populist, energized, industrial/urban setting? Artprize , now in its second year, is a city-wide art festival with a $250,000 top prize to be awarded to the work that receives the most public votes. It was the best experience I've ever had talking and learning about art. Want to talk about it?
In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. This exhibition represents a few big shifts for us: We used a more participatory design process. We had some money.
You can now read all the chapters in The Art of Relevance for free online. You can still buy The Art of Relevance as a paperback, ebook, or audiobook--but you can also read any chapter, any time, online. You can also post comments on any chapter, adding your reactions and questions to the published content.
This is the second in a four-part series about writing The Participatory Museum. Several hundred people contributed their opinions, stories, suggestions, and edits to The Participatory Museum as it was written. Several said things like, "I was curious to see how this kind of participatory, collaborative approach would work in practice."
In addition, I'm sending the winner my review copy of Mitch Joel's Six Pixels of Separation because I think she can learn a lot from Chapter 14 on Participation 2.0. Brian Reich author of Media Rules left a comment offering to include a copy of his book. As you know, it takes more than access to create a successful social media network.
I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."
Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean''s book Visitor Voices in Museum Exhibitions.
The chapter includes some tips on how to set up personal dashboards using various tools. As the book points out, while fast, frequent, and informal makes it all sound easy, there is an art to it. Sharing has to help spread authenticity, emotion, and point of view. She also talks about listening in layers and scanning environment.
The result is a new book, The Art of Relevance , coming out in a few weeks. The Art of Relevance will launch live and in-person on July 12 at the Arts Marketing Association conference in Edinburgh, and you'll be able to order it online soon. This month, I'll start sharing a few of the chapters as blog post sneak peeks.
The Digital Media and Learning Conference is meant to be an inclusive, international and annual gathering of scholars and practitioners in the field, focused on fostering interdisciplinary and participatory dialogue and linking theory, empirical study, policy, and practice. National Arts Marketing Project Conference. 11/10/2016.
On September 10, the Whitney Museum of American Art started offering a new membership called "Curate Your Own," in which members select one of five specialized "buckets" of benefits in addition to core admission and discount benefits. People want to experience art in quite individual ways. The "insiders" are another example.
The kind of strategic planning processes that I lead are inclusive and participatory which means that the group is consulted, the vision of the group, the energy, we kind of tap into the energy, vision, knowledge, experience of the people who will be doing the work in order to make plans. Where are we not putting our energy? ” Okay.
Hosting a session on Monday at 2pm on Design for Participation with participatory design gurus Kathleen McLean and Dan Spock, along with research extraordinaire Kris Morrissey and participatoryart rockstar Mark Allen. This is the LA chapter of the 826 Valencia tutoring enterprise. The Brewery Art Colony.
I'm thrilled that Seema Rao is taking this blog and museum community into its next chapter. I spent 2007-2011 traveling the world, doing participatory projects and consulting gigs, and writing my first book. You gave me support as I struggled to lead a museum through a participatory rebirth. has meant to me. The love felt good.
I spent last week in the glorious country of Taiwan, hiking, eating, and working with museum professionals and graduate students at a conference hosted at the Taiwan National Museum of Fine Arts. It's not topic-specific; I've done these exercises with art, history, science, and children's museums to useful effect.
Most of my work contracts involve a conversation that goes something like this: "We want to find ways to make our institution more participatory and lively." Most museums that offer interactive exhibits, media elements, or participatory activities offer them alongside traditional labels and interpretative tools. Fabulous!" "But
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