Museum 2.0

MAY 8, 2013

Like a lot of organizations, my museum struggles with two conflicting goals: The museum should be for everyone in our community. At the Santa Cruz Museum of Art & History , we''re approaching this challenge through a different lens: social bridging. And rarely the twain shall meet.

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Social Museum Arts Program 55

Museum 2.0

SEPTEMBER 4, 2013

This August/September, I am "rerunning" popular Museum 2.0 This post is even more relevant today to the broader conversation about audience diversity in the arts than when it was published three years ago. Most large American museums are reflections of white culture. blog posts from the past. Why can''t new visitors do the same?

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St. Louis Museum Audience Teen 45

Beth's Blog: How Nonprofits Can Use Social Media

JULY 2, 2012

At the Sujaya School, I visited a second grade art class. It was designed for learning – almost like an exhibits at any children’s museum in the US. She again invited me to present at the Nasscom NILF Conference in 2010 and teach workshops. They were busy drawing planets or rockets.

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India Education Software Learning 105

Fast Company Tech

MARCH 18, 2025

The concept of energizing areas through unique building reuse and the blending of public and private spaces is a core part of ODAs work. The projects public spaces have not yet opened, but 100% of the buildings retail and 80% of its office spaces have already been leased.

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Los Angeles Companies North Carolina Denver 97

Museum 2.0

MARCH 21, 2012

How do you help visitors know what they can and cannot do in your museum? Most museums have this figured out: they have signs, they have guards, they have cases over the objects. And this works pretty well in science museums, where designers talk about "hardening" exhibits to withstand the more aggressive touchers among us.

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Museum Artist Arts Denver 49

Museum 2.0

JUNE 12, 2012

It made me think in ways that I haven't before about the relation of art--as expressive culture--to democracy. Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution.

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Participatory Museum Arts Blackboard 51

Museum 2.0

APRIL 24, 2012

I'm heading this weekend to the American Association of Museums conference in Minneapolis. Here's what I'd love to explore at AAM this year: Event-driven models for museums. About 85% of visitors to our museum attend through a program/event. (No relation to AAM. How prevalent is this? Participatory history programming.

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Conversation Museum Participatory Minneapolis 43

Museum 2.0

SEPTEMBER 15, 2009

There are lots of museums (and organizations of all kinds) looking for ways to inspire users and visitors to produce their own content and share it with the institution online. The World Beach Project is managed by the Victoria and Albert Museum in London with artist-in-residence Sue Lawty. It's not marketing hype.

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Project Museum Artist Map 38

Museum 2.0

MARCH 7, 2007

Nik inquired as to how I feel about museum blogs. what's your take on museums that keep blogs? In general, yes, I think that museums maintaining blogs is an effective, cheap way to get changing content out to the public frequently. version of the news clippings tackboard on “Current Events” in hallways of some museums.

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Difference Voice Museum Aggregator 36

Museum 2.0

AUGUST 18, 2008

I've long believed that museums have a special opportunity to support the community spirit of Web 2.0 This month brings three examples of museums hosting meetups for online communities: On 8.6.08, the Computer History Museum (Silicon Valley, CA) hosted a Yelp! Me: Have you ever been to this museum? meetup for Elite Yelp!

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Museum Hosting Community Model 22

Museum 2.0

MARCH 16, 2012

The folks at the AAM Center for the Future of Museums have been experimenting with sharing ideas in several ways over the past couple of years--through their blog , their weekly newsletter , and a series of research reports. Each article includes museum examples along with a broader look at the trend.

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Trend Program Denver Museum 33

Museum 2.0

APRIL 18, 2012

Last Friday, I witnessed something beautiful at my museum. I've been documenting lots of small bridging incidents at our museum over the past few months. It could have been the attitude of the museum that supports participation and conversation. At museums, we mostly bond with the friends and family with whom we attend.

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Community Social Build Teen 42

Museum 2.0

OCTOBER 6, 2008

This problem is analagous to the repeat visit problem for museums. Museum visits, like book reading, can be an intense and wonderful experience. But is one museum visit enough to compel a second visit? How do you encourage visitors to have a sense of pervasive experience with the museum? But the approach is valuable.

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Museum Platform Game Relationship 23

Museum 2.0

DECEMBER 19, 2012

We're looking for an Exhibitions Manager to join our team here at the Santa Cruz Museum of Art & History. This is a highly collaborative role, and we are looking for the perfect blend of strong design skills with a generous enthusiasm for amateur and professional co-creation. You Can't Do That in Museums Camp is filling up.

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Museum Participatory Professional History 32

Museum 2.0

SEPTEMBER 12, 2012

In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. Pocket Museums in bathrooms. We're going to need more jars. They might not match. Digital Collections comment wall.

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Participatory Museum International History 44

Have Fun - Do Good

NOVEMBER 8, 2007

Do Artisans a World of Good For many people, art and craft-making is their livelihood. For example, A Green Mountain Coffee Roasters sampler of Organic Breakfast Blend, Organic French Roast and Organic Sumatran Reserve is $26.95. Wouldn't be great if some of that $923.36 Here are a few ideas for those special someones. Today is a gift.

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Gift Giving Kiva New Mexico 67

Museum 2.0

MAY 14, 2009

I've become convinced that successful paths to participation in museums start with self-identification. The easiest way to do that is to acknowledge their uniqueness and validate their ability to connect with the museum on their own terms. Who is the "me" in the museum experience? Not so at museums.

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Museum Personal Experiment Profile 20

Museum 2.0

JUNE 15, 2009

Facilitated/Unfacilitated Blend When we started this course, I really pushed the students to think about ways to induce unfacilitated interactions among strangers. They reminded me of street vendors or great science museum cart educators, imparting an energy to the space without overwhelming it. Not so for the post-its.

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Advice Museum Facilitation Student 31

Museum 2.0

DECEMBER 9, 2008

Museum Projects COSI has done a lovely job aggregating all of their social media efforts into one "Share" tab on their website. The Brooklyn Museum is offering a new "socially networked" membership called 1stfans starting Jan 3. Let me know if you end up using it for a museum event or exhibit! Keep 'em coming, and enjoy!

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Project Job Tools Museum 20

Museum 2.0

JUNE 29, 2010

We share an abiding interest in exploring the community-enhancing roles of libraries, archives, and museums (LAMs), especially in terms of the practice of hospitality and service within the institution. Nina's research keeps finding that the right kind of constraints work to produce a better participatory museum experience.

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Place Discussion Library Museum 30

Museum 2.0

AUGUST 27, 2007

Heck, sign me up for a ticket to the zombie museum. But when I took off my “entertainment” glasses and put on my museum eyes, my reaction wasn’t amusement. I imagined museum folks reading the article and snapping the paper closed with smug smiles on their faces: "See. It was distaste. This is why we have to avoid Disneyfication."

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Museum Model Audience Blended 20

Museum 2.0

NOVEMBER 6, 2008

But over the last couple of months, I've learned about two tagging projects that actually get me excited-- CamClickr at the Cornell Lab of Ornithology and the Posse at the Brooklyn Museum. When museums embark on collections-tagging projects, they are almost entirely focused on this secondary benefit. And that brings us to CamClickr.

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Tag Project Museum Game 23

Museum 2.0

NOVEMBER 10, 2009

Exhibit labels in science centers ask more questions than any other kinds of museums, and yet the questions are often awful--teacherly, overly rhetorical, and totally meaningless. asked by a cop or mother, garners the full attention of asker and askee alike, museum questions like "what is nanotechnology?,"

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Reflection Question Research Museum 20

Museum 2.0

MAY 3, 2017

This is the ninth in a series of posts on the Santa Cruz Museum of Art & History ( MAH )'s development of Abbott Square , a new creative community plaza in downtown Santa Cruz. Studying engineering taught me to think like a designer: state the problem, brainstorm, test, iterate.

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Develop Artist Project Museum 20

Museum 2.0

AUGUST 14, 2008

In this post, a discussion about the art of conversation in the groundswell. Many museums have jumped into the middle level—producing their own content—without starting with commenting. Consider the path of the Bay Area Discovery Museum. Jennifer Caleshu, their director of communication, is a museum talker extraordinaire.

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Museum Myspace San Francisco Comment 20

Museum 2.0

AUGUST 24, 2007

This week, Game Friday pays homage to Amanita Design , the funky game and animation design firm behind the award-winning Samorost series and several flash-based corporate games that blend lush imagery, surreal storytelling, and surprising little puzzles.

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Game Flash Blended Storytelling 20

Nonprofit Tech for Good

JULY 22, 2024

After graduating with a BFA in drama & music from New York University’s Tisch School of the Arts, Ellen spent ten years bringing joy to audiences nightly as one of only ten lead performers in the longest running musical revue in the world—San Francisco’s “Beach Blanket Babylon.” 32) Fred Northup, Jr.

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Fundraising Nonprofit Charity Benefit 260

Fast Company Tech

MARCH 18, 2025

Chinese artificial intelligence firm DeepSeek launched a pair of state-of-the-art, open-source AI models that require far less computing power and capital than those of Western companies, sending shockwaves through Silicon Valley and the Wall Street firms that fund them. The company knows how to make a splash.

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Asia Companies Singapore New Zealand 90

Museum 2.0

FEBRUARY 19, 2014

Every day for the past two months, a man has entered the largest gallery in my museum. blends sculpture, repetition, and ritual performance in a political statement about the genocide of animals in factory farms. It also complicates the question of what is acceptable in a museum. But art museums are coming back from the dead.

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Museum Arts Artist Participatory 50

Museum 2.0

NOVEMBER 5, 2013

"The words we use in attempting to change museum directions matter. Our museum in Santa Cruz has been slammed by those who believe participatory experiences have gone too far. I am glad this conversation is happening and that both museum professionals and local Santa Cruzans are engaged. Some people commune with the art.

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Museum Participatory Arts History 53

Qgiv

OCTOBER 8, 2021

Coffee lovers will jump at the chance to try new coffee blends or brewing methods for their morning, afternoon, or evening cup of joe. If there are candy-making classes in your area, a gift certificate will come in handy for beginners looking to master the art of sugar confections. Creative individuals are often up for a challenge.

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Ideas Gift Local Movie 98

Mashable Tech

MAY 20, 2022

Donavan Marsh's movie is a blend of mystery and thriller, a how-deep-does-this-go conspiracy that leads from dilapidated drug dens to the halls of government — uncovering a series of grim revelations with roots that go back 30 years. It's a genuine thing that happens in David Lynch's What Did Jack Do? ,

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Movie Stream Music Director 105

Fast Company Tech

MARCH 26, 2025

She’s given voices to Fortune 500 companies and chatbots alike, and has written for Communication Arts, Wallpaper*, and Core77. He was awarded the National Design Award for industrial design by the CooperHewitt, National Design Museum. Olympic & Paralympic Museum and Warner Bros.

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Award Design Los Angeles Arts 88