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In our years of talking to staff, boards, and communities about participatory philanthropy, people often talk about their worst participatory decision-making experiences. New to Participatory Grantmaking? It often takes clarity of roles and purview and even some structure to do that. But these “soft skills” are not magic.
Last month, the Irvine Foundation put out a new report, Getting In On the Act , about participatoryarts practice and new frameworks for audience engagement. Here's what I think is really strong about the report: Coordinated, succinct research findings supporting the rise of active arts engagement.
In 2009 , students built a participatory exhibit from scratch. Thirteen students produced three projects that layered participatory activities onto an exhibition of artwork from the permanent collection of the Henry Art Gallery. This year, we took a different approach. You can explore the projects in full on the class wiki.
When we talk about making museums or performing arts organizations more participatory and dynamic, those changes are often seen as threatening to the traditional arts experience. But what if the "traditional" arts experiences is a myth? What if historic arts experiences were actually a lot more participatory?
Nina has written a fantastic book engagement called The Participatory Museum. A third argues that the project won’t be truly participatory unless users get to define what content is sought in the first place. I’ve been using these participatory categories to talk about how we’d like users to participate in different projects.
As of May 2, I will be the executive director of the Museum of Art & History at McPherson Center in Santa Cruz, CA (here's the press release ). Because of the increased workload I expect in the months to come, as well as the likely possibility that we will start a Museum of Art & History blog, I'm lowering my Museum 2.0
Visitor-contributed photos surround a collection piece in Carnegie Museum of Art's Oh Snap! It can be incredibly difficult to design a participatory project that involves online and onsite visitor engagement. In this guest post, Jeffrey shares the story behind their big hit with a visitor co-created exhibition.
I’d never attended before and was impressed by many very smart, international people doing radical projects to make museum collections and experiences accessible and participatory online. Are participatory activities happening on the web because that is the best place for them? Instead, I found a standard art museum.
Last week, Douglas McLellan of artsJournal ran a multi-vocal forum on the relationship between arts organizations and audiences, asking: In this age of self expression and information overload, do our artists and arts organizations need to lead more or learn to follow their communities more? Here are three of my favorites.
Other person: "But doesn't that erode museums' authority?" And in a world where visitors want to create, remix, and interpret content messages on their own, museums can assume a new role of authority as "platforms" for those creations and recombinations. Ideas participatory museum usercontent. Me: "Sort of." Power is attractive.
22NTC will feature over 180 live, interactive, and thought-provoking sessions covering a wide swath of nonprofit subjects, as well as three inspiring keynote speakers: activist and writer Alice Wong, actor and human rights advocate Angelica Ross, and author Saeed Jones. Opportunities for Professional Development.
This week, I've had multiple conversations with colleagues in the arts, symphonies, and urban planning about the fear professionals have about "losing control" when opening up new opportunities for people to participate. Their questions made me think about a blog post I wrote in 2008, The Future of Authority. Me: "Sort of."
This is the second in a four-part series about writing The Participatory Museum. Several hundred people contributed their opinions, stories, suggestions, and edits to The Participatory Museum as it was written. Several said things like, "I was curious to see how this kind of participatory, collaborative approach would work in practice."
He writes a blog called " Read It To Me " that summarizes business books and also hosts Webinars with authors. This weekend I participated in a Webinar about the book The Whuffie Factor along with author Tara Hunt where we discussed how the ideas apply to nonprofits. So I said I'd kick in my copy.
I talked with Tiffany, and also with Hazel Markus and Alanna Connor, Stanford social psychologists who recently co-authored a pretty fascinating pop-science book about understanding cultural difference. inclusion Museum of Art and History research social bridging Unusual Projects and Influences' I wanted to know more.
On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggl es with in applying participatory design techniques to museum practice. The most reliable question I'm using works in art museums. That's why I asked.
Our work to transform the Santa Cruz Museum of Art & History into a participatory and community-centered place has been heavily supported by the James Irvine Foundation. The report is a slim 12 pages on the common characteristics of arts organizations that successfully and continuously engage diverse audiences.
This week, the Santa Cruz Weekly's cover story is about my museum (the Santa Cruz Museum of Art & History ) and the work we have done to make it a more participatory, community-centered place over the past two years. Perry describes me as the "conductor" of a community-programmed orchestra.
The Leading Change Summit was more intimate (several hundred people), participatory and interactive, intense, and stimulating. So, it is important for the host to hold a call with the facilitation team to clarify expectations for the session outcomes and team authority/decision-making roles.
On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggles with in applying participatory design techniques to museum practice. The most reliable question I'm using works in art museums. That's why I asked.
This week marks five years since the book The Participatory Museum was first released. I thought the pinnacle of participatory practice was an exhibit that could inspire collective visitor action without facilitation. Over the past four years, I''ve been running a small regional art and history museum in Santa Cruz, CA.
This post was written by my colleague Nora Grant, Community Programs Coordinator at the Santa Cruz Museum of Art & History. At the Santa Cruz Museum of Art & History (MAH) , we have been experimenting with a kind of pop up museum that is primarily created by the people who show up to participate.
Interesting WorldChanging post, Just Launched: Journal of Participatory Medicine. In the first edition of this partnership, I interviewed Erin O'Connor Jones , the Director of Candidate Services and Managing Associate at Nonprofit Professionals Advisory Group. Early registration deadline is Nov. nonprofit (valued up to $75,000 ).
What does the word "participatory" mean to you? The various definitions of participatory projects can lead to confusion and misunderstandings. In this report, the authors describe three specific models for public participation: contribution, collaboration, and co-creation. This isn't just a rhetorical question.
We've also developed new state-of-the-art explainability methods to identify the role of training data on model behaviors and misbehaviours. The Data Cards Playbook is a toolkit of participatory activities and frameworks to help teams and organizations overcome obstacles when setting up a transparency effort.
Priya Parker's wonderful book The Art of Gathering shares the core principles of how to drive. Here are my three big takeaways from The Art of Gathering : Hosting is an exercise in courageous leadership. Instead, Parker encourages all event hosts to adopt a stance of "generous authority." It takes courage to assume that power.
author''s desk with brilliant colleagues who inspire me. I wholeheartedly believe it has the power to advance science (and art and cultural heritage) through the power of play. game guestpost participatory museum Unusual Projects and Influences' One of the greatest gifts of my babymoon is the opportunity to share the Museum 2.0
I've written before about the inspiring work that the Brooklyn Museum of Art is doing with their community-focused efforts. Click is an exhibition process in three parts: The Museum solicited photographs from artists via an open call on their website, Facebook group, Flickr groups, and outreach to Brooklyn-based arts organizations.
The kind of strategic planning processes that I lead are inclusive and participatory which means that the group is consulted, the vision of the group, the energy, we kind of tap into the energy, vision, knowledge, experience of the people who will be doing the work in order to make plans. Where are we not putting our energy? ” Okay.
Last week I was honored to be a counselor at Museum Camp , an annual professional development event hosted by the Santa Cruz Museum of Art & History (MAH). Nina Simon, the executive director of the museum, is an expert in participatory design and fantastic facilitator.
The Odditoreum is a temporary gallery for the summer school holiday in which the Powerhouse is displaying eighteen very odd objects alongside fanciful (and fictitious) labels written by children's book author Shaun Tan, schoolchildren, and visitors. The participatory element employs an accessible speculative question.
Nine years ago, I wrote a post called The Future of Authority: Platform Power. This argument became one of the foundations of The Participatory Museum. This is the participatory platform model. In it, I argued that museums could give up control of the visitor experience while still maintaining (a new kind of) power.
I've written before about techniques for talking to strangers, looking at how buttons , buses , and dogs and can all be tools for participatory design. I used that instruction recently to kick off a meeting at a museum planning a participatory education space. There was a self-aggregating group who toured an art exhibition.
We dont have digital data for a lot of human intelligence, because people werent valuing the people who produce those books, or the people who produce that art. We call this coproduction, or participatory designits the idea that the people whom youre presumably affecting with the use of this technology should be part of the process.
Dear friends, This is my last post as the author of Museum 2.0. I spent 2007-2011 traveling the world, doing participatory projects and consulting gigs, and writing my first book. You gave me support as I struggled to lead a museum through a participatory rebirth. Woman reading a book on a beached rowboat, 1925. Museum 2.0
Use the authority of the museum to facilitate exchange of phone numbers between strangers?" I can just imagine the headline: CHILD MOLESTERS CALL ON ART, VICTIMS. How can going to an art museum be more like going to a convention for people who love art? Tags: participatory museum visitors.
On June 4, we opened The Tech Virtual Test Zone , a new 2000 sq ft gallery at The Tech Museum of Innovation featuring exhibits on the theme of art, film, and music that were originally developed in Second Life by a community of creative amateurs. It's also standard practice in community arts programs. than by talking in suppositions.
These are the slides and notes for the talk I gave at the American Alliance of Museums conference on Monday, April 27 about the Santa Cruz Museum of Art & History. When I became the director of the Santa Cruz Museum of Art & History four years ago, I took this work with me. We exist for people who live in Santa Cruz County.
The Brooklyn Museum of Art is a great example of a museum really embracing these environments for community-building purposes. In this way, Tree of Promise takes a quick participatory in-museum experience—writing down a promise—and provides a supportive platform on which users can cultivate and substantiate that action.
As I imagined a world without Nina Simon ’s Participatory Museum , I felt sad about all the visitors whose voices (and post-it note comments) weren’t honored. About a decade ago, I remember reading "Nuns sat here" at the Detroit Institute of Art as the title of a label for a piece of wooden convent furniture.
Jeremy Heimans, co-author with Henry Timms of the best-selling book “New Power,” recently spoke with Blackbaud’s Rachel Hutchisson at bbcon 2018 for a recording of The sgENGAGE Podcast. And if there is now “new power,” then what is “old power” and how do the two differ (and can they work together)?
While the majority of experience-based museums like children's and science museums have unrestricted noncommercial photography policies, many collections-based art and history museums continue to maintain highly restrictive photo policies. There are thriving groups of Flickr users who share photos of themselves imitating art.
For a long time, I’ve admired their ambitious work, from exhibitions on complex topics like network science to integration of contemporary art into their galleries to incredible dedication to advancing the careers of diverse youth in Queens. Then again, the New York Hall of Science isn’t just any science center.
You can use many of these same services to search for terms of interest, like "large hadron collider" or "new mexico arts." If you use Technorati, you can see the authority of each related source, which gives you some idea of how embedded that source is in the larger web community (authority is based on how many other sites link to you).
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