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Cinematic Insights: The Art of Movie Analytics

Tableau

The viz boiled down to a particular question: did a particular director who loved twist endings make films that were well received by audiences and critics? Rise and fall of franchises, most polarizing actors with critics and audiences, shifts between genres, and the rise of the blockbuster.

Movie 129
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Equity in Arts Funding: We're Not There Yet. We're Not Even Close.

Museum 2.0

This week, the National Committee for Responsive Philanthropy released a new paper by Holly Sidford called Fusing Arts, Culture, and Social Change. The majority of foundation funding for the arts goes to large, established organizations that present work that is based in the European canon for a primarily white, upper-income audience.

Arts 52
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Authenticity and Demystifying the Artistic Process: Walker Art Center Blogs - Part 2

Beth's Blog: How Nonprofits Can Use Social Media

And, for a museum that is presenting contemporary art -- anything that helps us demystify the artistic process and better understand the art is, in my opinion, a good thing. This Walker Blog let's us peer into the inner workings of the art institution. audiences via the internet. I saw your posts on Art Mobs.

Arts 50
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Are the Arts Habit-Forming?

Museum 2.0

Imagine this situation: You go to an arts event, one of a type you rarely or never take part in. There's been a lot of innovation in arts programming in the last few years. Museums and other venues are offering special programs for teens, for hipsters, for people who want a more active or spiritual or participatory experience.

Arts 50
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Backed by former Facebook and Twitter execs, Tagg launches social branding app for Gen Z

TechCrunch

A “social branding” app for creative teens and twenty-somethings, Tagg is announcing a $2 million seed round today from Twitter co-founder Biz Stone, Facebook’s former VP of International Growth Ed Baker, TripAdvisor founder Stephen Kaufer, Pillar VC and more. . Image Credits: Tagg.

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Museum 2.0 Rerun: What Does it Really Mean to Serve "Underserved" Audiences?

Museum 2.0

This post is even more relevant today to the broader conversation about audience diversity in the arts than when it was published three years ago. Let''s say you work at an organization that mostly caters to a middle and upper-class, white audience. Guards staring at black teens and grumbling about their clothes.

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Does Your Institution Really Need to Be Hip? Audience Development Reconsidered

Museum 2.0

Race Through Time was designed specifically for this audience of 30 and 40-somethings looking for fun social events with a Santa Cruz bent. We saw Race Through Time as an opportunity to share our mission around engaging with history with a new and highly desirable audience of young professionals. Performances just for teens.